Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by
In "Bastille", when Marie-Christine receives Sergio's text message, you can see the text cursor blinking. This shows that the text was actually written on Marie-Christine's phone. See more »
Haven't we met? I'm sure I know you. Where do you live? I'm in the 17th. Maybe I've seen you around. You don't talk much. I'm not sure, but... I feel like I've seen you before. You look like a mystical guy. Really, you have a very special aura. You believe in spirits? I'm way into that stuff. Maybe we met in a past lifetime.
[lights his cigarette]
It's amazing. As soon as I saw you, I needed to talk. It's like... I don't know. A strong, ...
[...] See more »
La Même Histoire
Written by Elisabeth Anaïs and Christophe Monthieux
Strings arrangement by Pierre Adenot
English adaptation by Will Jennings
Interpreted by Leslie Feist as Feist
Directed by Manu Guiot and Christophe Monthieux
Recorded at Studio du Palais des Congrès
Mixed at Studio Opus, Paris
Voice registered and mixed at Pocket Studios, Toronto
Sound engineer: Manu Guiot
Musicians: Christophe Monthieux (guitar), Eric Sauviat' (guitar), Bertrand Richard' (piano), Laurent Vernerey (bass), Frédéric Jacquemin' (drums), Sarah Nemtanu' (second fiddle), Vincent Aucante (alto), Cyrille Lacrouts (violoncello)
(P) 2006 Polydor France
(C) 2006 Emma productions
With the kind permission of Universal Music Special projects
Segment "Tour Eiffel" See more »
Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.
This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.
The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.
The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.
From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.
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