Born Christmas Day 1960, Zac Beaulieu is the fourth of five sons of Gervais and Laurianne Beaulieu. Zac feels somewhat disconnected to his brothers, all of whom are different from each other. They include the bookworm Christian who is the eldest, the dumb jock Antoine who is third, and the youngest Yvan. But Zac has the most contempt for his second eldest brother, the shiftless druggie Raymond. To his devout Catholic mother, Zac is her miracle son, both for being born the same day as Jesus Christ (a fact which Zac has always hated), and because a Tupperware-selling mystic once told her that he has the power to heal. Laurianne has always coddled Zac, the two who have a special if unspoken bond. But Zac wants more to please his father, who wants more than anything in his sons that they grow up to be man's men and not sissies. As Zac goes through his mid-teens to early twenties, Zac isn't sure if he can live up to the ideals of either his mother or especially his father. A young man with... Written by
Even though the movie's dialogue was in French, for the theatrical release in France, subtitles were added for viewers who cannot understand Québécois French. See more »
The bus station has the post-2000 logo of the Egged bus company. See more »
[to Zac, in the car]
I don't smoke or drink or swear anymore. Fuck! I left my bag of weed at the pub.
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The end titles finish showing the first names of the five sons in capital letters in the order of birth: Christian . Raymond . Antoine . Zacharie . Yvan . Then all the letters dissolve, with the exception of each first letters, thus creating (and explaining) the title of the film: C.R.A.Z.Y. See more »
This is a movie I will never forget, which is so rare. It is a diamond. The best Canadian movie ever. the best movie about the 70s ever. The best movie about religion stigmas and evolution of the occidental societies ever. You will hear from this movie.
The director, jean-Marc Vallée, brings us in the peaceful and warm-hearted Quebec of the 60s and 70s which is a period of great changes in all North America. The music of the film is magic and you will be astonished but the performance of the actors. Michel Côté as the father, and Danielle Proulx as the mother are so realistic. it's unbelievable.
Probably the best movie since Mireilles' City of God.
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