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Paris, je t'aime (2006)

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Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

Writers:

(original idea), (concept) | 26 more credits »
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Popularity
4,477 ( 268)
2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Florence Muller ...
Bruno Podalydès ...
...
Cyril Descours ...
François (segment "Quais de Seine")
...
Marianne (segment "Le Marais")
...
...
...
Le touriste (segment "Tuileries")
Julie Bataille ...
Julie (segment "Tuileries")
Axel Kiener ...
Axel (segment "Tuileries")
...
Ana (segment "Loin du 16e")
...
...
...
...
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Storyline

Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by Emmanuel Benbihy

Plot Summary | Plot Synopsis

Taglines:

Stories of love from the heart of the city See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Language:

| | | |

Release Date:

15 June 2007 (USA)  »

Also Known As:

Paris, je t'aime  »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$39,242 (USA) (4 May 2007)

Gross:

$4,857,376 (USA) (3 August 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Since the Coen Brothers knew they only had two days to shoot their sequence and were working on a very tight schedule, they elected to mount it in a metro station just in case it might rain. See more »

Goofs

In "Bastille", when Marie-Christine receives Sergio's text message, you can see the text cursor blinking. This shows that the text was actually written on Marie-Christine's phone. See more »

Quotes

Fanny Forestier: [in French] Kiss me on impulse! Surprise me!
Bob Leander: Me, me, me, me! You always want your feelings understood! But mine are childish! Sex isn't disgusting unless you make it disgusting! There can be beauty in this place too!
Fanny Forestier: [in French] Not what I call beauty!
Bob Leander: I need a little help! You don't know what it's like for a man when it's all gone! I can't feel anything anymore!
Fanny Forestier: [slaps him] Do you feel *that*?
Bob Leander: [turning to the stripper] What do you charge to watch an argument?
See more »

Connections

References The Last Trapper (2004) See more »

Soundtracks

Danny (Lonely Lovely Boy)
Written by Benjamin Wiseman and Fred Wise
Performed by Conway Twitty
See more »

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User Reviews

 
Love, Paris Style
9 June 2007 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. 18 directors of 18 seemingly unrelated vignettes about love in the city of lights. A very unusual format that takes a couple of segments to adjust to as a viewer. We are so accustomed to character development over a 2 hour movie, it is a bit disarming for that to occur in an 8 minute segment.

The idea is 18 love/relationship stories in 18 different neighborhoods of this magnificent city. Of course, some stand up better than others and some go for comedy, while others focus on dramatic emotion. Some very known directors are involved, including: The Coen Brothers, Wes Craven, Alfonso Cuaron, Alexander Payne, Gus Van Sant and Gurinda Chadha. Many familiar faces make appearances as well: Steve Buscemi, Barbet Schroeder, Catalina Sandino Moreno, Ben Gazzara, Gena Rowlands, Gerard Depardieu, Juliette Binoche, Willem Dafoe, Nick Nolte, Maggie Gyllenhaal and Bob Hoskins.

One of the best segments involves a mime, and then another mime and the nerdy, yet happy young son of the two mimes. Also playing key roles are a red trench coat, cancer, divorce, sexual fantasy, the death of a child and many other topics. Don't miss Alexander Payne (director of "Sideways") as Oscar Wilde.

The diversity of the segments make this interesting to watch, but as a film, it cannot be termed great. Still it is very watchable and a nice change of pace for the frequent movie goer.


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