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The Curse of El Charro (2005)

Unrated | | Horror | 3 April 2005 (USA)
In California, Maria has awful nightmares with and visions of her sister that committed suicide one year ago. Her roommate Chris invites Maria to travel with her and her friends Tanya and ... See full summary »




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Cast overview, first billed only:
El Charro
El Charro (voice)
Drew Mia ...
Maria (as Andrew Mia)
Heidi Androl ...
KellyDawn Malloy ...
King (as Matt Prater)
Liliana Signorelli ...
Homeless Woman
Victoria Vanegas ...
Maria's Sister
Priest (as Lemmy Kilmeister)


In California, Maria has awful nightmares with and visions of her sister that committed suicide one year ago. Her roommate Chris invites Maria to travel with her and her friends Tanya and Rose on vacation to her uncle's house in Saguaro, Arizona, to relax. When the group arrives in the house, they immediately go to a night-club to have fun and chase some local guys for sex; however, the evil El Charro is seeking Maria killing her friends with his machete. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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True evil can never die




Unrated | See all certifications »

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Release Date:

3 April 2005 (USA)  »

Also Known As:

Bloodline: The Legend of El Charro  »

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Box Office


$200,000 (estimated)

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Did You Know?


The bartender puts three cans of beer on the counter. In the next shot, the cans are farther apart than before. See more »


Referenced in The Making of 'The Curse of El Charro' (2006) See more »

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User Reviews

Bad execution, promising hints
25 December 2006 | by (United States) – See all my reviews

When I saw El Charro, the first thought that popped on my mind was that this movie should be named "The Curse of What Could Have Been". That is, if the scenario actually made sense. The movie begins with Maria, a rather annoying girl mourning the suicide of her sister (and by the way, we never do find out what made Lucia kill herself), going on a small vacation with four "friends". Incidentally, the friends are four archetypes, such as the good old American Beauty (the only one who cares about Maria, apparently), a hip hop star wannabe and a goth pinup would be. Curiously enough, the last two get along fairly well and seem to enjoy the same kind of music. How that is possible, one can only wonder. How do you we get to the juicy parts? After a lot of patience. The script is unbelievably slow and 3/4 of the movie seem to serve as filler. This was especially noticeable in the bar scene. The girls, after having a brush with the law (avoided because the driver takes the mutter into her own mouth, er, hands), decide to stop in a bar and drink before continuing their ride. Sounds only natural, correct? That is exactly what we would do if we were on a trip between states, escorted by police in a bar. The bar, operated by a fundamentalist American with bad taste in music, seems to be patronized by a weird mix of hillbillies and psychos. When the girls want to leave (understandably so), the police officer makes them sit down because they will "miss the show". The movie then proceeds to show us a goth guy in a suit screeching in an old microphone lyrics that apparently should tune us in the movie, because they are relevant to the heroine's situation. ...Ok guys, you've stumped me. The patrons, BY DEFINITION, should rise as one and get that idiot of the stage, for one. He is completely irrelevant to the movie. He is filler. The whole scene is filler, as every clue that is revealed is just not important enough to justify this travesty. Even though it is true that the actresses don't act in this to save their lives, the truth is that they are given almost no space to even try. The characters are flat and two-dimensional, trapped in their own delusional worlds. No growing for the heroine during the length of the movie. She doesn't, say, come to terms with her sister's suicide. She doesn't even save herself. An angel with fake wings and a tattoo does it for her. This is a shame, because this movie does have a couple of nice scenes (when the crew doesn't go wild with the camera, that is). An old time movie sequence in the middle of the movie gives the story away in a much more interesting way that the heroine would ever be able to. The music at the approaching of El Charro is rather good. El Charro himself, although dumber than Jason the Hockey Mask Boy, has a couple of nice scenes and a certain presence. It's not his fault he's not given enough space to actually DO something beyond slash like there's no tomorrow. and why slash, anyway? Why not just a gun? What is the justification behind this? There is none. The script in this is just terrible, plain and simple. The actors are uninspired. When closing in, El Charro looks like a black metal fan with bad, bad corpse painting on (Immortal would kick his ass). The pace is slow, the sex scenes not really that interesting (and that WAS a shame), and the deaths find the viewers completely supporting of the ghost. I would have done it too, El Charro. It's OK.

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