Herbie, the Volkswagen Beetle with a mind of its own, is racing in the Monte Carlo Rally. Unbeknownst to Herbie's driver, thieves have hidden a cache of stolen diamonds in Herbie's gas tank, and are now trying to get them back.
Identical twins, separated at birth and each raised by one of their biological parents, discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Jim Douglas and his partner Bo ran a small driving school with a very "human" Volkswagen Beetle named Herbie, who could think for "himself" and frequently got Jim into some sticky comic ... See full summary »
Maggie Peyton is the new owner of Number 53--the free wheelin' Volkswagen bug with a mind of its own; she puts the car through its paces on the road to becoming a NASCAR competitor. As a third generation member of a NASCAR family, racing is in Maggie Peyton's blood, but she is forbidden from pursuing her dream by her overprotective father, Ray Peyton, Sr. When Ray Sr. offers Maggie a car as a college graduation present, he takes her to a junkyard to choose one from an assortment of very used cars. Maggie has her eye on an old Nissan, but a certain rusty, banged up '63 VW Bug seems to be clamoring for her attention. To her surprise, Maggie leaves the lot with Herbie. As she prepares to leave town for a position with ESPN News, Maggie discovers that Herbie has a mind of his own--and an alternate route for her future. Written by
Disney's return to successful formula; some laughs...
Lindsay Lohan plays a Los Angeles college grad from a NASCAR family whose graduation present from pop Michael Keaton is the same '63 Volkswagen Beetle from 1968's "The Love Bug" and its horde of cinematic follow-ups. 'Herbie', a car with a mind of its own, not only gets Lohan back on the racing track, but plays matchmaker for her and a cute auto-mechanic as well. Not especially imaginative, but a nice family film with some mild laughs (one which is sweetly in-tune with its '70s roots). The story denouement is utterly predictable, and the performances are all phoned-in (Lohan is so enervated, she barely reacts the first time she realizes her car is possessed). Still, the pace is fast, the music selections bright, and the special effects are good. ** from ****
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