Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on. Written by
Robert Zemeckis turned down the chance to direct, quipping "George already pillaged all of that" with the "Star Wars" films. In other words, most of the best elements of Edgar Rice Burroughs' Mars fantasies had already been "borrowed" for George Lucas' space operas. See more »
When John Carter is trying to pull the chain out of the rock in the arena, the ring fastening the chain has an obvious gap for him to unhook it easily. The gap disappears in the next shot. See more »
Stand behind me, this might get dangerous.
[John fights the Zodangans. When he loses his sword, Dejah takes it and kills the remaining enemies]
Or maybe I ought to get behind you...
[Cleans the blood off the sword with John's clothes]
You let me know when it gets dangerous.
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The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
I did only have modest expectations of this film as the trailer reminded me a bit to much of Dune. Really surprised to find a film which had a good plot line (albeit cynics will liken it to Avatar-lite), well acted, reasonable characterisations, brilliant visuals and a surprisingly good hero figure in Taylor Kitsch. I saw the preview screening this morning - don't really care how much it cost to make - what I found was a big budget film that I really enjoyed from start to finish. My advice - don't follow the cynics and naysayers - see it for yourself. I will normally not go see 3D films (they give me a headache) but the 3D wasn't too intrusive on this one.
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