| Photos (See all 32 | slideshow) | Videos (see all 5) |
| Diane Lane | ... | Liz Earl | |
| Anton Yelchin | ... | Finn Earl | |
| Donald Sutherland | ... | Ogden C. Osborne | |
| Chris Evans | ... | Bryce | |
| Kristen Stewart | ... | Maya | |
| Paz de la Huerta | ... | Jilly | |
| Blu Mankuma | ... | Gates | |
| Elizabeth Perkins | ... | Mrs. Langley | |
| Christopher Shyer | ... | Dr. Leffler | |
| Garry Chalk | ... | McCallum | |
| Ryan McDonald | ... | Ian | |
| Dexter Bell | ... | Marcus Gates | |
| Kaleigh Dey | ... | Paige | |
| Aaron Brooks | ... | Giacomo | |
| Jeff Westmoreland | ... | Whitney | |
| Teach Grant | ... | Dwayne | |
| Chris Shields | ... | Cop | |
| Dirk Wittenborn | ... | Fox Blanchard | |
| Alan Giles | ... | Dignified Old Man | |
| Sibel Thrasher | ... | Creamsicle | |
| Robert Clarke | ... | Herbert the Butler | |
| Eddie Rosales | ... | Iskanani Shaman | |
| Will Lyman | ... | Documentary Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Denis Corbett | ... | Party Guest (uncredited) | |
| Ben Cotton | ... | Boyfriend (uncredited) | |
| Rekha Sharma | ... | Social Worker (uncredited) | |
| Kimani Ray Smith | ... | Hair Net Man (uncredited) | |
| Mike Vardy | ... | Party Guest (uncredited) | |
| Ross Viner | ... | Valet (uncredited) | |
| Stephanie Marie Watkins | ... | Party Guest (uncredited) | |
Directed by | |||
| Griffin Dunne | |||
Writing credits(WGA) | ||
| Dirk Wittenborn | (book) | |
| Dirk Wittenborn | (screenplay) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Griffin Dunne | .... | producer | |
| Ogden Gavanski | .... | executive producer | |
| Nick Wechsler | .... | producer | |
| Dirk Wittenborn | .... | executive producer | |
| Michael Paseornek | .... | executive producer (uncredited) | |
Original Music by | |||
| Nick Laird-Clowes | |||
Cinematography by | |||
| William Rexer | (director of photography) | ||
Film Editing by | |||
| Allyson C. Johnson | |||
Casting by | |||
| Susan Taylor Brouse | (as Susan Brouse) | ||
| Lynne Carrow | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
| Wendy Weidman | |||
Production Design by | |||
| Mark Ricker | |||
Set Decoration by | |||
| Dominique Fauquet-Lemaitre | |||
Costume Design by | |||
| Monique Prudhomme | |||
Makeup Department | |||
| Donna Bis | .... | assistant hair stylist (as Donna Biss) | |
| Beth Boxall | .... | co-key makeup artist | |
| Susan Boyd | .... | assistant hair stylist | |
| Jayne Dancose | .... | key makeup artist | |
| Leah Ehman | .... | first assistant makeup artist | |
| Leslie Graham | .... | assistant makeup artist (as Leslie J. Graham) | |
| Linda Kathleen James | .... | assistant hair stylist | |
| Sherry Linder-Gygli | .... | key hair stylist (as Sherry Gygli) | |
| Julie McHaffie | .... | assistant hair stylist | |
| Sandy Monesmith | .... | hair stylist | |
| M. Brando Pero | .... | assistant hair stylist | |
| Jennifer Powell-Folk | .... | assistant makeup artist (as Jennifer Powell) | |
| Tana Lynn Moldovanos | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Padi Mills | .... | production manager | |
| Carl Pedregal | .... | post-production supervisor | |
| Philip Stilman | .... | post-production supervisor | |
| Erica Kay | .... | production supervisor: New York (uncredited) | |
| Rosemary Lara | .... | production manager: Lions Gate Films (uncredited) | |
Sound Department | |||
| Coll Anderson | .... | sound designer | |
| Brian Bowles | .... | dialogue editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Ryan Collison | .... | foley recordist | |
| Alan Freedman | .... | adr mixer: Los Angeles | |
| Brian Gallagher | .... | adr recordist: New York | |
| Dave Griffiths | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Bobby Johanson | .... | adr mixer: New York | |
| Mike Patrick | .... | sound re-recordist | |
| Jay Peck | .... | foley artist | |
| Jan Petrov | .... | adr recordist | |
| Patrick Ramsay | .... | sound mixer | |
| Adam Sharpe | .... | adr mixer: Vancouver | |
| Naan Spiess | .... | cableperson | |
| Reilly Steele | .... | sound re-recording mixer | |
| Marilyn Teorey | .... | foley editor | |
| David Wahnon | .... | associate supervising sound editor | |
| Doug Winningham | .... | sound effects editor | |
Special Effects by | |||
| Gord David | .... | special effects first assistant | |
| Bill Mills | .... | special effects coordinator | |
| Bob Price | .... | special effects first assistant | |
| Edward M. Sweet | .... | special effects second assistant (as Ted 'The Don' Sweet) | |
| Ian Korver | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Scott Brewster | .... | visual effects media coordinator | |
