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Paris, je t'aime (2006)

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Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.


(original idea), (concept) | 31 more credits »
4,579 ( 99)
2 wins & 1 nomination. See more awards »



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Cast overview, first billed only:
Fanny (segment "Pigalle")
Julie Bataille ...
Julie (segment "Tuileries")
Thomas (segment "Faubourg Saint-Denis") (as Melchior Beslon)
Suzanne (segment "Place des Victoires")
Seydou Boro ...
Hassan (segment "Place des Fetes")
Le touriste (segment "Tuileries")
Le patron (segment "Quartier Latin")
Cyril Descours ...
François (segment "Quais de Seine")
Lionel Dray ...
Ken (segment "Quartier des Enfants Rouges")
Marianne (segment "Le Marais")
Ben (segment "Quartier Latin")
Le père (segment "Place des Victoires")


Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by Emmanuel Benbihy

Plot Summary | Plot Synopsis


Stories of Love. From the City of Love. See more »


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:




| | | |

Release Date:

15 June 2007 (USA)  »

Also Known As:

Paris, je t'aime  »

Box Office


$13,000,000 (estimated)

Opening Weekend:

$39,242 (USA) (4 May 2007)


$4,857,376 (USA) (3 August 2007)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Since the Coen Brothers knew they only had two days to shoot their sequence and were working on a very tight schedule, they elected to mount it in a metro station just in case it might rain. See more »


In the segment 'Père-Lachaise,' when William (Rufus Sewell) confronts Frances (Emily Mortimer), his coat is buttoned to the neck. The camera cuts to Frances, and back to William, his coat now open. The next time William appears, his coat is buttoned-up again. William (apparently) hasn't moved at all. See more »


Ana: [singing in Spanish to Bourgeoisie's baby] Pretty little hands that I have how pretty and how white that God gave me. Pretty little eyes that I have how pretty and black that God gave me. Pretty little mouth that I have how pretty and red that God gave me. Pretty little feet that I have how pretty and chubby that God gave me...
See more »


References Amélie (2001) See more »


Written by Craig Pruess
(P) 2006 Victoires International
(C) 2006 Emma Productions
Segment "Quais de Seine"
See more »

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User Reviews

" Lovers of ... love "
7 July 2007 | by (Serbia) – See all my reviews

Rudyard Kipling once wrote that God gave to all people the ability to love the whole world, but given that a human heart is very small in size, every human has that special place that he loves more than any other. It seems to me that this may have been the motto of some of the most eminent directors of today when they set out to profess the eternal love for that special place and depict situations in the lives of its denizens and visitors. The result is a wonderful collection of short films, Paris je t'aime, in which our guides, Van Sant, Coixet, Cuaron, Payne and others take us on a breathtaking stroll through Parisian arrondissements, human feelings, yearnings and expectations.

Always some other quarter, always some utterly moving story about ordinary people in search for love, be it in a parking lot, art studio, tube station. And Paris je t'aime is about vast array of loves- love for one's partner, child, parent, for those who meant the world to us but are no longer around, love that needs rekindling, serendipitous love for that stranger as your eyes meet, or love that just is not meant to be...today, but tomorrow- who knows?

Nevertheless, this film is not solely about love, but life itself, joy, pain, loneliness, confusion, everyday ups and downs. And its most important quality is the fact that it is not soppy at all, but rather warm and full of hope.

I give this film a 9 because the final section of it suggests how some of the stories might further develop, but not all of them and that is the thing that I find missing, and by "further development" I do not mean some specific reference to the characters' future. As far as everything else is concerned I can only say- captivating. Makes you want to leave everything behind you, flee to Paris and live those little romances yourself.

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