Paul Miller, a self-described "failed actor," sets out for his final act and his ultimate role: the last two days of his life ending with his suicide on tape. He tries to reunite with old ... See full summary »
When her brother Bobby returns from World War II mentally damaged, Anna has to deal with her parents who don't aknowledge her brother's existence, who is now brought to a mental hospital. ... See full summary »
Alex is the definition of loser. He has no, nor has he ever had, friends. His life has no direction and he has a stupid haircut. While attending the Venice Beach Art School, he meets Lizzy,... See full summary »
East Village, NYC, 1990. Gabriel Grey, celebrity illusionist and modern-day Houdini, abandons his fame and holes up in a dilapidated squat with Billy Bane, a guttersnipe daredevil. Together... See full summary »
Michael Ian Black and Catherine Lloyd Burns play a couple named "Ed" and "Stella". These are the names of two television shows starring Michael Ian Black. See more »
In the Dartmouth pep rally flashback, Tanner is holding a girl's lacrosse stick. See more »
You want help? Go see a doctor. You want trouble? Go see this girl.
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There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.
A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.
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