Paul Miller, a self-described "failed actor," sets out for his final act and his ultimate role: the last two days of his life ending with his suicide on tape. He tries to reunite with old ... See full summary »
Set in present day Brooklyn, this film is a remake of the 1953 classic, "Little Fugitive." With his father in jail and his mother working long hours at a nursing home, Lenny, age 11, is ... See full summary »
Nicolas Martí Salgado,
East Village, NYC, 1990. Gabriel Grey, celebrity illusionist and modern-day Houdini, abandons his fame and holes up in a dilapidated squat with Billy Bane, a guttersnipe daredevil. Together... See full summary »
There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
Saw this at the Maine International Film Festival. It shares some characteristics with prime Woody Allen -- an affection for New York (warmly shot) and a sure sense of casting supporting actors.
Is it a ground-breaking comedy? No. But it is thoroughly charming and entertaining and had the audience laughing at all the moments it intended. The truth is, most people identify not with the pretty leads in glossy romantic comedies but with the zhlubs, and this is a film that gives us permission to identify with the zhlubs (without demonizing the pretty people). There aren't a lot of uncynical comedies out there, and this is a welcome one.
It's also valuable for people casting in the New York area -- there are enough engaging performers in here to cast three or four movies.
19 of 23 people found this review helpful.
Was this review helpful to you?