Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on. Written by
The change in title from "A Princess of Mars" to "John Carter of Mars," and later simply to "John Carter" is the subject of some controversy. Conflicting reasons given include that the Disney marketing department or director Andrew Stanton wanted to appeal to a broader audience, or that the studio had hoped to create a film series with the "John Carter" banner title. Industry lore also suggests that films with "Mars" in the title tend to under perform financially, most notably Mars Needs Moms (2011) which was also distributed by Disney and proved a colossal flop for the studio. Ironically, "John Carter" would prove to be the biggest financial disappointment for Disney since "Mars Needs Moms." See more »
The white ape's blood is blue, so it makes no sense that its mouth, gums and tongue are light red. See more »
In the Hall of Science.
And where's that?
[chuckles, while smiling with her head down]
[Carter becomes angry, thinking that Dejah is still trying to convince him to go to Helium]
Then quick! Let's just head on turn on back to Helium.
[Carter grabs Dejah's arm in anger]
What do you take me for?
I take you for a man who's lost!
I won't be lost if you just tell me how to work this thing!
I will! But everything I need to understand the medallion is in Helium. I'm trying to get you back to your...
[...] See more »
At the end of the movie, a title card comes up that says John Carter of Mars. See more »
This was without exaggeration the most impressive movie I've ever seen. It's the stuff cinema and 3-D are made for. I experienced it as a partly breathtaking parade of impressive landscapes, panorama shots, aliens, costumes and sets connected by a complex story about power, resistance and of course love that culminates in a clever ending.
The only reason I give not all 10 stars is because I have to confess that I found the story sometimes a little too complex and therefore hard to follow.
But this feast for the eye is by any means the money for the ticket worth. I've never seen such a spectacular movie. My dream fulfilled: A new overwhelming sf- spectacular which isn't part of the Star Wars or Star Trek franchise but opens a new rich and fantastic world and which has- in opposite to the SW prequels- a logical and intricate story.
All my hopes that it won't bomb but allow new adventures with John Carter on the Mars to be filmed.
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