Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on. Written by
"A Princess of Mars" was originally published as "Under the Moons of Mars" by Norman Bean (Edgar Rice Burroughs' pseudonym) in The All-Story (six pulp magazine issues February - July, 1912). Burroughs was originally afraid that he might be ridiculed for writing such a tale, so he decided to use a pen name. The pseudonym was supposed to be a pun "Normal Bean" (as in "I'm a normal being") to reassure people, but the man who typeset the text thought it was a mistake, so he changed it to "Norman". However, Burroughs' fears turned out to be unfounded: the story and its sequels, collectively known as the "Barsoom series", were almost as popular (and arguably more influential) as those of his most famous creation, Tarzan. See more »
On two occasions, Dejah is falling from a great height when John makes a soaring leap, and catches her at its apex when he's traveling horizontally. Doing so instantly cancels out her downwards momentum - when either they should've both gone into a sharp dive, or else she would be killed as if she'd just hit the ground. See more »
[shouting to his men as Carter points the weapon at Tarkas]
Don't shoot it! Don't shoot it! Don't shoot it!
[as Tarkas lunges himself onto Carter, one of his soldiers shoots Carter in the butt, after which Tarkas takes him prisoner, straps him to one of their alien horse creatures, along with some Thark hatchlings]
What is this place? Where am I?
Virginia. It's okay, just relax.
Where's my damn gold?
Young Thark Warrior:
[...] See more »
At the end of the movie, a title card comes up that says John Carter of Mars. See more »
Hearing about this Disney film's story sparked my interest in seeing this right away! I finally did and overall, the characters, the setting, and the plot flowed seamlessly well together! It's like Disney's formula of "Star Wars" and "Avatar" meets "Prince of Persia: Sands of Time."
So, the plot revolves around a Civil War veteran who is somehow transported to Barsoom (aka Mars), where he must help a princess and a colony succeed in a heated battle against another feuding colony.
Director Andrew Stanton delivered well in this epic take of John Carter. Sure, star Taylor Kitsch seems like he's trying a little too hard as the lead guy, but it looks like he's heading toward the same path left behind by Jake Gyllenhaal for "Prince of Persia": serious character figure, yet sometimes able to show unintentional humor usually without noticing. Though not bad on either one's part!
Since John Carter was conceived as a story back in 1912 by Edgar Rice Burroughs (of Tarzan fame), I have to say that this movie is certainly NOT a rip-off. A film like this deserves more credit than initially given! Epic action/adventure films like "Star Wars" and "Avatar" wouldn't exist today without these early roots! It pretty much sparked an influence on the sci-fi, action, adventure genre films that most audiences came to know decades later.
It looks like Stanton's following exactly what his fellow Pixar colleague Brad Bird had done with Tom Cruise in "Mission Impossible: Ghost Protocol," stepping up as director for once in live-action! Not bad for their first time.
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