6.5/10
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Rabbit on the Moon (2004)

Conejo en la luna (original title)
Trailer
1:29 | Trailer
Though around them a criminal world seethes, Julie and Antonio are a young and loving couple with a new baby and a solid, white-collar sense of stability. But when a loose social connection... See full summary »
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3 wins & 11 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Antonio
Lorraine Pilkington ...
Julie Miles
...
Macedonio Ramirez
Adam Kotz ...
Ian Bower
Álvaro Guerrero ...
Nicolas Lopez
...
Alfredo Escudo
Emma Cunniffe ...
Tania Bower
...
Tom Sexton
Carlos Cobos ...
Gordo / Chubby Corona
Ricardo Blume ...
Dr. Parra
Adalberto Parra ...
Secretary Segura
Rodrigo Vazquez
...
Consul Hyde
...
Mr. Stanner
Eugenia Leñero ...
Reporter Salas
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Storyline

Though around them a criminal world seethes, Julie and Antonio are a young and loving couple with a new baby and a solid, white-collar sense of stability. But when a loose social connection suddenly ties them to a major political assassination, the two become innocents desperately trying to adapt to a world of murderous politicians and police that, moment to moment, threatens their lives. Written by Maggie Mackay

Plot Summary | Plot Synopsis

Genres:

Crime | Thriller

Certificate:

See all certifications »
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Details

Country:

|

Language:

|

Release Date:

6 October 2006 (UK)  »

Also Known As:

Alvo Marcado  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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User Reviews

 
Brilliant
22 October 2004 | by (Queretaro, Mexico) – See all my reviews

This is probably the first Mexican urban thriller that doesn't fall into goofyness or folkloric gags to keep the audience in. The director doesn't go for joking himself out of horrible situations, they stand as serious as a political execution. Its a hard movie, with a terrible subject and a wonderful realization. OK, its portrait of Mexico fits more a decade ago, but that's not a problem in a narrative full of corruption, souless souls, great dialogues, creepy characters and horrible situations. The political game hasn't been shown as fully since the wonderful HEROD'S LAW. One of the movie's asset is the way the narrative focuses in many characters, jumping from one site to the other to build up suspense. The whole English setting could have been easily a cheapy, instead the production work it carefully to provide it with something all recent Mexican urban thrillers lack: verosimilitude. If the worst problems this movie has are in some production values, the acting and the screenplay are worth it. Even if Jesus Ochoa plays the same role he does so well, this portrait is probably his finest (just compare to the shallow cardboard he played in MAN ON FIRE), he is creepy and somehow likable. When a "first world" citizen looks for refuge in his own country's embassy just to get a "huy mam, come back tomorrow at eight" from a night watchman, you get a glimpse at the director's good eye for the reality touch. One of Mexico's best of this year.


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