After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
[THIS PLOT SUMMARY CONTAINS SPOILERS] Shortly after 1800 hours, 11 July 2006, Mumbai was shattered by seven bomb blasts on Western Railway stations: Matunga, Mahim, Khar, Bandra, Jogeshwari... See full summary »
A young man named Satya (J.D Chakravarthy) comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku... See full summary »
4 friends (Luke, Murgi, Joy and Pondy) wasted by youth and self destruction play together in a band along with a fifth female member (Shiuli). Luke the lead singer and self-imposed leader ... See full summary »
Kay Kay Menon,
A dramatic presentation of the bomb blasts that rocked Bombay on March 12, 1993, displays the police investigation, amidst allegations of human rights violations, led by DCP Rakesh Maria, in tracking down the suspects, especially Bashir Khan. Bashir managed to elude authorities by re-locating to Rajasthan, Uttar Pradesh, Delhi, and West Bengal, after finally being apprehended in Bombay. His confession and subsequent flashbacks showcases the apathy shown by authorities who refused to intervene during the destruction of the sacred Babri Masjid by Hindu Kar Sevaks, and the inability of the police to fulfill their mandate and protect the vulnerable, forcing many to flee to other locations. The subsequent aftermath that succeeded in irreversibly polarizing communities in Bombay; Pakistan's involvement in training and arms' supplies; the main alleged suspects, Dawood Ibrahim, and Mushtaq Memon, sought refuge in Dubai, United Arab Emirates, while Indian politicians made a cosmetic move to ... Written by
Anurag Kashayap cast Aditya Shrivastav and KayKay again after the banned Paanch and the recent Gulaal. See more »
In the scene before the first blast at the Bombay Stock Exchange, one of the extras at the right of the screen is seen wearing a soccer jersey of the club Real Madrid which says "Beckham - 23". This is factually incorrect because Beckham only moved to Real Madrid in 2003, while the blasts occurred in 1993. See more »
I want to go to Dubai!
But how'll you go without your Passsport?
Why? Anwar has everbody's Passports. Am I right Anwar? You have everybody's Passports, right?
I dont have anybody's Passport!
What? When we came back from Islamabad, you had kept everybody's Passports you crook!
Mind your language Badshah!
Okay, then where're the Passports?
I told you to maintain a civil language, Badshah! Don't you take that tone with me!
Alright, then tell me where are the Passports?
They're with Tiger bhai.
[...] See more »
Take a bow! Black Friday is sincerely the greatest piece of cinematic magic to be released ever. You and your team have produced cinema of the highest quality, raised the notch by a few miles and used this medium like never before, hats off to you sir!
I must admit that I am slightly biased toward your film because I have been born and brought up in Bombay and on March 12, 1993 (the day of the serial blasts) was just 8 years old. As Salman Rushdie famously calls children born during the era of Indian Independence as "Midnight Children", i would like to say we are but "Blast Children". Children whose innocence has been shattered mercilessly by the underworld and extremists from every religion and you have portrayed just that in your film.
The film does not hype terrorism or romanticize the darkness of Bombay or the coldness of its police like many other so called underworld films do but portrays exactly what happens in reality, the human side. Sir, your film has merged the very shady line between cinematic magic, fiction and reality to an intoxicating mix of actuality.
Pawan Malhotra (Tiger Memon), Kay Kay (Rakesh Maria) and Aditya Srivastava (Badhshah Khan) do not act, they live and breathe the very sentiments of these real life people. As a viewing audience I never once felt like I was watching a film, but felt like a 'fly on the wall' as the plot unfolds before your very eyes, the very same helplessness as Mumbaikars felt on that very day of the bomb blasts. The music by Indian Ocean is outstanding, it flows as easily as your reel does and blends so very brilliantly with the script.
The cold chill that trickles down your spine as Dawood Ibrahim is shown in his mansion in Dubai is breathtaking. The authenticity of Bombay and its various locations from fast food restaurants in Bandra to the passport office in Worli is worth many many accolades.
Mr. Kashyap, this film has struck the very chord of life in cinema once more. I'm sure everybody who watches it will share similar sentiments as I do. I am glad that the 2 year dustbin wait for your film did not deter you from eventually getting it released. You are not alone sir, the world supports your work with open arms. The silver screen is worth visiting again. Thank you sir and take a bow again..
Yours sincerely, Aditya
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