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Nina (2004)

6.7
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Ratings: 6.7/10 from 704 users  
Reviews: 4 user | 3 critic

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

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Title: Nina (2004)

Nina (2004) on IMDb 6.7/10

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3 wins & 5 nominations. See more awards »
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Cast

Credited cast:
Guta Stresser ...
Nina
Rest of cast listed alphabetically:
Milhem Cortaz ...
Carlão
Anderson Faganello ...
Tatuado / Tatoo Boy
Abrahão Farc ...
Sr. Freak
Juliana Galdino ...
Ana
Heitor Goldflus ...
Homem na lanchonete
Ailton Graça ...
Policial / Policeman #3
Sabrina Greve ...
Sofia
Luíza Mariani ...
Alice
Altamiro Martins ...
Médico / Doctor
...
Amigo de Ana / Ana's Friend
...
Cego / Blind Man
Myrian Muniz ...
Eulália
Matheus Nachtergaele ...
Pintor / Painter #2
Walter Portela ...
Detetive #1
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Storyline

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

Plot Summary | Add Synopsis


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Details

Country:

Language:

Release Date:

28 January 2004 (Netherlands)  »

Also Known As:

Нина  »

Filming Locations:


Box Office

Budget:

BRL 2,442,740 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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References A Beautiful Mind (2001) See more »

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User Reviews

 
Raskolnikov draws cartoons in Sao Paulo
17 July 2004 | by (Long Island) – See all my reviews

A farcical, highly abridged adaptation of Dostoevsky's _Crime and Punishment_ set in contemporary Sao Paulo. The protagonist is an underemployed girl who wallpapers her room with the dark, manga-like cartoons she draws. This is perhaps indicative of her introversion, her immersion in a world of fantastic ideas and impressions; when events elicit highly charged reactions, these are rendered as cartoons. The girl's nemesis is her shrewish, niggardly landlady, who is rendered very convincingly detestable (in far more detail than Alena Ivanovna was). How Nina deals with her will come as no surprise to readers of the original novel but here that crime becomes a culmination of the story rather than its centerpiece. The focus, instead, is on the straitened youthful existence that leads up to it. A highlight of the film is Nina's encounter and tryst with a very characterful blind man.

"Nina" is an entertaining affair with none of the religious depth and anxiety of the book it is based on.


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