| J. John Corbett | .... | digital artist: Big Film Design | |
| Anand Duncan | .... | animator (as Anand Nunnally) | |
| David Friend | .... | animator | |
| Harold Moss | .... | designer and animator: FlickerLab | |
| Jim Rider | .... | digital artist: Big Film Design | |
| Amit Sethi | .... | digital artist: Big Film Design | |
| Azin Shamma | .... | compositor (as Azin Shanma) | |
| Zartosht Soltani | .... | lead designer | |
| Larissa Starikova | .... | compositor | |
| Tammy Walters | .... | visual effects executive producer | |
| Franklin S. Zitter | .... | visual effects associate producer (as Franklin Zitter) | |
| Brian Scott Benson | .... | digital effects artist (uncredited) | |
Stunts | |||
| Ed Anders | .... | stunts | |
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
| Richard Brooks | .... | stunts | |
| Mike Crestejo | .... | stunts | |
| Ryan Ennis | .... | stunt coordinator | |
| Brad Kelly | .... | stunts | |
| Don Lew | .... | stunts | |
| Steven McMichael | .... | stunts | |
| Darryl Scheelar | .... | stunts (as Daryl Scheelar) | |
| Kimani Ray Smith | .... | stunts | |
| Ann Villeseche | .... | stunts | |
| Paul Wu | .... | stunts | |
Animation Department | |||
| David Michael Friend | .... | animator | |
Casting Department | |||
| Samantha Finkler | .... | casting associate | |
| Debbie Forbes | .... | casting assistant | |
| Sandra-Ken Freeman | .... | extras casting | |
| Larkin MacKenzie-Ast | .... | casting assistant | |
| Bonita Deneen | .... | casting assistant (uncredited) | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
| Heather Reidenbach | .... | background casting associate: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Christine Coutts | .... | assistant costume designer | |
| Roberta Doylend | .... | costumer (as Roberta Duylend) | |
| Lise Hache | .... | assistant costume designer (as Lise Hachi) | |
| Jane Henry | .... | costumer | |
| Steve Holloway | .... | costume set supervisor | |
| Lorna Kring | .... | truck costumer (as Lorna M. Kring) | |
| Lou Rawlins | .... | costumer | |
| Charis Tillson | .... | seamstress/cutter | |
Editorial Department | |||
| Bill Baldwin | .... | digital intermediate producer (as Billy Baldwin) | |
| John Crowley | .... | digital intermediate colorist | |
| Donna Donato | .... | assistant editor | |
| Peter Heady | .... | digital intermediate iq editor | |
| Bret Hilarie | .... | digital intermediate engineer | |
| Jeff Huston | .... | digital intermediate scanner and recorder | |
| Brian Patchett | .... | digital intermediate iq assistant | |
| Matthew Reedy | .... | digital intermediate producer | |
| Matthew Schneider | .... | digital intermediate engineer | |
| David A. Smith | .... | assistant editor (as David Smith) | |
| Corey Stewart | .... | digital intermediate engineer | |
| Stan Sztaba | .... | negative cutter | |
| Franklin Vargas | .... | digital intermediate colorist assistant (as Frankie Vargas) | |
| Colin Jenken | .... | video playback editor (uncredited) | |
| Mike Trinker | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Nancy Allen | .... | music editor | |
| Ben Coleman | .... | musician: electric violin | |
| Ilan Eshkeri | .... | music producer | |
| David Gilmour | .... | musician: turkish chip pan | |
| Joel C. High | .... | music supervisor | |
| Nick Laird-Clowes | .... | music producer | |
| Tracy McKnight | .... | music supervisor | |
| Stephen McLaughlin | .... | music producer (as Steve Mclaughlin) | |
| Evelyn Paglinawan | .... | music business affairs | |
| Andrew Raiher | .... | musician: bass | |
| Rebecca Rienks | .... | music coordinator | |
| Tiffany Ryan | .... | music coordinator | |
| Natasha Duprey | .... | music coordinator (uncredited) | |
| Stephen McLaughlin | .... | music mixer (uncredited) | |
| Stephen McLaughlin | .... | music recordist (uncredited) | |
Transportation Department | |||
| Jeff Budnick | .... | picture car coordinator | |
| Brad Buskey | .... | driver | |
| Stephen Carr | .... | personal driver | |
| Barry Chapman | .... | driver | |
| Kemy Loree Derlago | .... | driver | |
| Ed Dykstra | .... | driver (as Atle Dykstra) | |
| Sam Ellsworth | .... | mechanic | |
| William E. Fox | .... | driver | |
| Mark Gould | .... | transportation coordinator | |
| Gordon Heibein | .... | driver | |
| Jack Kraehling | .... | driver | |
| Greg Lansink | .... | transportation co-captain | |
| Roger A. Mara | .... | driver | |
| Neil Massey | .... | driver | |
| Rod May | .... | transportation captain | |
| Dave McDonald | .... | driver | |
| Phil Parker | .... | driver | |
