Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
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A group of archaeological students become trapped in the past when they go there to retrieve their professor. The group must survive in 14th century France long enough to be rescued.
Director:
Richard Donner
Stars:
Paul Walker,
Frances O'Connor,
Gerard Butler
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
After rescuing Han Solo from the palace of Jabba the Hutt, the Rebels attempt to destroy the Second Death Star, while Luke Skywalker tries to bring his father back to the Light Side of the Force.
A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.
Director:
James Cameron
Stars:
Sam Worthington,
Zoe Saldana,
Sigourney Weaver
Luke Skywalker, a spirited farm boy, joins rebel forces to save Princess Leia from the evil Darth Vader, and the galaxy from the Empire's planet-destroying Death Star.
The Fantastic Four learn that they aren't the only super-powered beings in the universe when they square off against the powerful Silver Surfer and the planet-eating Galactus.
After three years of fighting in the Clone Wars, Anakin Skywalker falls prey to the Sith Lord's lies and makes an enemy of the Jedi and those he loves, concluding his journey to the Dark Side.
Ten years later, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Princess and discovers a secret clone army crafted for the Jedi.
After a long visit to the lost remains of the planet Krypton, the Man of Steel returns to Earth to become the people's savior once again and reclaim the love of Lois Lane.
Two Jedi Knights escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to reclaim their old glory.
John Carter, a Civil War veteran who in 1868 was trying to live a normal life, is "asked" by the Army to join. But he refuses so he is locked up. He escapes and is pursued. Eventually they run into some Indians and there's a gunfight. Carter seeks refuge in a cave. While there he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. Later he meets a woman who helps him to discover that he is on Mars. And he learns there's some kind of unrest going on. Written by
rcs0411@yahoo.com
Probably holds the record for having the longest period of "development hell" for any movie, at 79 years. Preproduction for a film version first started in 1931, when Robert Clampett (director of 'Looney Tunes') approached author Edgar Rice Burroughs to make an animated feature out of the first book in the series, "A Princess of Mars" (the same story that this film is an adaptation of). Had plans gone through, 'John Carter' could have become America's first animated feature, beating Disney's Snow White and the Seven Dwarfs (1937). The film finally left development hell in January 2010 when filming officially started in London. See more »
Goofs
Near the beginning of the movie, it is mentioned that Carter, a former Confederate soldier, was "decorated six times, including the Southern Cross of Honor." In fact, the Confederacy issued no medals and only added a few names to a "Roll of Honor." The Southern Cross of Honor did not exist until the late 1890s when the United Daughters of the Confederacy began giving it to veterans. So, in reality, it would've been impossible for Carter to have been "decorated six times" and receive the Southern Cross of Honor. See more »
Quotes
John Carter:
[Seeing the carvings in the temple of the Tharks]
Can you read it?
Dejah Thoris:
It's old scripture.
John Carter:
What's it mean?
Dejah Thoris:
Don't rush me. "To those who seek the solace of eternity, may journey down the river through the sacred Gates of Iss and find everlasting peace in the bosom of Issus".
John Carter:
The Gates of Iss.
Dejah Thoris:
What if I could take you there?
John Carter:
What if I didn't trust you?
Dejah Thoris:
Then we'd be even. I can take you to the gates, to the answers that you seek. A way back to Jasoom.
John Carter:
Earth.
Dejah Thoris:
Earth. So this I can to repay you from ...
[...] See more »
Crazy Credits
The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
I am a man of obsessions. For months, a movie I hadn't seen was the thing. Not Peter Jackson's THE HOBBIT, not Joss Whedon's THE AVENGERS, not even the upcoming Sam Mendes directed James Bond movie SKYFALL (which I'm excited about but it hasn't really sunk its hooks into me yet)...
No, it was Andrew Stanton's JOHN CARTER.
My excitement was not the universal feeling. Disney advertising had dropped the ball and the trailers seemed lackluster to most. Yet something within directed me toward it like a compass points to True North. There was something special about it, something just out of view in the trailers that wouldn't let me go. I trust my obsessions, always, but at some point I got to feeling a bit exhausted and just wanted to know if I was right or maybe a total loon.
I've now been to two advance screenings of JOHN CARTER.
And? Holy Living Thark! The bar on science fiction and fantasy movies has Officially Been Raised.
JOHN CARTER is based on Edgar Rice Burroughs' A Princess of Mars --a novel first published a century ago. I expected to come out of the movie with my head full of comparisons to all the things Burroughs' imagination inspired: STAR WARS, AVATAR, FLASH GORDON, etc. Understandably so, as I'm much more familiar with all of them. That didn't happen. Put simply, if STAR WARS is a kids' science fiction movie franchise that adults enjoy (and it is), then JOHN CARTER is an adult science fiction movie that kids will enjoy.
