The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
This is the first feature film fully scanned in 6K and mastered in 4K in Europe (as opposed to the normal 2K). Encoding the image took about 24 hours per reel (at Laboratoires Éclair). See more »
In the segment 'Père-Lachaise,' when William (Rufus Sewell) confronts Frances (Emily Mortimer), his coat is buttoned to the neck. The camera cuts to Frances, and back to William, his coat now open. The next time William appears, his coat is buttoned-up again. William (apparently) hasn't moved at all. See more »
They say a lot of things about Paris. They say it's a place where artists find inspiration. They say it's a place where people come to discover something new about their lives. They say it's a place where you can find love.
Of course, at my age, I didn't expect any of that.
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Wasn't sure what to expect from this movie considering its amazing collection of stars and directors but in the end it didn't disappoint.
For me one of the highlights was the final episode with the American tourist speaking with a dreadful French accent (which made me feel better about mine) which was actually quite touching and a great way to wrap up the movie.
The story of the paramedic and the stabbing victim was also very moving and for pure comedy the Coen Brothers and Steve Buscemi take the award. The Tom Tykwer clip was also impressive although rather ambitious in its scope.
However, the Bob Hoskins segment was totally cringeworthy and the vampire story was completely farcical. The dialogue in Wes Craven's section also felt very forced and the Chinatown story was completely incomprehensible.
On the whole this film is worth watching for the good bits and has a strong finish. It's not too painful to sit through the bad sections - they only last 5 minutes anyway.
Ca vaut la peine!!!
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