6.7/10
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42 user 47 critic

The Baxter (2005)

PG-13 | | Comedy, Romance | 24 April 2005 (USA)
In the style of a Howard Hawks comedy, Baxter follows the twists and turns of a young man's life during the two weeks before his wedding.

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Cast

Cast overview, first billed only:
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Elliot Sherman
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Caroline Swann
...
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Bradley Lake
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Wendall Wimms
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Ed
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Stella
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Benson Hedges
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Dan Abbott
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Sonya Simmons
Jon DeVries ...
Alan Swann
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Judy Swann
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Kate Lewis
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Louis Lewis
Jim DeMarse ...
Leonard Sherman
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Storyline

In the style of a Howard Hawks comedy, Baxter follows the twists and turns of a young man's life during the two weeks before his wedding.

Plot Summary | Add Synopsis

Taglines:

A romantic comedy for anyone who's ever been dumped.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for brief sexual humor and some drug references | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

24 April 2005 (USA)  »

Also Known As:

O Encalhado  »

Box Office

Opening Weekend:

$37,437 (USA) (26 August 2005)

Gross:

$181,872 (USA) (14 October 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The church scene was filmed at Christ Church on Clinton and Kane Streets, Brooklyn See more »

Goofs

In the opening wedding scene, the father of the bride (Caroline) places her hand in the groom, Elliott's hand. In the second version toward the film's end, he doesn't. See more »

Quotes

Louis Lewis: I hear bears can smell menstrual blood from a mile away.
See more »

Crazy Credits

There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »

Connections

Featured in The Making of 'The Baxter' (2005) See more »

Soundtracks

Just a Body
Performed by King of France
Written by Steve Salett
Courtesy of Steve Salett
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User Reviews

 
A sweet film about sweet people.
17 June 2005 | by See all my reviews

I saw this movie during the "Free Drive-In Movies at Rockefeller Center" series in New York City, on 15 June 2005. It doesn't get a wider release until later this summer, but when it does, I would see this movie with my grandparents. Heck, I could see this movie with my great- grandparents. I could go see this with my snobby friends, and my culturally clueless friends, and I think they all would like it. I'm actually looking forward to bringing my parents to see it, because not only do I think they'll really enjoy it, but I feel like it's finally one of those "movies their weird artsy daughter likes" that I can show them and know that they won't be either appalled over or baffled by.

This is in NO way intended to imply that The Baxter is boring or sappy or in any way oversimplified – completely the opposite. The film and the characters are complex, even though they are intentionally written as types. Despite being told through a series of flashbacks, there is no plot that can be ruined by showing the ending at the beginning – the whole point of the story is that you already know how these things always end, and the story is in how the characters get there. Like any good character study, the film makes the most of its preordained plot by reaching those ends through uniquely-developed means.

One of the reasons that so many movies that could be labeled "family appropriate" are so bad is because the fact that they're so decent feels so contrived – like the raunchy and disturbing parts of life are taken out, and what's left becomes the plot of a PG movie. What makes The Baxter different in its broad appeal is not that it aims low, but that it lifts the audience up to its level. It encourages the viewer to explore other facets of the romantic comedy standard without ever leading them into territory so foreign or artificial that they are unable to relate to the characters or the circumstances. Quite simply, this is a decent and proper and earnest movie because it's told from the point of view of decent and proper and earnest people. It's good, and it's damn good, because, among other things, like excellent costume and set designs, great characters, ridiculous attention to detail, and beautiful directorial choices, it doesn't cater or pander to any one sort of person or audience – it's a clever take on a timeless theme, and it's executed in a way that that just about anyone can appreciate. It's sincere, it's honest, it's believable, it's incredibly moving, and it's memorably unique – it also just so happens to be extremely polite, because some movies, like some people, are just polite by nature, and that's what makes them who they are. Highly recommended.


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