After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
[THIS PLOT SUMMARY CONTAINS SPOILERS] Shortly after 1800 hours, 11 July 2006, Mumbai was shattered by seven bomb blasts on Western Railway stations: Matunga, Mahim, Khar, Bandra, Jogeshwari... See full summary »
A man calls up the Mumbai police, and tells them he has placed five different bombs in the city -- all set to go off in some time. He wants four terrorists in exchange. Does he get them? ... See full summary »
Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the ... See full summary »
"Sir" is a convict and a former AIIMS student with an enigmatic history. The movie unfolds the sensational story of his pre-detention life - his secret experiments on eliminating any virus ... See full summary »
Kay Kay Menon
A dramatic presentation of the bomb blasts that rocked Bombay on March 12, 1993, displays the police investigation, amidst allegations of human rights violations, led by DCP Rakesh Maria, in tracking down the suspects, especially Bashir Khan. Bashir managed to elude authorities by re-locating to Rajasthan, Uttar Pradesh, Delhi, and West Bengal, after finally being apprehended in Bombay. His confession and subsequent flashbacks showcases the apathy shown by authorities who refused to intervene during the destruction of the sacred Babri Masjid by Hindu Kar Sevaks, and the inability of the police to fulfill their mandate and protect the vulnerable, forcing many to flee to other locations. The subsequent aftermath that succeeded in irreversibly polarizing communities in Bombay; Pakistan's involvement in training and arms' supplies; the main alleged suspects, Dawood Ibrahim, and Mushtaq Memon, sought refuge in Dubai, United Arab Emirates, while Indian politicians made a cosmetic move to ... Written by
The film was banned in India and was released theatrically only 2 years after it's actual planned release date. See more »
When the dog is taken inside the small go-down to check the sacks containing the RDX, it simply whimpers and comes out(because it only smells fish), thus indicating that there is no explosive material. But when the cop comes in and kicks the bottom sack, he finds the stuff. The dog itself smelled the lowermost sack in the first place, yet it did not bark. See more »
I want to go to Dubai!
But how'll you go without your Passsport?
Why? Anwar has everbody's Passports. Am I right Anwar? You have everybody's Passports, right?
I dont have anybody's Passport!
What? When we came back from Islamabad, you had kept everybody's Passports you crook!
Mind your language Badshah!
Okay, then where're the Passports?
I told you to maintain a civil language, Badshah! Don't you take that tone with me!
Alright, then tell me where are the Passports?
They're with Tiger bhai.
[...] See more »
I remember watching the trailers of Black Friday a couple of years ago and making it a point to watch it.Never before has anyone dared to approach such a controversial issue so blatantly,which is probably why it worked.The events that are depicted in this movie shook not only the city of Bombay but the nation as a whole.To add to the documentary-like look at the blasts of '93,director Anurag Kashyap has done a brilliant job of elucidating moving,intense performances from fine actors like Kay Kay Menon and Aditya Srivastava. Technically, Black Friday is more visionary than most Hindi movies ever made.It did not have exotic locations,an ensemble star cast of the most high profile actors in the industry,or an unlimited budget,all of which are necessities for an Indian movie.The use of complex Steadicam shots,slow motion and hand-held cameras really put the movie into a different perspective.The use of lighting in situations such as the interrogations being bathed in red light also helped set the mood required to really go into the depths of all the stories of the main characters which have been intricately woven together with finesse. Hats off to Mr. Anurag Kashyap for bringing such a fine piece of art to Indian cinema.Seems like the time spent with Mr. Mani Ratnam,the greatest Indian director ever to get behind a camera,is paying off.This is evident in the tinge of patriotism and realism portrayed.Personally i hope guys with vision like this continue bringing quality to Indian cinema.It really needs it.
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