| Photos (see all 1 | slideshow) |
Directed by | |||
| Robert Harmon | |||
Writing credits(WGA) | ||
| Lionel Chetwynd | (written by) | |
Produced by | |||
| Dennis A. Brown | .... | producer | |
| Paul Carran | .... | service producer | |
| Lionel Chetwynd | .... | executive producer | |
| Tim Christenson | .... | associate producer | |
| David Craig | .... | supervising producer | |
| Delia Fine | .... | executive producer | |
| Stephanie Germain | .... | executive producer | |
Original Music by | |||
| Jeff Beal | |||
Cinematography by | |||
| David Gribble | |||
Film Editing by | |||
| Chris Peppe | |||
Casting by | |||
| Terri De'ath | |||
| Susie Maizels | |||
Production Design by | |||
| Ralph Davies | (as Ralph Davis) | ||
Art Direction by | |||
| Nick Bassett | |||
| Andy McLaren | |||
Set Decoration by | |||
| Jill Cormack | |||
Costume Design by | |||
| Lesley Burkes-Harding | |||
Makeup Department | |||
| Lon Bentley | .... | makeup creator: Tom Selleck | |
| Susan Glass | .... | key makeup artist | |
| Paul Pattison | .... | hair stylist supervisor | |
| Claire Rutledge | .... | hair stylist: New Zealand | |
| Kimberley Spiteri | .... | hair stylist supervisor (as Kimberly Spiteri) | |
Production Management | |||
| Liz DiFiore | .... | unit production manager | |
| Ronnie Hape | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Katie Flannigan | .... | second second assistant director | |
| George Lyle | .... | first assistant director | |
| Katie Tate | .... | second assistant director | |
Art Department | |||
| Milton Candish | .... | set dresser | |
| Matt Cornelius | .... | stand-by props | |
| Troy Hannett | .... | head scenic | |
| Wade Hannett | .... | lead scenic artist | |
| Viv Kernick | .... | property master | |
| Clara Lill | .... | art department assistant | |
| Roger Murray | .... | props designer | |
| Murray Sweetman | .... | construction manager | |
| Megan Vertelle | .... | lead man | |
Sound Department | |||
| Marty Church | .... | adr mixer | |
| Alan Decker | .... | sound re-recording mixer | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Tony Johnson | .... | sound mixer | |
| Mark Larry | .... | sound supervisor | |
| Michael O'Corrigan | .... | sound supervisor | |
| Tim Philben | .... | sound re-recording mixer | |
| Tim Philbin | .... | sound re-recording mixer | |
Special Effects by | |||
| Gunner Ashford | .... | special effects | |
Visual Effects by | |||
| George Port | .... | visual effects supervisor | |
Casting Department | |||
| Yvonne Bennett | .... | extras casting coordinator | |
Costume and Wardrobe Department | |||
| Anna Bosley | .... | costume buyer | |
| Anna Bosley | .... | costume design assistant | |
| Erin O'Neill | .... | costume supervisor | |
| Angela Williams | .... | costume assistant | |
Editorial Department | |||
| Amy Flint | .... | assistant editor | |
Music Department | |||
| Craig Pettigrew | .... | music editor | |
Transportation Department | |||
| Ronnie Hape | .... | transportation manager | |
| Chico Morehu | .... | transportation captain | |
| Paul Rhodes | .... | driver: cast | |
| Chris Wildermoth | .... | vehicle wrangler | |
Other crew | |||
| Gunner Ashford | .... | armorer | |
| Ryan Harrington | .... | production coordinator | |
| Helen Mackenzie | .... | production accountant | |
| Dianne Moffatt | .... | script supervisor | |
| Robin Murphy | .... | location manager | |
| Lyn Willis | .... | production coordinator | |
| Marlea Willis | .... | unit publicist | |
| Alejandro de Quesada | .... | historical consultant (uncredited) | |
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- thank God. The closest we come to a battle scene in "Ike" are the quotes from Laurence Olivier's "Henry V". I do believe that's a small mistake, though: I don't think that film hit the theaters until 1945, somewhat too late for D-day. However, it's justified, artistically: we think of Henry's bombast (one of the greatest speeches at that) when Ike pays his own, humble tribute to the airborne troopers just before D-day. And there is a more subtle reference to Henry V when Ike has to sacrifice an old friend (and nearly sacrifices Patton, too, another old friend.) His thoughts on that also bring Shakespeare to mind.
I loved the film. It stayed true to its purpose, the portrayal of a general making a very tough decision. Selleck was great, and so were they all. Montgomery had a human face to him, and so did DeGaulle (although 90% of it was nose) and he was just as irritating as he is supposed to have been, power-greedy and quite oblivious to the fact that most of his France had in fact sold out to Nazi Germany. The script is great - philosophical and well-written to a fault. Now, why did I think I would be bored? I wasn't, for even one second.