After being dumped by his girlfriend, a man stuck in a deadend life decides to audition for a small role in a local community theatre's production of Cyrano de Bergerac. Despite having no ... See full summary »
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Easy-going, gentle college-boy Adam Baker enjoys frat-life, however disgusting the frat-house gets because of his sloppy house-mates Freddie, Ferguson and Munch. Then Adam meets Eve, starts... See full summary »
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
The Baxter (2005) written and directed by Michael Showalter, is a very predictable--but enjoyable--movie.
Director Showalter has cast himself as Elliot Wendall Sherman, "The Baxter." "The Baxter" is the man who, although perfectly decent, gets left behind at the wedding altar when the romantic hero appears at the last possible moment.
Elizabeth Banks plays the elegant Caroline Swann, who falls in love--sort of--with Elliot. Michelle Williams is Cecil Mills, a girl-next-door type who has newly arrived in NYC.
The question, of course, is not what will happen--obvious--but how it will happen. The plot is weakened by unlikely premise that someone like Caroline would consider marrying Elliot.
Michelle Williams is delightful as the innocent young thing, and it would be quibbling to demand cinema verite from this film.
Just enjoy it for what it is--not memorable or ambitious, just pleasant and enjoyable.
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