Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
This is the first feature film fully scanned in 6K and mastered in 4K in Europe (as opposed to the normal 2K). Encoding the image took about 24 hours per reel (at Laboratoires Éclair). See more »
In "Bastille", when Marie-Christine receives Sergio's text message, you can see the text cursor blinking. This shows that the text was actually written on Marie-Christine's phone. See more »
Thomas, listen. Listen. There are times when life calls out for a change. A transition. Like the seasons. Our spring was wonderful, but summer is over now and we missed out on autumn. And now all of a sudden, it's cold, so cold that everything is freezing over. Our love fell asleep, and the snow took it by surprise. But if you fall asleep in the snow, you don't feel death coming. Take care.
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Wasn't sure what to expect from this movie considering its amazing collection of stars and directors but in the end it didn't disappoint.
For me one of the highlights was the final episode with the American tourist speaking with a dreadful French accent (which made me feel better about mine) which was actually quite touching and a great way to wrap up the movie.
The story of the paramedic and the stabbing victim was also very moving and for pure comedy the Coen Brothers and Steve Buscemi take the award. The Tom Tykwer clip was also impressive although rather ambitious in its scope.
However, the Bob Hoskins segment was totally cringeworthy and the vampire story was completely farcical. The dialogue in Wes Craven's section also felt very forced and the Chinatown story was completely incomprehensible.
On the whole this film is worth watching for the good bits and has a strong finish. It's not too painful to sit through the bad sections - they only last 5 minutes anyway.
Ca vaut la peine!!!
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