Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot. During his hopeful rise to the top, he discovers he has an 11-year-old son who wants to know his father.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran who in 1868 was trying to live a normal life, is "asked" by the Army to join. But he refuses so he is locked up. He escapes and is pursued. Eventually they run into some Indians and there's a gunfight. Carter seeks refuge in a cave. While there he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. Later he meets a woman who helps him to discover that he is on Mars. And he learns there's some kind of unrest going on. Written by
"A Princess of Mars" was originally published as "Under the Moons of Mars" by Norman Bean (Edgar Rice Burroughs' pseudonym) in The All-Story (six pulp magazine issues February - July, 1912). Burroughs was originally afraid that he might be ridiculed for writing such a tale, so he decided to use a pen name. The pseudonym was supposed to be a pun "Normal Bean" (as in "I'm a normal being") to reassure people, but the man who typeset the text thought it was a mistake, so he changed it to "Norman". However, Burroughs' fears turned out to be unfounded: the story and its sequels, collectively known as the "Barsoom series", were almost as popular (and arguably more influential) as those of his most famous creation, Tarzan. See more »
When Edgar Burroughs is given his uncle's private journal, he first turns the book so that he can open the lock with his right hand. After the attorney leaves, he turns it another time, just to put it in the same position again. See more »
Toxin, derived from a puffer fish, simulates death.
[Carter finds the medallion on Matai Shang's body]
Edgar Rice Burroughs:
You never found the medallion?
No. That's why I'm so grateful to you for bringing me one.
Edgar Rice Burroughs:
I... I was just bait?
No. You're far more than that. I really do need a protector. That is, if you're willing.
[Ned agrees and hugs Carter]
[Carter turns to go into the mausoleum]
Oh, and Ned. Take up a cause, fall in love, write a book.
[about to close the mausoleum]
It's time I went home.
[...] See more »
The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
Spectacular -- Transporting -- Surprisingly Moving High Adventure Epic!
By my standards, "must-see" films are getting to be rather rare. This one is by all means a MUST-SEE for everyone who loves science fiction and/or super heroes! Long before Superman, there was John Carter. Many have very likely forgotten what a resourceful and imaginative writer Edgar Rice Burroughs was. Most people only know he authored the original TARZAN. The movie JOHN CARTER is based on Burroughs' novel, A PRINCESS OF MARS, and his 1911 vision of an advanced civilization on Mars is truly astonishing. Upon seeing this, the first question you will likely ask is, "How is it no one has filmed this fantastic, mind-blowing, eye-popping, compelling sci-fi adventure saga before?" Well, there have been a few faint attempts but the true realization of John Carter's magnificent adventures waited patiently for the masterful CGI wizardry of director Andrew Stanton and the 2012 resources of Disney/Pixar. Amazingly, Mr. Stanton shot this heavily CGI-based epic on film! According to the director, he did so simply to see what it was like to make a movie like this on film before film is gone. The experience apparently has made him a fan of the classic motion picture medium and I imagine we will hear more from him on why. Of course I'm not going to give anything away. Suffice it to say that, thankfully, JOHN CARTER is a complete film experience: a suspenseful, dazzling story -- efficiently and superbly told -- with dramatic and unforgettable visuals -- and compelling, moving performances. Lynn Collins is particularly brilliant and beguiling as the exotic and dynamic Martian princess. Throughout the film the detail is extraordinary and the pacing is right on the mark, relentlessly drawing you forward into the wonder of this newly discovered, challenging, turbulent world. What a magnificent adventure saga! Let's put it this way: if you liked Sinbad, you will LOVE John Carter. Thanks to a sure-handed director, an inspired cast, and state of the art technical people, it's a fulfilling experience that I predict will remain with you always -- especially if you are among the young! JOHN CARTER is the ultimate exotic adventure; a masterpiece of cinematic action and pacing.
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