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A Good Year (2006)

PG-13  |   |  Comedy, Drama, Romance  |  10 November 2006 (USA)
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Ratings: 6.9/10 from 66,908 users   Metascore: 47/100
Reviews: 183 user | 144 critic | 33 from Metacritic.com

A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.



(screenplay), (novel)
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1 win & 2 nominations. See more awards »



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Cast overview, first billed only:
Ben Righton ...
Trader #1
Trader #2
Ali Rhodes ...
20-Something Beauty
Nila Aalia ...
Newscaster #1
Stephen Hudson ...
Newscaster #2
Maitre D'
Lionel Briand ...
Rental Car Employee


After years of no contact with his Uncle Henry, London banker and bond trader Max Skinner learns that Henry has died intestate, so Max inherits a château and vineyard in Provence. Max spent part of his childhood there, learning maxims and how to win and lose, and honing his killer instinct (at chess, which serves him well in finance). Max goes to France intent on selling the property. He spends a few days there, getting the property ready to show. Memories, a beautiful woman, and a young American who says she's Henry's illegitimate daughter interrupt his plans. Did Max the boy know things that Max the man has forgotten? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Sometimes it takes a change of scenery to have a change of heart. See more »


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language and some sexual content | See all certifications »

Parents Guide:






| |

Release Date:

10 November 2006 (USA)  »

Also Known As:

Un buen año  »

Filming Locations:


Box Office


$35,000,000 (estimated)

Opening Weekend:

£376,962 (UK) (27 October 2006)


$7,458,269 (USA) (19 January 2007)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Max Skinner's wardrobe is largely influenced by Russell Crowe's own uncle, David William Crowe. See more »


The orange marks and seeds from the tomato on Max's shirt varies throughout scenes. See more »


Fanny Chenal: [to Max Skinner] I'm sorry, I'm too busy to ignore you now.
See more »


References Two for the Road (1967) See more »


Il faut du temps au temps...
Written by Barnabé Nuytten, Armelle Ita & Makali
Performed by and Courtesy of Makali
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Very enjoyable - ignore the reviews!
5 November 2006 | by (United Kingdom) – See all my reviews

This is definitely the first time I have gone to see an Russell Crowe and/or Ridley Scott film at the cinema, fully bracing myself to be disappointed and...

I am very pleased to be able to say that I enjoyed it thoroughly. It has a very warming glow to it - beautifully played; gorgeously shot. Anyone who isn't just a little bit seduced by Provence after seeing it needs their head (or more likely their heart) examining. The lessons may well have been taught in a hundred films before, but that doesn't make them any less relevant or resonant for the commercial era in which many of us now live...

So, why the terrible reviews? I really don't know. The comedy was not overplayed in the way implied by the critics at all. To be blunt, it was not really necessary, as the warmth and effectiveness of the film and story lies in the romantic drama. The comedy is fine, but doesn't really add anything to the film. However, it does give it a very upbeat, cheerful and likable feel and maybe that is reason enough.

Max's character and Russell Crowe's performance? It's in the quieter moments where Crowe really excels and shows just why someone would want to cast him, as opposed to say Hugh Grant, in a film like this. His reactions to memories and the things that other characters do and say are just so much deeper and more real than Grant is capable of: which is why Grant always comes off as the same character in these films (a variation on the Grant formula) and Max comes off as real.

It almost seems as though the critics have a film with this plot pegged into a box: because they can only see (and can only expect to see) a Hugh Grant characterisation, they cannot accept anything other than a Hugh Grant characterisation. Whereas the actual reason that Crowe doesn't come off as Hugh Grant is because he isn't channelling that kind of characterisation at all. This is a very different kind of film.

Also, the critics seem to be completely off the mark in assessing the character, when they say that he starts off a bastard and ends a bastard too. Actually, this is far more about unearthing other qualities - not completely rejecting those 'bastard' qualities that he begins the film with, but refining and diluting them, as he becomes more and more adjusted to his past. He doesn't change, he opens his heart and mind to qualities that he has been ignoring within himself. You can see that other Max from the moment he opens the letter telling him Henry is dead - but he tries to resist the feelings that are clearly there, in large part because he doesn't want to face the fact that he has let his Uncle down - and all of the guilt that is allied with that.

The film is not the best film I have ever seen. The questions it asks are fairly fundamental, but they aren't startling or especially thought provoking.

But the film is highly enjoyable, from start to finish; and it's warm, something that is pretty rare in films these days.

So, to end, clearly I am not in tune with the critics - but then, increasingly that seems to be the case nowadays. I just think that I see completely different films to them...

260 of 303 people found this review helpful.  Was this review helpful to you?

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