April in Love (2006)
"Avril" (original title)

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Avril is a novice in a convent of "Baptistine" sisters, a monastic order which was officially dissolved by the end of the nineteenth century but that is kept alive by Mère Marie Joseph, the... See full summary »

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Cast overview, first billed only:
Soeur Bernadette, formerly Flora Romano
Geneviève Casile ...
Mère Marie-Joseph
Monique Mélinand ...
Soeur Céleste
Anna Mihalcea ...
Claude Duty ...
Père Jean Diard
Mathilde Mignot ...
Avril enfant
Frédéric Quiring ...
Le père adoptif de David
Marie Vinoy ...
La mère adoptive de David
Milo Hustache-Mathieu ...
David enfant
Gisèle Boiteux ...
Une Trappistine
Denise Billot ...
Une Trappistine


Avril is a novice in a convent of "Baptistine" sisters, a monastic order which was officially dissolved by the end of the nineteenth century but that is kept alive by Mère Marie Joseph, the sadistic superior. The rule she imposes on the nuns is particularly strict but this is all Avril has ever known since she was born, for she was an abandoned child raised by the nuns with a view to making one of them. While Avril is on retreat, locked in for a fortnight in a chapel prior to taking her vows, Soeur Bernadette, a sympathetic sister, discloses a secret to her: she has a twin brother and she encourages her to go looking for him... Written by Guy Bellinger

Plot Summary | Add Synopsis

Plot Keywords:

nun | twins | convent | nudity | body paint | See All (12) »


Comedy | Drama


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Release Date:

14 June 2006 (France)  »

Also Known As:

A zárdán túl  »

Filming Locations:


Box Office


€2,000,000 (estimated)

Company Credits

Production Co:

, ,  »
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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Written and Composed by Christophe
Performed by Christophe, also by Sophie Quinton, Nicolas Duvauchelle, Clément Sibony and Richaud Valls
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User Reviews

If Miou-Miou can't save it...

... then why bother seeing it, I say. This is an often-risible, hardly believable story of a novice who takes two weeks off to find her twin brother and herself in the Camargue (lovely shots of the beaches). I did not believe this story for one minute, although the actors are appealing, especially the broad-faced Sophie Quinton and slim, athletic Clément Sibony, who plays her brother.

I suppose the French tradition of careful reconstruction of political, social or spiritual themes is now lost forever. I kept thinking wistfully of La Réligieuse, Thérèse, La Faute de l'Abbé Mouret, Le Journal d'un curé de campagne and any other film that crossed my mind as Avril unfolded before my disbelieving eyes. The last fifteen minutes were called absurd by some commenters, but I never found any solid ground in the picture. That Mother Superior was straight out of Bunuel.

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