| Robert A. Smith | .... | driver | |
| Glenn Steer | .... | driver | |
| Terry Storey | .... | driver | |
| Ian 'Moss' Urquhart | .... | driver | |
Other crew | |||
| Anton Babiy | .... | stand-in | |
| Bree Bailey | .... | assistant: Mr. Paseornek | |
| Russ Barber | .... | balloon pilot | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances | |
| Bill Barclay | .... | assistant: Mr. Wechsler | |
| Violet Barisoff | .... | assistant craft service | |
| Barbara Barnes | .... | travel coordinator: Victoria | |
| Louise D. Bourassa | .... | location production assistant (as Louise Bourassa) | |
| Cameron Boutin | .... | location production assistant | |
| Cedric Breuel | .... | second wrangler | |
| Dale Cornick | .... | assistant accountant (as Dale R. Cornick) | |
| Jason Crosby | .... | marine coordinator | |
| Scott Dallamore | .... | security captain (as Scott Dallamore) | |
| Jitka Dermiskova | .... | location production assistant | |
| Mark Dumas | .... | animal wrangler: Creative Animal Talent | |
| Doreen Ferreira | .... | associate wrangler | |
| Barb Foster | .... | chef: Simply Divine Catering (as Barbara Foster) | |
| Michael Grigsby | .... | production accountant | |
| T.J. Gunderson | .... | craft service | |
| T.J. Gunderson | .... | first aid | |
| David K. Henry | .... | production financing: U.S. Bank National Association (as David Henry) | |
| David K. Henry | .... | production financing: U<gt>S<gt> Bank National Association (as David Henry) | |
| Erik Hodge | .... | assistant: Mr. Dunne | |
| Ron Holmes | .... | stand-in | |
| Colin House | .... | production assistant: Victoria | |
| Ali Jazayeri | .... | vice president finance | |
| Nigel Johnson | .... | stand-in | |
| David Kinsella | .... | hot air balloon coordinator | |
| Dale Kipling | .... | horse wrangler | |
| Marian Koprada | .... | key location production assistant | |
| Dan Kuzmenko | .... | assistant location manager | |
| Tracy MacLeod | .... | assistant chef: Simply Divine Catering (as Tracey MacLeod) | |
| Erica Maletz | .... | production coordinator | |
| Rod May | .... | horse wrangler | |
| Hugh McClelland | .... | stock footage coordinator | |
| Lee McNish | .... | assistant chef: Tivoli Catering (as Lee K. McNish) | |
| Andrea Miller | .... | stand-in | |
| Hamish Miller | .... | assistant chef: Tivoli Catering | |
| Darlene Milley | .... | insurance services: AON/Albert G. Ruben Insurance Services (as Darlene A. Milley) | |
| Don Munro | .... | on-set tutor | |
| Zoë Nash | .... | production assistant | |
| Ashley Pearson | .... | stand-in (as Ash Pearson) | |
| Dana Phillips | .... | assistant chef: Tivoli Catering | |
| Gabriella Pirocchi | .... | assistant chef: Simply Divine Catering | |
| Dick Powell | .... | balloon pilot | |
| Karen Powell | .... | clearances | |
| Jody Reavley | .... | first assistant production coordinator (as Jodi Reavley) | |
| Gil Restiaux | .... | balloon pilot | |
| Emily Rice | .... | post-production accountant | |
| Stefani Rockwell | .... | payroll accountant | |
| Tania Rosa | .... | accounting clerk | |
| S. Steven Sach | .... | location manager | |
| Kevin Schartner | .... | horse wrangler | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances | |
| Julie Slater | .... | assistant location trainee (as Julie Anne Slater) | |
| S. Corissa Stuckey | .... | insurance agent: AON/Albert G. Ruben Insurance Services | |
| Matt Towstyka | .... | chef: Tivoli Catering | |
| Helga Ungurait | .... | script supervisor | |
| Nina Van Den Boogaard | .... | stand-in (as Nina Van Den Boogard) | |
| Bill Vigars | .... | unit publicist | |
| Kathleen Whipp | .... | mental health professional | |
| Darcy Woodley | .... | head trainer | |
| Steve Woodley | .... | head trainer | |
| Izabella Zubek | .... | location scout | |
| Shelley Marie Brown | .... | promotions (uncredited) | |
| George Bunce | .... | 2K conform (uncredited) | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Elizabeth Dixon | .... | business affairs coordinator (uncredited) | |
| Byron Drinkle | .... | playback coordinator (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Kent R. Karemaker | .... | stand-in (uncredited) | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Films (uncredited) | |
| Dan McPeake | .... | stand-in (uncredited) | |
| Robert M. Melnik | .... | executive vice president of business affairs (uncredited) | |
| Curtis A. Miller | .... | director of production: Lions Gate Films (uncredited) | |
| Peter Munro | .... | location scout (uncredited) | |
| Sean Oliver | .... | adr loop group (uncredited) | |
