7.3/10
65,643
124 user 163 critic

Paris, je t'aime (2006)

Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

Writers:

(original idea), (concept) | 31 more credits »
Reviews
Popularity
4,586 ( 54)

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From $2.99 (SD) on Amazon Video

ON DISC
3 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Julie Bataille ...
Julie (segment "Tuileries")
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...
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Suzanne (segment "Place des Victoires")
Seydou Boro ...
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Le touriste (segment "Tuileries")
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...
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Cyril Descours ...
Lionel Dray ...
Ken (segment "Quartier des Enfants Rouges")
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Marianne (segment "Le Marais")
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...
Le père (segment "Place des Victoires")
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Storyline

Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by Emmanuel Benbihy

Plot Summary | Plot Synopsis

Taglines:

A film about love & life in the world's most romantic city See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Language:

| | | |

Release Date:

15 June 2007 (USA)  »

Also Known As:

Paris, je t'aime  »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$39,242, 6 May 2007, Limited Release

Gross USA:

$4,857,376, 5 August 2007
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Since the Coen Brothers knew they only had two days to shoot their sequence and were working on a very tight schedule, they elected to mount it in a metro station just in case it might rain. See more »

Goofs

In the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar. This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history. See more »

Quotes

Thomas: And you were accepted, of course. You moved from Boston to Paris into a little apartment on the rue du Faubourg-Saint-Denis. I showed you our neighborhood, my bars, my school. I introduced you to my friends, my parents. I listened to your texts, your singing, your hopes, your desires, your music. You listened to mine. My Italian, my German, a bit of Russian. I gave you a walkman. You gave me a pillow. And one day, you kissed me. Time went by, time flew and everything seemed so easy, so simple, ...
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Connections

Referenced in Siskel & Ebert: The Best of 2007 (2007) See more »

Soundtracks

You Wanna Break Free
Written by Richard Cottle and Chris Thompson
(P) and (C) K Musik / KPM Music
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User Reviews

 
The bizarre and beautiful language of love...
24 June 2006 | by See all my reviews

Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.

This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.

The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.

The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.

From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.


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