Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on. Written by
Mario Kassar had the project at Disney in the 1980s, but it was also listed under his development projects during his deal at Paramount in the mid-'90s. In 2004--when the project was still known as "A Princess of Mars" after the book on which it's based--Robert Rodriguez had originally been signed and announced as director and had begun pre-production early that year (it would have been his largest project to date, with starting budget reported at $100 million). Rodriguez' most notable contribution was to hire fantasy painter Frank Frazetta (whose most acclaimed works have included striking illustrations of Edgar Rice Burroughs novels, most notably the "John Carter on Mars" books) as production designer. However, when Rodriguez resigned from the Directors' Guild of America (DGA) the same year (due to a dispute over his film Sin City (2005)), Paramount was forced to replace him. The studio has a long-standing arrangement with the DGA in which only the organization's members may direct Paramount films. He was replaced with Kerry Conran, who had just finished Sky Captain and the World of Tomorrow (2004). In 2005 Conran left the project and was replaced by Jon Favreau just before the release of Favreau's movie Zathura: A Space Adventure (2005); Favreau was on-board to direct until around August 2006. At that time Paramount chose not to renew the film rights, preferring to focus on Star Trek (2009), and Favreau left to work on Iron Man (2008). In January 2007 Disney regained the rights (it had rights to film the story previously: in the 1980s with director John McTiernan), and enlisted Andrew Stanton from Pixar to direct. See more »
The white ape's blood is blue, so it makes no sense that its mouth, gums and tongue are light red. See more »
We do not cause the destruction of a world, Captain Carter. We simply manage it. Feed off it, if you like.
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The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
We just saw a pre-release showing of this movie and I had to pick my jaw up off the floor a few times. The movie is simply stunning. While there may be small details to niggle at for the most die-hard Burroughs fans, this is "inspired by" a Princess of Mars, it isn't a straight adaptation. The movie is a whirlwind of amazing visuals, powerful dialog and soul-wrenching storytelling.
I'd had high hopes that this movie would live up to the hype surrounding it. It surpasses it, the hype doesn't even come close. From beginning to end, this movie focuses on story, and expands on a great story with stunning effects as opposed to just using great FX in place of solid storytelling.
It also has one of the strongest pieces of non-verbal storytelling outside of Up.
Do not miss this film. Do see it in the theaters. Do see it in 3D.
You will not be disappointed. I'm certainly chomping at the bit for release day so I can see it again and I'm already hoping for a sequel based on The Gods of Mars.
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