| Amanda Shamis | .... | business affairs coordinator (uncredited) | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Films (uncredited) | |
Thanks | |||
| Fisher Stevens | .... | special thanks | |
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I attended a screening of "Fierce People" at the 2006 Woodstock Film Festival. I hesitate to label it a "premiere" of any sort, since it was shot in the spring of 2004 and had its world premiere at Tribeca in 2005. It played several festivals that year. Release seemed imminent, then it disappeared. Poof. Vanished. Or so it appeared to the film-going public. Rumors of a theatrical or DVD release have popped up now and then, but all proved unfounded. Then this screening was announced. Perhaps one can call it a "re-premiere?" It certainly felt as if I was witness to a buried treasure. And what a treasure it was.
I suppose one could characterize "Fierce People" as a coming-of-age drama. But it also has elements of comedy and tragedy, as well as mystery. And a bit of farce thrown in. In short, real life. That makes it hard to pigeonhole, which puts it more into the category of an indie as opposed to a Hollywood movie. But its high production values, big budget feel, and star caliber cast seem at odds with the indie label. So let's call it a hybrid. And, perhaps, that's why it's been "lost." It defies categorization.
Meet Finn Earl (Anton Yelchin), 15, whose father is absent. In fact, Finn has never known him. But he sees him and hears him via the collection of home movies sent from South America. Dad is a renowned anthropologist, and has made a name for himself by setting up shop with the Yanomani, the tribe of "Fierce People" who live to kill and, well, procreate. All their activities are built around those two "tasks," and Finn is captivated by it. Mom Liz (Diane Lane) is also somewhat absent. Although present physically, she is lost in a world of cocaine and alcohol. So Finn becomes an adult in his little solitary world with his reels of film.
One summer, Mom decides to drag Finn along with her into the wilds of New Jersey. A massage therapist, Mom has catered to a wealthy client, Ogden C. Osborne (Donald Sutherland, in a tour de force performance) and he has invited her for an extended house call at his palatial estate. Osborne's "tribe" includes an assortment of eccentric rich kids, servants, and village idiots among whom Finn will find himself part of his own anthropological study. Will his experience with Dad's films help him survive life as a visitor to this tribe? Will he be accepted? Or will he be seen as an outsider, concurrently struggling with his own identity as an adolescent? Such is the stuff of fairy tales, and I suppose this would be if not for the dark underbelly which director Griffin Dunne and writer Dirk Wittenborn have infused into this magnificent story.
With Anton Yelchin's voice-over, intercutting pieces of Dad's home movies, Finn must learn to go back to being the teenager he never really had a chance to be, stop being the parent to his Mom, allow newly-sober Mom to be parent to him, and learn responsibility on the way to adulthood the way it should have taken place all along. Yet he needs to make this transformation in a dangerous, dark world where playing with fire is folly to this fractured family.
This is, first and foremost, a story-driven film and Griffin Dunne emphasized as much in the intro to the film. He bought the rights to Wittenborn's novel even as it was being written, and Wittenborn's own screenplay comes to life in the hands of the masterful Dunne in a way that's a work of wonder.
This is also largely a character-driven film, and Sutherland has never been better. His star turn as Osborne stunned those around me and will likely leave you amazed as well. Diane Lane's character ultimately exhibits so many personalities that it's hard to imagine another actor pulling it off so well. She is breathtaking. But more than anything, "Fierce People" is Anton Yelchin's film. He has a long resume as a child actor but preciously little as a teen. Other than the little-known "House of D" (also a gem), he is best known as Byrd on TV's "Huff." In January, he will be seen in "Alpha Dog" (also sitting on the shelf since 2004, a film I saw at Sundance this year and in which he is the "heart and soul"). His performance here goes far beyond what one would expect from someone so young, and is nothing short of spectacular.
This complex, quirky film has remained out of sight long enough. "Fierce People" is a treasure filled with light and shadow, comedy and tragedy, joy and pathos, but mostly wonder.