What the #$*! Do We (K)now!? (2004)

Directors:

William Arntz
Betsy Chasse

Writers:

William Arntz (written by)
Betsy Chasse (written by)

Release Date:

27 November 2004 (Japan)

Genre:

Documentary | Comedy | Drama

Tagline:

a quantum fable

Plot:

"WHAT THE #$*! DO WE KNOW?!" is a radical departure from convention. It demands a freedom of view and greatness of thought so far unknown...

Plot Keywords:

Science | Photographer | Physics | Channeling | Biochemistry

Cast

Marlee Matlin	...	Lead
Elaine Hendrix	...	Jennifer
John Ross Bowie	...	Elliot
Robert Bailey Jr.	...	Reggie
Barry Newman	...	Frank
Larry Brandenburg	...	Bruno
Daniela Serra	...	Bride
James Langston Drake	...	Groom (as Jame Drake)
Michele Mariana	...	Tour Guide (as Michelle Mariana)
Armin Shimerman	...	Older Man (in subway)
Robert Blanche	...	Bob
Pavel Mikoloski	...	Priest
Alex Rogers	...	Guy #1
Tin Tran	...	Guy #2
Leslie Taylor	...	Bridesmaid

Also Known As:

What the Bleep Do We Know!? (International: English title) (informal title) (USA)
Sacred Science (USA) (working title)

Runtime:

109 min | Germany:113 min

Country:

USA

Language:

German | English | Spanish

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

UK:12 (video rating) (2005) | UK:12A (original rating) | Brazil:14 | Singapore:NC-16 | Germany:o.Al. | Iceland:L | Argentina:Atp | Australia:M | Canada:14A (Alberta/Ontario) | Canada:G (Quebec) | Canada:PG (British Columbia) | Ireland:PG | Netherlands:AL | USA:Unrated (not rated) | New Zealand:M

Filming Locations:

Golden Gate National Recreation Area, San Francisco, California, USA

Company:

Captured Light

Trivia:

The movie that Amanda is watching is _Chasing Destiny (2001)_, which was originally called "Romantic Moritz" as shown on the marquee.

Goofs:

Factual errors: Depiction of quantum mechanics in the movie bears no resemblance to the real theory of that name. In particular, the common misconception that the "observer effect" is dependent upon a sapient, human observer is incorrect. If any object interacts with any other, and either requires information regarding the current state and properties of the other, then that constitutes an observation.

Quotes:

Fred Alan Wolf: What I thought was unreal, now for me... seems in some ways to be more real than what I think to be real... which seems now more to be unreal.

Movie Connections:

References Chasing Destiny (2001) (TV)

Soundtrack:

Crossroads of the World

How Do We Know What We Know?

I was not surprised to see many of the comments here about this film calling into question everything about it's premise. While reviewing this film for my newspaper (Cedar Rapids Gazette) I knew immediately that the concepts would be controversial and hard for the conditioned American mind to wrap itself around.

Having said that, it seems that many people view a movie like this as an all or nothing proposition -- if one theory or belief seems flawed, then it all must be called into question. What I think too many polemicists are forgetting is that this picture is a smorgasbord of different theories presented, as Rod Serling might say, for you approval -- or not.

But what many are missing is what makes this film revolutionary -- that filmmakers were able to present these concepts in the medium of film in a way that was at least entertaining and most, thought provoking. You don't have to buy off 100 percent on what is here, but the presentation, in and of itself, was stunning in its bombardment of the viewer with multi sensory imagery.

That this film was even made at all is a mini-miracle, especially in our current intellectual and cultural climate. Its sad to me to see such judgmental reviews. I knew conventional Christians would simply dismiss this as "new age" fluff and I mentioned that in my review. But I would have hoped that lovers of film and higher order thinking would be more tolerant of some of the excesses.

In short, this is a film that needs to be seen not just for its quasi-cinematic, quasi-documentary methodology but for a presentation of theories and beliefs that are rarely discussed in the ossified American mainstream. For that alone, I thank the filmmakers.