Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
This is the first feature film fully scanned in 6K and mastered in 4K in Europe (as opposed to the normal 2K). Encoding the image took about 24 hours per reel (at Laboratoires Éclair). See more »
In the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar.
This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history. See more »
And you were accepted, of course. You moved from Boston to Paris into a little apartment on the rue du Faubourg-Saint-Denis. I showed you our neighborhood, my bars, my school. I introduced you to my friends, my parents. I listened to your texts, your singing, your hopes, your desires, your music. You listened to mine. My Italian, my German, a bit of Russian. I gave you a walkman. You gave me a pillow. And one day, you kissed me. Time went by, time flew and everything seemed so easy, so simple, ...
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Wasn't sure what to expect from this movie considering its amazing collection of stars and directors but in the end it didn't disappoint.
For me one of the highlights was the final episode with the American tourist speaking with a dreadful French accent (which made me feel better about mine) which was actually quite touching and a great way to wrap up the movie.
The story of the paramedic and the stabbing victim was also very moving and for pure comedy the Coen Brothers and Steve Buscemi take the award. The Tom Tykwer clip was also impressive although rather ambitious in its scope.
However, the Bob Hoskins segment was totally cringeworthy and the vampire story was completely farcical. The dialogue in Wes Craven's section also felt very forced and the Chinatown story was completely incomprehensible.
On the whole this film is worth watching for the good bits and has a strong finish. It's not too painful to sit through the bad sections - they only last 5 minutes anyway.
Ca vaut la peine!!!
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