Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
John Carter, a Civil War veteran who in 1868 was trying to live a normal life, is "asked" by the Army to join. But he refuses so he is locked up. He escapes and is pursued. Eventually they run into some Indians and there's a gunfight. Carter seeks refuge in a cave. While there he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. Later he meets a woman who helps him to discover that he is on Mars. And he learns there's some kind of unrest going on. Written by
Mario Kassar had the project at Disney in the 1980s, but it was also listed under his development projects during his deal at Paramount in the mid-'90s. In 2004--when the project was still known as "A Princess of Mars" after the book on which it's based--Robert Rodriguez had originally been signed and announced as director and had begun pre-production early that year (it would have been his largest project to date, with starting budget reported at $100 million). Rodriguez' most notable contribution was to hire fantasy painter Frank Frazetta (whose most acclaimed works have included striking illustrations of Edgar Rice Burroughs novels, most notably the "John Carter on Mars" books) as production designer. However, when Rodriguez resigned from the Directors' Guild of America (DGA) the same year (due to a dispute over his film Sin City (2005)), Paramount was forced to replace him. The studio has a long-standing arrangement with the DGA in which only the organization's members may direct Paramount films. He was replaced with Kerry Conran, who had just finished Sky Captain and the World of Tomorrow (2004). In 2005 Conran left the project and was replaced by Jon Favreau just before the release of Favreau's movie Zathura: A Space Adventure (2005); Favreau was on-board to direct until around August 2006. At that time Paramount chose not to renew the film rights, preferring to focus on Star Trek (2009), and Favreau left to work on Iron Man (2008). In January 2007 Disney regained the rights (it had rights to film the story previously: in the 1980s with director John McTiernan), and enlisted Andrew Stanton from Pixar to direct. See more »
Even though John is able to jump higher & further than he could on Earth, he's still subject to the same gravity of Mars as everything else. Yet somehow when Dejah is falling, he's able to leap downwards at a faster rate and catch her before she hits the ground. See more »
[as they are pursued by the Thark tribe, Carter touches Dejah's hand and has flashback to coming home after the war to find his home burned with his wife and his daughter inside]
What are you doing?
[he jumps off the lizard-horse creature]
Sola, get her out of here.
I was too late once. I won't be again.
No! No! No! No!
[...] See more »
The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
Cheesy, ludicrous plot but highly enjoyable blockbuster Sci-fi fantasy adventure
I saw this at a preview screening in London.
I never read any of the books so only had a vague synopsis of the story just from trailers which didn't really impress me much.
Well, this turned out to be quite a blast. Its an enjoyable if very cheesy Sci-fi fantasy blockbuster. It has the spirit and energy of Flash Gordon including its own outrageously nonsensical but fun premise. It isn't as cheesy as that film but there is a definite lean towards it. The story is quite a novel mix of Planet of the Apes, Conan, Red Sonja, Avatar, Star Wars and Superman (yep this is a superhero movie too). We even have a western thrown in the mix at the beginning. I was going to say there isn't anything original here but how can I? This story was published in the 19th century so from that perspective, I can now see a lot of plot influences deriving from this in later SF/fantasy films.
A lot of money was spent on this movie and it shows. The special effects here are pretty awesome. Not necessarily ground breaking, everything on screen has been done before but its all smoothly done at a grand scale though not quite to the scale of the Star Wars prequels. Effects that stood out for me were John Carters "Hulk" like jumps, Martian sky ship battles, green martians (as good as Avatar), and a cute monster dog sidekick that almost steels the show.
Another major feature of the film was the cinematography. Its quite spectacular and for a barren dead desert planet, its surprisingly stunning.
One of the biggest surprise for me was the 3D. Its post conversion which most often results in poorer quality than films which are filmed in 3D from the start. But an exception can be made here. This is hands down the best 3d conversion film I have seen. The 3d depth was outstanding and really shows its power in numerous landscape and action scenes. This is probably the second best 3d live action film I've seen overall (either filmed in 3d or post converted) and I am normally anti-3d when it comes to live action films.
Taylor Kitsch who plays John Carter has just about enough screen presence portraying a likable anti hero with a punchy attitude and a sense of past history haunting him. Its a Han Solo type role but he plays it more brooding. There is even a Princess Leia and the age old storyline of helping a Princess to fight a war but each with their own agendas. Its all very clichéd, yet still enjoyable.
As much fun as I had with this, there is no denying that there is a lot wrong with it too. I could pick on flaws and lack of logic all day long with this film some of which are smack on the head stupid and some elements I desperately wished more or better development on. The dialogue while often funny, also often dive bombs into cringe-worthiness (much like a Lucas script), the developing romance was very disjointed and sometimes embarrassing (think Anakin and Padme levels of embarrassment). The 3 way war politics was not very clear, major characters not fleshed out enough and there's a whole lot of story loopholes. Yet there is still a lot more fun to be had to override those flaws.
I have a feeling that book lovers will be disappointed because I can detect a lot of back story is missing here and key characters seem very short changed on their development and motives (particularly with the green martians) which I am sure would have been fully fleshed out in the book. However, I reckon if you enjoy films like Thor and GI Joe, you'll have a great time with this. This wont be a classic or even a cult movie but it is a satisfying piece of cinema escapism. And its enough for me to want to read the books!
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