The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
This is the first feature film fully scanned in 6K and mastered in 4K in Europe (as opposed to the normal 2K). Encoding the image took about 24 hours per reel (at Laboratoires Éclair). See more »
In the segment 'Père-Lachaise,' when William (Rufus Sewell) confronts Frances (Emily Mortimer), his coat is buttoned to the neck. The camera cuts to Frances, and back to William, his coat now open. The next time William appears, his coat is buttoned-up again. William (apparently) hasn't moved at all. See more »
[Injured and bleeding]
I just got stung by a lousy mosquito. These neighborhoods are dangerous. Lagos is safer. What's your name?
I'd give you my card but I have none left. Too bad! Sophie, fancy a cup of coffee? Go on! Can I massage your feet?
Why would I let you?
Because they hurt.
You were running in my dreams all night... Please have coffee with me.
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Light-footed mix of styles with some great moments, and some even greater names.
The whole does not even come close to the sum of the parts. No problem. This film features a line-up of some of the most diversely creative directors of our time and some really famous names in the cast. The segments are devised around the same theme, "Love in Paris", but the resemblance ends there. Actually, considering that the approach to the theme from all these different directors takes so many forms, it is amazing that we can even feel we are still watching the same film. No great effort has been made to turn it into a comprehensive whole. This buffet has so many great ingredients, I am glad nobody tried to put them all in a single dish.
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