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What the #$*! Do We (K)now!? (2004)

Unrated  |   |  Documentary, Comedy, Drama  |  22 October 2004 (USA)
5.3
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Ratings: 5.3/10 from 11,678 users   Metascore: 38/100
Reviews: 487 user | 74 critic | 26 from Metacritic.com

"WHAT THE #$*! DO WE KNOW?!" is a radical departure from convention. It demands a freedom of view and greatness of thought so far unknown, indeed, not even dreamed of since Copernicus. It's... See full summary »

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Title: What the #$*! Do We (K)now!? (2004)

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Cast

Cast overview, first billed only:
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Lead
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Jennifer
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Elliot
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Reggie
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Frank
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Bruno
Daniela Serra ...
Bride
James Langston Drake ...
Groom (as Jame Drake)
Michele Mariana ...
Tour Guide (as Michelle Mariana)
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Older Man (in subway)
...
Bob
Pavel Mikoloski ...
Priest
Alex Rogers ...
Guy #1
Tin Tran ...
Guy #2
...
Bridesmaid
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Storyline

"WHAT THE #$*! DO WE KNOW?!" is a radical departure from convention. It demands a freedom of view and greatness of thought so far unknown, indeed, not even dreamed of since Copernicus. It's a documentary. It's a story. It's mind-blowing special effects. This film plunges you into a world where quantum uncertainty is demonstrated - where neurological processes, and perceptual shifts are engaged and lived by its protagonist - where everything is alive, and reality is changed by every thought. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The question is, how far down the rabbit hole, do you wanna go? See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

22 October 2004 (USA)  »

Also Known As:

Sacred Science  »

Box Office

Opening Weekend:

$55,823 (USA) (18 June 2004)

Gross:

$76,391 (Brazil) (9 December 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

Depiction of quantum mechanics in the movie bears no resemblance to the real theory of that name. In particular, the common misconception that the "observer effect" is dependent upon a sapient, human observer is incorrect. If any object interacts with any other, and either requires information regarding the current state and properties of the other, then that constitutes an observation. See more »

Quotes

Frank: You could use a good Polish wedding. And watch out for those good Catholic boys!
Lead: You mean the priest?
See more »

Crazy Credits

The Scientists, Mystics and Scholars interviews herein were chosen based on the expertise in the subjects which they discussed. They do not necessarily agree with all viewpoints put forth in the film. Likewise the Filmmakers may not agree with all the viewpoints put forth by the Interviewees. Agreement is not necessary - thinking for one's self is. See more »

Connections

References Alice in Wonderland (1951) See more »

Soundtracks

More Than A Feeling
Written by Tom Scholz
Performed by Boston
Courtesy of Epic Records
By Arrangement with SONY Music Licensing
Warner Chappell Music Publishing
See more »

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User Reviews

 
Fascinating but heavily flawed…
25 October 2004 | by (Luoyang, China) – See all my reviews

It's nice to see that there are some movies being made and released into mainstream theaters that actually make you think. Great fictional films do this through the delivery of their stories, but What the #$*! Do We Know does it in a much more direct way, almost like an educational film. It's a fascinating exploration of existential theories and philosophy, and is one of those very rare movies that will challenge the way you think even about everyday life. It's a strange film and moves entirely too fast for much of it's material to sink in, but it's a great exploration of quantum physics and some of the implications that it has on our lives that we really don't think about, but should.

The story sporadically focuses on the life of Amanda (Marlee Matlin), a deaf woman suffering through heartbreak and work troubles but who ultimately alters her perception by applying certain rules and theories of quantum physics, as I imagine we are expected to after seeing the movie. The great thing about the movie is that it makes you think, but the biggest problem with it is that it uses presentation to make simple statements seem grand and make crazy assertions seem like they have merit.

There is one point where the movie says, "Here's a puzzle - why should we be able to remember the past and not have the same access to the future?'' What is that? A completely obvious fact of linear time is rendered strange just by being in this movie. It's odd that the movie delves so deep into such statuesque disciplines as quantum physics and the very fabric of the universe, while not knowing why you can remember a conversation you had today, but for some weird, unknown and mysterious reason, you can't remember a conversation you will have tomorrow.

The film also makes outlandish claims and then shrouds them in the mysteriousness of unobservable history. There is a part of the movie that claims that when the first ships arrived in what is now North America, the Native Americans looked out to sea and saw the water parted by the ships, but could not see the ships themselves because they had never seen anything like them before. This, obviously, is utter nonsense, but the movie uses it as an example of its suggestion that there are different levels of reality for different people. There is no pure, objective reality, but different plains of existence for different people.

A friend of mine, who hails this as one of the greatest films he's ever seen, explained to me that the Native Americans' minds simply did not understand how to decode the concept of a ship, a signifier which they had never encountered and so it was perfectly understandable that they couldn't see it. Wrong! Sure, they had never seen ships before, but I am willing to go out on a limb and assume that they had seen wood before, and since vision is merely the process of light bouncing off of objects and coming into contact with the retina inside the eye, it is physically impossible for a Native American to have x-ray vision because he or she doesn't know what a certain object is.

My friend used the example that it is not until you learn that lightning travels from the ground to the clouds rather than the other way around that you really begin to see it that way. Before you learn that curious little fact, you see lightning and are completely sure that it's coming out of the clouds and zapping the earth. You do see it differently from then on, it's true, but you did SEE it before you knew where it originated, right? And incidentally, lightning is known to travel from the ground to the clouds, from the clouds to the ground, and from one cloud to another. But when it occurs, I am willing to suggest that it's rarely invisible, even if, as they say, there's no one there to see it.

I believe that the human mind is set up to believe what it wants to believe (hence religion), but I do not feel obliged to believe that people's beliefs or knowledge enable them to see through solid objects just because they've never seen them before, nor do I believe that any human has the ability to change the molecular structure of water just by thinking about it in a certain way, which is another of the more bizarre claims that the movie makes. I don't know, I just never thought of water as susceptible to being offended or made happy, or having any effect over human emotions.

But while the movie does slip up by going a little far in claims like these, it's important to have things like this because even for things like invisible ships, which we know are not reality, it is good that it makes you think about them. There are a lot of things in the world that we take for granted, and not just possessions but truths, and it is movies like What the #$*! Do We Know that really get people thinking about them. For a while, at least.


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Just a poor proof-wanna-be of the claim that God is not exist! OMERZEN
This movie proves why western education corrupts open-mindedness hoasis
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the natives and ships on the horizon cybereaper
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