Under the City (2004)

Director:

Adam Golomb

Writer:

Adam Golomb (writer)

Genre:

Crime | Thriller

Plot:

Follows the attempted redemption of Nate Mayott, a semi-reformed, thirty year-old, ex-con with a dark...

Awards:

1 win

Cast

Dean Rabaiov	...	Nate
Richard Portnow	...	Minks
John Heard	...	Scova
Mike Starr	...	Dandos
Maya Parish	...	Denise
rest of cast listed alphabetically:
Kwame Amoaku	...	Porn star
Rolando Boyce	...	Reggie
John Carter Brown	...	Kiddie Porn Director Jack
Freeman Coffey	...	James The Doorman
Maury Cooper	...	Milwaukee Sid
Corryn Cummins	...	14
Diane Dorsey	...	Nurse Administrator
Adam Golomb	...	Jerk In Bar / Denise's Partner
Shana Goodsell	...	Kathleen Mayott
D.J. Howard	...	Frank
Zanny Laird	...	Lola Mayott
Bernie Landis	...	Pool Mayott
Carrie MacDonald	...	Stairwell Whore
Bobby Mort	...	Joel
E.J. Murray	...	Waitress
Larry Neumann Jr.	...	Porn Cameraman
Elisabeth Oas	...	Bathtub whore
Roderick Peeples	...	Typical John
Rich Pierrelouis	...	Kevin
Joe Ryan	...	Brooks
Joey Strobel	...	Bar Patron
Jennifer Sydney	...	13
Ronnel Taylor	...	Mitch

Runtime:

USA:107 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Stereo

Company:

Hyde Park Films

Riveting. Almost perfect

*** This comment may contain spoilers ***

There is almost nothing about this movie that stamps it as a low-budget film. The acting was truly dead on, there were known actors in it, and the cinematography was gritty and realistic.

Plot: Nate is an ex-con working for loan sharks and bookies who gets in too deep. He is offered a job as a go-between at an upscale bar, summoning callgirls for impatient patrons. The folks hiring him are crooked cops.

He keeps being nudged deeper and deeper into the world of illicit sex, helping to cover up dead hookers, and transport underage girls for porn shoots.

However, when he is told in no uncertain terms that if he does not help kidnap a small girl for a wealthy client, his own daughter will be the "merchandise", he is pushed too far. He shoots the other kidnappers, rescues the girl, and against all odds, manages to get back to his daughter to save her.

Throughout, Nate is played as a regular guy - separated from his wife, but still loves his kid; falls for a waitress at the bar he works out of and tries to help her when it looks like she's in trouble; and agonizes over some of the revolting yet alluring things he's being pushed into doing.

While based on a true story, the tone and atmosphere of the film remind me a lot of Hardcore (with George C. Scott). In fact, I came away from this film with much the same unsettled feeling I got from that one - a major element of which is the disturbing sense that by standing by and watching the acts portrayed (even though, unlike Nate, we are not watching "reality"), you are somehow condoning them. It's a really weird sensation. Like you can't possibly enjoy the film itself without admitting you enjoy the creepy porn it's opening a window on.

Please understand, this is not a negative statement! Any movie that can bring out such strong feelings is a powerful film, indeed.

The only thing I found felt wrong was a much too happy closing scene, which my friends and fully expected Nate to wake up from. I don't know whether the director wanted to give the audience some catharsis and send them home happy or what, but it was too jarring a change in tone. I would rather have had the film end more bleakly in the hospital.