Learning of her mother's death in Paris, estranged daughter returns home to find a series of photo's where her mother, a renowned photo journalist, is seen with three Portuguese political exiles who were her friends.
In a modern version of Ibsen's stage play we meet TV-celebrity Tomas Stockman going back to his native village to produce the world's purest bottle water. The plant will bring new life and ... See full summary »
Based on António Lobo Antunes's novel, a collection of letters written by a young soldier, doctor and a aspirant writer, to his wife while he was serving in Angola between 1971 and 1973, ... See full summary »
It's Easter in the beach house of a Chilean well-to-do and nowadays family. A self-centered and successful father, a disoriented mother and a son overshadowed by his successful father. The ... See full summary »
Tate, a young and crooked businessman, thinks he can get rich quick by buying a Russian freighter in the port of Rotterdam. This turns out to be a fiasco because the ship has been arrested,... See full summary »
Paula van der Oest
Einar and Bjørn leave Lene on the island for a fishing trip. Then her former lover, Gaute, drops by unexpectedly. Drunk, he sleeps in the double bed. Lene sleeps on the couch and wakes up ... See full summary »
Lene Elise Bergum,
Svein Roger Karlsen,
Having never previously viewed a Portuguese film, I was curious about this particular new production due to its famed director (who apparently was a pioneer of Brazil's New Wave movement). Like the recent hit SYRIANA, Portugal SA may be hailed as a political thriller, exposing the dark side of politicians and their ties to corporate bosses. It explores about 10 major characters, all of whom know each other very well. They are highly influential in their career, and are lifelong friends. A bitter businessman comes along, takes in one of the guys, and the dilemma of "to double cross or not to double cross" begins. There is also a priest, who is sort of like the chief adviser to the group of influential characters, who secretly reads and narrates Machiavelli's "The Prince"--a text frowned upon by the church. But indeed, this film illustrates that some concepts from "The Prince" are very much alive in politics and abroad today, and hints that they may be essential for success. Although the government and situations depicted are Portuguese, I think the ideas are relevant beyond national scope. Bravo to Guy Guerra for undertaking this risky project.
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