When investigative reporter Terry Corcoran unearths a connection between a small-time thief's murder and a crooked accountant's death, the newshound's sleuthing leads him to a sordid ...
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The lives of an intertwined group of people take a new direction as all they have taken for granted starts to change. Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte ... See full summary »
Sidse Babett Knudsen,
Anders W. Berthelsen
Anders and Puk's dream has come true. They've finally bought their own house and at a real good price. Their teenage daughter might cheer up as she gets her own room in the basement. After ... See full summary »
Anne (37) has given up finding a man, who will fit in to her sensible and controlled life. She has therefore decided to get inseminated with a carefully selected sperm donor. But as her ... See full summary »
Lene Maria Christensen,
Nikolaj Lie Kaas,
Ordinary Jan has no easy life. He is by far the most unpopular employee at work. At home it's even worse. His marriage with the not so ordinary Bente is on the verge of a breakdown. Jan's ... See full summary »
Sidse Babett Knudsen,
When investigative reporter Terry Corcoran unearths a connection between a small-time thief's murder and a crooked accountant's death, the newshound's sleuthing leads him to a sordid scandal involving human trafficking, high finance, and a polticial hopeful's burgeoning career. Written by
Perhaps I'm the only person who actually loves this series (we're only just seeing it in Australia). It's shown in the Friday night crime spot, and manages to block the world out for the 90 minutes it runs. The plots are layered and complicated, if not occasionally improbable, and you have to pay attention or you can get lost. The cast of Finbar Lynch, Orla Brady, Stanley Townshend - and many more - are excellent, the scripts tight and sometimes funny, often shocking. Best of all, the filmmakers make a genuine attempt to create a gritty urban landscape of Dublin, where the series is set.
Stories centre around corruption in high places, and the attempts made by journalists Lynch and Brady to expose the bad guys. They're often unsuccessful, which is one of the reasons I enjoy this show. The bad guys frequently do win, and there's little the good guys can do about it.
One of the many reasons I'm enjoying 'Proof' is that the viewer is treated with respect and with none of the patronising explanations of the plot by characters which seems to be part and parcel of many mainstream US mystery/drama/cop shows.
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