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Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
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In "Bastille", when Marie-Christine receives Sergio's text message, you can see the text cursor blinking. This shows that the text was actually written on Marie-Christine's phone. See more »
They say a lot of things about Paris. They say it's a place where artists find inspiration. They say it's a place where people come to discover something new about their lives. They say it's a place where you can find love.
Of course, at my age, I didn't expect any of that.
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Light-footed mix of styles with some great moments, and some even greater names.
The whole does not even come close to the sum of the parts. No problem. This film features a line-up of some of the most diversely creative directors of our time and some really famous names in the cast. The segments are devised around the same theme, "Love in Paris", but the resemblance ends there. Actually, considering that the approach to the theme from all these different directors takes so many forms, it is amazing that we can even feel we are still watching the same film. No great effort has been made to turn it into a comprehensive whole. This buffet has so many great ingredients, I am glad nobody tried to put them all in a single dish.
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