CARTER is such an immersing experience. Every moment reveals something new about Mars; about the exotic alien races and cultures that call it home, or about their individual characters. James Cameron's AVATAR showed us a world we've never seen before and it was wondrous to behold, but Andrew Stanton's JOHN CARTER is a movie so rich with detail that it left me feeling like I had been somewhere. JOHN CARTER feels like nothing so much than as if David Lean had made a science fiction epic of love and war set on Mars.
This movie has a confidence to it you won't be expecting. It's unafraid to linger over the characters, and give them time to breathe and reveal themselves. My favorite decade for movies is the 1960s, and JOHN CARTER has some of the epic adventure movies of that time running through it like a seam of gold. There's a bit of LAWRENCE OF ARABIA in there as I alluded to before, and perhaps a touch of ZULU and SPARTACUS is mixed in with the Martian airships and predator cities. Old fashioned storytelling magic and 21st century movie sorcery have combined into a film that's a pulp sci-fi masterpiece.
To the ERB faithful: please relax. Yes, there are changes from the novel; no, they are not the arbitrary changes made in inferior movie adaptations where the filmmaker just wants to do his/her own ideas. Every change is made to tell Burroughs' story or reveal some aspect of Burroughs' characters in a way more befitting a movie instead of a novel.
Going into this, I had absurdly high expectations. A friend of mine told me he was worried the movie wouldn't live up to them and that frankly I was starting to sound a little crazy. Well, the movie went and exceeded my expectations. I love it, and give it a 10/10. I'm definitely going to see it at least six times in the theater, and will finally buy a Blu-Ray player just to watch it at home.
I realize this review sounds over the top. That's just how excited I am about the movie. Perhaps in a previous life I was an ancient Greek by the name of Hyperboles? Anyway, see the movie. I guarantee that even if you don't like it as much as I did, you'll see where I was coming from with this gushing review.
309 of 496 people found this review helpful.
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I am a man of obsessions. For months, a movie I hadn't seen was the thing. Not Peter Jackson's THE HOBBIT, not Joss Whedon's THE AVENGERS, not even the upcoming Sam Mendes directed James Bond movie SKYFALL (which I'm excited about but it hasn't really sunk its hooks into me yet)...
No, it was Andrew Stanton's JOHN CARTER.
My excitement was not the universal feeling. Disney advertising had dropped the ball and the trailers seemed lackluster to most. Yet something within directed me toward it like a compass points to True North. There was something special about it, something just out of view in the trailers that wouldn't let me go. I trust my obsessions, always, but at some point I got to feeling a bit exhausted and just wanted to know if I was right or maybe a total loon.
I've now been to two advance screenings of JOHN CARTER.
And? Holy Living Thark! The bar on science fiction and fantasy movies has Officially Been Raised.
JOHN CARTER is based on Edgar Rice Burroughs' A Princess of Mars --a novel first published a century ago. I expected to come out of the movie with my head full of comparisons to all the things Burroughs' imagination inspired: STAR WARS, AVATAR, FLASH GORDON, etc. Understandably so, as I'm much more familiar with all of them. That didn't happen. Put simply, if STAR WARS is a kids' science fiction movie franchise that adults enjoy (and it is), then JOHN CARTER is an adult science fiction movie that kids will enjoy.
CARTER is such an immersing experience. Every moment reveals something new about Mars; about the exotic alien races and cultures that call it home, or about their individual characters. James Cameron's AVATAR showed us a world we've never seen before and it was wondrous to behold, but Andrew Stanton's JOHN CARTER is a movie so rich with detail that it left me feeling like I had been somewhere. JOHN CARTER feels like nothing so much than as if David Lean had made a science fiction epic of love and war set on Mars.
This movie has a confidence to it you won't be expecting. It's unafraid to linger over the characters, and give them time to breathe and reveal themselves. My favorite decade for movies is the 1960s, and JOHN CARTER has some of the epic adventure movies of that time running through it like a seam of gold. There's a bit of LAWRENCE OF ARABIA in there as I alluded to before, and perhaps a touch of ZULU and SPARTACUS is mixed in with the Martian airships and predator cities. Old fashioned storytelling magic and 21st century movie sorcery have combined into a film that's a pulp sci-fi masterpiece.
To the ERB faithful: please relax. Yes, there are changes from the novel; no, they are not the arbitrary changes made in inferior movie adaptations where the filmmaker just wants to do his/her own ideas. Every change is made to tell Burroughs' story or reveal some aspect of Burroughs' characters in a way more befitting a movie instead of a novel.
Going into this, I had absurdly high expectations. A friend of mine told me he was worried the movie wouldn't live up to them and that frankly I was starting to sound a little crazy. Well, the movie went and exceeded my expectations. I love it, and give it a 10/10. I'm definitely going to see it at least six times in the theater, and will finally buy a Blu-Ray player just to watch it at home.
I realize this review sounds over the top. That's just how excited I am about the movie. Perhaps in a previous life I was an ancient Greek by the name of Hyperboles? Anyway, see the movie. I guarantee that even if you don't like it as much as I did, you'll see where I was coming from with this gushing review.