Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the ... See full summary »
Born Christmas Day 1960, Zac Beaulieu is the fourth of five sons of Gervais and Laurianne Beaulieu. Zac feels somewhat disconnected to his brothers, all of whom are different from each other. They include the bookworm Christian who is the eldest, the dumb jock Antoine who is third, and the youngest Yvan. But Zac has the most contempt for his second eldest brother, the shiftless druggie Raymond. To his devout Catholic mother, Zac is her miracle son, both for being born the same day as Jesus Christ (a fact which Zac has always hated), and because a Tupperware-selling mystic once told her that he has the power to heal. Laurianne has always coddled Zac, the two who have a special if unspoken bond. But Zac wants more to please his father, who wants more than anything in his sons that they grow up to be man's men and not sissies. As Zac goes through his mid-teens to early twenties, Zac isn't sure if he can live up to the ideals of either his mother or especially his father. A young man with... Written by
This was the official Canadian entry for the "Best Foreign Language Film" category at the 2005 Academy Awards, but it did not end up as one of the five foreign language films to be nominated. See more »
It's 1975 and Zach's cousin is sporting the popular Farrah Fawcett hairdo that EVERYONE tried to wear back then. Problem is, Charlie's Angels didn't debut until a year later. Same thing with the Saturday Night Fever-influenced disco three-piece suit. That was made famous everywhere by the original film, but in this film the influence is seen before Saturday Night Fever even came out, which was in 1977. See more »
The end titles finish showing the first names of the five sons in capital letters in the order of birth: Christian . Raymond . Antoine . Zacharie . Yvan . Then all the letters dissolve, with the exception of each first letters, thus creating (and explaining) the title of the film: C.R.A.Z.Y. See more »
Growing up in Quebec in the sixties and seventies.
C.R.A.Z.Y. is simply one of the best movies of all time. It encapsulates a time and a place Quebec in the sixties, seventies and eighties and evokes the era with an amazing sound track and jaw-dropping acting. You're there, in the moment with Gervais, played by Michel Côté who is the macho factory-working Dad.
He's the proud father of five sons but gradually realizes that one of them is a 'sissy' and takes this on personally in the jock world he inhabits. The father is a fully rounded character, not cast in the black and white mold so prevalent in other movies of this genre as his puzzled love for his fourth son Zac, played by Marc-André Grondin, is palpable.
The movie takes off in completely unexpected directions. Zac is totally uncomfortable with his sexuality and prays all the time for a 'cure'. He just wants to be like his brothers and earn the love and acceptance of his father. It is telling that for Gervais, he can accept his druggie son but not the one he suspects of being a 'fairy'.
There is a huge amount of humour in the movie, one scene in the cathedral with the boys' choir singing "Sympathy for the Devil" brought a joyful laughter to the audience I was in. It is that kind of movie. Gervais sings Charles Aznevour's hits with predicable regularity and has a thing for Patsy Cline and her music.
It is the era when everything was changing and insular Quebec, like the rest of the world, was being exposed to the outside world of David Bowie and Jefferson Airplane. Zac embraces all of these changes and struggles with his orientation.
Nothing is ever graphically portrayed, the plot is character driven all the way with incredible little sidelines and sidebars thrown in to add to the concoction. (One scene of a drunken brawl played to a beautiful opera piece comes to mind.)
Danielle Proulx, who portrays the mother, does not have much dialogue (typical of the era) but when she does speak it packs a wallop. She has a wonderful scene with Gervais where they discuss anal sex and a couple of others where her psychic ties to her son Zac are evident but never discussed.
The film just gets under your skin, you are there, in that microcosm of time when the world was changing so drastically and we just didn't know it. 9 out of 10. Take a bow Jean-Marc Vallée; you have an absolutely amazing talent! Bravo to the entire cast and crew. Movies are a pleasure when they're this special, and yes, I would see it again.
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