Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on. Written by
The change in title from "A Princess of Mars" to "John Carter of Mars," and later simply to "John Carter" is the subject of some controversy. Conflicting reasons given include that the Disney marketing department or director Andrew Stanton wanted to appeal to a broader audience, or that the studio had hoped to create a film series with the "John Carter" banner title. Industry lore also suggests that films with "Mars" in the title tend to under perform financially, most notably Mars Needs Moms (2011) which was also distributed by Disney and proved a colossal flop for the studio. Ironically, "John Carter" would prove to be the biggest financial disappointment for Disney since "Mars Needs Moms." See more »
Throughout the movie, Dejah Thoris's name is pronounced Deh-jah. According to Edgar Rice Burroughs's own notes, the name is supposed to be pronounced Dee-jah. See more »
Edgar Rice Burroughs:
I am the key. I am the key! I, Edgar.
[he looks for clues on the mausoleum door]
Edgar Rice Burroughs:
Ed! E... D!
[he presses the letters E-D in 'Inter Mundos' engraved on the mausoleum door, but nothing happens, frustrated Burroughs takes out the telegraph Carter had sent him and reads]
Edgar Rice Burroughs:
'Dear, Ned'. He never called me Edgar. He called me Ned!
[...] See more »
At the end of the movie, a title card comes up that says John Carter of Mars. See more »
Spectacular -- Transporting -- Surprisingly Moving High Adventure Epic!
By my standards, "must-see" films are getting to be rather rare. This one is by all means a MUST-SEE for everyone who loves science fiction and/or super heroes! Long before Superman, there was John Carter. Many have very likely forgotten what a resourceful and imaginative writer Edgar Rice Burroughs was. Most people only know he authored the original TARZAN. The movie JOHN CARTER is based on Burroughs' novel, A PRINCESS OF MARS, and his 1911 vision of an advanced civilization on Mars is truly astonishing. Upon seeing this, the first question you will likely ask is, "How is it no one has filmed this fantastic, mind-blowing, eye-popping, compelling sci-fi adventure saga before?" Well, there have been a few faint attempts but the true realization of John Carter's magnificent adventures waited patiently for the masterful CGI wizardry of director Andrew Stanton and the 2012 resources of Disney/Pixar. Amazingly, Mr. Stanton shot this heavily CGI-based epic on film! According to the director, he did so simply to see what it was like to make a movie like this on film before film is gone. The experience apparently has made him a fan of the classic motion picture medium and I imagine we will hear more from him on why. Of course I'm not going to give anything away. Suffice it to say that, thankfully, JOHN CARTER is a complete film experience: a suspenseful, dazzling story -- efficiently and superbly told -- with dramatic and unforgettable visuals -- and compelling, moving performances. Lynn Collins is particularly brilliant and beguiling as the exotic and dynamic Martian princess. Throughout the film the detail is extraordinary and the pacing is right on the mark, relentlessly drawing you forward into the wonder of this newly discovered, challenging, turbulent world. What a magnificent adventure saga! Let's put it this way: if you liked Sinbad, you will LOVE John Carter. Thanks to a sure-handed director, an inspired cast, and state of the art technical people, it's a fulfilling experience that I predict will remain with you always -- especially if you are among the young! JOHN CARTER is the ultimate exotic adventure; a masterpiece of cinematic action and pacing.
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