"WHAT THE #$*! DO WE KNOW?!" is a radical departure from convention. It demands a freedom of view and greatness of thought so far unknown, indeed, not even dreamed of since Copernicus. It's... See full summary »
Interviews with scientists and authors, animated bits, and a storyline involving a deaf photographer are used in this docudrama to illustrate the link between quantum mechanics, neurobiology, human consciousness and day-to-day reality.
There is one vibratory field that connects all things. It has been called Akasha, Logos, the primordial OM, the music of the spheres, the Higgs field, dark energy, and a thousand other ... See full summary »
A feature-length documentary exploring, for the very first time and in a very down-to-earth fashion, the phenomenon of channeling. Popularized by the late Edgar Cayce, this ancient and ... See full summary »
James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Our film, The Living Matrix - The Science of Healing, uncovers new ideas about the intricate web of factors that determine our health. We talk with a group of dedicated scientists, ... See full summary »
Inspired by the idea that one of the greatest gifts one generation can give to another is the wisdom gained from experience, filmmaker and photographer Andrew Zuckerman traveled the globe ... See full summary »
"WHAT THE #$*! DO WE KNOW?!" is a radical departure from convention. It demands a freedom of view and greatness of thought so far unknown, indeed, not even dreamed of since Copernicus. It's a documentary. It's a story. It's mind-blowing special effects. This film plunges you into a world where quantum uncertainty is demonstrated - where neurological processes, and perceptual shifts are engaged and lived by its protagonist - where everything is alive, and reality is changed by every thought. Written by
On the steps of the church Amanda was offended enough by the young men's crass comments that she flashed her camera in their faces. But she was not in position to read their lips. See more »
I guess it just depends on what you think is real. The world being possible timelines of reality. Until we chose.
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The Scientists, Mystics and Scholars interviews herein were chosen based on the expertise in the subjects which they discussed. They do not necessarily agree with all viewpoints put forth in the film. Likewise the Filmmakers may not agree with all the viewpoints put forth by the Interviewees. Agreement is not necessary - thinking for one's self is. See more »
I was not surprised to see many of the comments here about this film calling into question everything about it's premise. While reviewing this film for my newspaper (Cedar Rapids Gazette) I knew immediately that the concepts would be controversial and hard for the conditioned American mind to wrap itself around.
Having said that, it seems that many people view a movie like this as an all or nothing proposition -- if one theory or belief seems flawed, then it all must be called into question. What I think too many polemicists are forgetting is that this picture is a smorgasbord of different theories presented, as Rod Serling might say, for you approval -- or not.
But what many are missing is what makes this film revolutionary -- that filmmakers were able to present these concepts in the medium of film in a way that was at least entertaining and most, thought provoking. You don't have to buy off 100 percent on what is here, but the presentation, in and of itself, was stunning in its bombardment of the viewer with multi sensory imagery.
That this film was even made at all is a mini-miracle, especially in our current intellectual and cultural climate. Its sad to me to see such judgmental reviews. I knew conventional Christians would simply dismiss this as "new age" fluff and I mentioned that in my review. But I would have hoped that lovers of film and higher order thinking would be more tolerant of some of the excesses.
In short, this is a film that needs to be seen not just for its quasi-cinematic, quasi-documentary methodology but for a presentation of theories and beliefs that are rarely discussed in the ossified American mainstream. For that alone, I thank the filmmakers.
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