From the creative mind that brought you "Role Models", "Wanderlust", "The State" and "Wet Hot American Summer" comes "Wainy Days", the award winning series about David Wain's (slightly) ... See full summary »
Each episode contains 30 minutes of extremely bizarre and funny sketch comedy performed by THE STATE, an 11 member sketch comedy troupe who wrote and starred in various sketches seen throughout the program.
Michael Ian Black,
Robert Ben Garant
A woman's life is derailed en route to a potentially lucrative summer job. When her car breaks down, and her dog is taken to the pound, the thin fabric of her financial situation comes ... See full summary »
Agents Adair, Antoine, Colby and Trotter both monitor and create chaos across the universe. The sketches you see throughout most of the show are different subjects being monitored. At the ... See full summary »
Michael Ian Black and Catherine Lloyd Burns play a couple named "Ed" and "Stella". These are the names of two television shows starring Michael Ian Black. See more »
In the Dartmouth pep rally flashback, Tanner is holding a girl's lacrosse stick. See more »
I mean Elliot, you got my knickers all up in a pinch here!
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There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.
A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.
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