| Photos (See all 72 | slideshow) | Videos (see all 7) |
| Samuel L. Jackson | ... | Derrick Vann | |
| Eugene Levy | ... | Andy Fiddler | |
| Miguel Ferrer | ... | Agent Peters | |
| Luke Goss | ... | Joey Kane | |
| Susie Essman | ... | Lt. Rita Carbone | |
| Anthony Mackie | ... | Booty | |
| Gigi Rice | ... | Susan | |
| Rachael Crawford | ... | Dara Vann | |
| Philip Akin | ... | Second I.A. Agent | |
| Christopher Murray | ... | Homeless Man | |
| Joel S. Keller | ... | Laptop Guy (as Joel Keller) | |
| John Hemphill | ... | Ted | |
| Kathryn Greenwood | ... | Flight Attendant | |
| Carrie Cain-Sparks | ... | Big Kim (as Carrie Cain Sparks) | |
| George Ghali | ... | Cab Driver | |
| Leni Parker | ... | Cashier | |
| Matt Cooke | ... | Uniform Cop on PA | |
| Joe Sacco | ... | Rookie | |
| Neville Edwards | ... | Tall Agent | |
| Scott Wickware | ... | Booking Officer | |
| Tomorrow Baldwin Montgomery | ... | Kate Vann | |
| Geoffrey Bowes | ... | Phone Agent (as Geoff Bowes) | |
| Randy Butcher | ... | Guard | |
| Jessica Kelly | ... | Female Prisoner | |
| Eldridge Hyndman | ... | Muscular Prisoner | |
| Peter Oldring | ... | Young Guard | |
| Leonard L. Thomas | ... | Mark (as Leonard Thomas) | |
| Maxwell McCabe-Lokos | ... | Pinto Driver (as Max McCabe) | |
| Frank Spadone | ... | Conventioneer | |
| Andrew Stelmack | ... | Conventioneer | |
| Gordon Bolan | ... | Conventioneer | |
| Jeff J.J. Authors | ... | Waiter (as J.J. Authors) | |
| Toby Proctor | ... | Cavity Search Guard | |
| Peter Kosaka | ... | Asian Man | |
| Beatriz Yuste | ... | Nun | |
| Jackie Laidlaw | ... | Nun | |
| Dina Pino | ... | Nun | |
| Patricia Brown | ... | Nun | |
| rest of cast listed alphabetically: | |||
| Lindsay Ames | ... | Waitress (uncredited) | |
| Michael Cameron | ... | IA Driver (uncredited) | |
| Kevin Rushton | ... | Thug (uncredited) | |
| Horatio Sanz | ... | Santos (uncredited) | |
| Nestor Serrano | ... | Manuel "Manny" Cortez (uncredited) | |
Directed by | |||
| Les Mayfield | |||
Writing credits(WGA) | ||
| Jim Piddock | (screenplay) & | |
| Margaret Oberman | (screenplay) and | |
| Stephen Carpenter | (screenplay) (as Steve Carpenter) | |
| Jim Piddock | (story) & | |
| Margaret Oberman | (story) | |
Produced by | |||
| Kent Alterman | .... | executive producer | |
| Brian Campbell | .... | line producer: additional photography | |
| Toby Emmerich | .... | executive producer | |
| Robert N. Fried | .... | producer (as Rob Fried) | |
| Keith Goldberg | .... | associate producer | |
| Mathew Hart | .... | executive producer | |
| Bill Straus | .... | co-producer | |
| Tim Van Rellim | .... | line producer: additional photography | |
| Michele Weiss | .... | associate producer | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Adam Kane | |||
Film Editing by | |||
| Peter Fandetti | |||
| Jeffrey Wolf | |||
Casting by | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
| Wendy Weidman | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Peter P. Nicolakakos | |||
Costume Design by | |||
| Delphine White | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Mr. Jackson | |
| Judi Cooper-Sealy | .... | hair department head | |
| Sylvain Cournoyer | .... | makeup department head | |
| Cathy Shibley | .... | key hair stylist | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson | |
| Megan Tanner | .... | hair stylist: Luke Goss | |
| Megan Tanner | .... | makeup artist: Luke Goss | |
| Lianne Turturici | .... | key makeup artist (as Lianne Turturci) | |
| Julia Valente | .... | assistant makeup artist | |
| Victoria Wood | .... | wigs: Sam Jackson | |
Production Management | |||
| Armand Leo | .... | unit production manager | |
| Frank Salvino | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jeff J.J. Authors | .... | first assistant director (as J.J. Authors) | |
| Tyler Delben | .... | third assistant director | |
| Beau Ferris | .... | trainee assistant director | |
| Walter Lawlor | .... | trainee assistant director | |
| Nick Lopez | .... | assistant director | |
| Elizabeth Parker | .... | third assistant director | |
| Elizabeth Parker | .... | trainee assistant director | |
| Eric S. Potechin | .... | second assistant director | |
| John Stoneham Jr. | .... | second unit director | |
| Jodi A. Tario | .... | assistant director | |
| David Vaughan | .... | first assistant director: second unit | |
Art Department | |||
| John Bannister | .... | key scenic artist | |
| Deryck Blake | .... | property master | |
| David Coronella | .... | leadman | |
| David DeMarinis | .... | assistant decorator | |
| Danielle Fleury | .... | assistant set decorator | |
| Summer Gaal | .... | set dresser | |
| J. Ryan Halpenny | .... | assistant art director | |
| Al Hobbs | .... | set designer | |
| Jae Pak | .... | assistant art director | |
| David Ritchie | .... | second on-set dresser | |
| Nathan A. Smith | .... | set dresser | |
| Martin Weinryb | .... | set decoration buyer | |
Special Effects by | |||
| Matt Corrigan | .... | special effects technician | |
| Kaz Kobielski | .... | special effects coordinator | |
| Mark Rice | .... | special effects supervisor | |
| Dean Stewart | .... | special effects office administrator | |
| Paul Vernon | .... | special effects props builder | |
Visual Effects by | |||
| Krista Allain | .... | visual effects coordinator: Intelligent Creatures Inc. | |
| Ryan Beadle | .... | digital I/O | |
| Thomas R. Bryant | .... | visual effects editor | |
| Steve Caldwell | .... | digital compositor | |
| Keith Cooper | .... | 3D artist: Intelligent Creatures Inc. | |
| Jon Cowley | .... | 3D supervisor: Intelligent Creatures | |
| Mark Dornfeld | .... | visual effects supervisor | |
| Peter Dydo | .... | 3D artist: Intelligent Creatures Inc. | |
| Michele Ferrone | .... | visual effects producer | |
| Raymond Gieringer | .... | visual effects supervisor: Intelligent Creatures Inc. | |
| Jamie Hallett | .... | senior digital compositor: Intelligent Creatures Inc. | |
| R.J. Harbour | .... | digital compositor | |
| Michael Hatton | .... | visual effects technical advisor: Intelligent Creatures Inc. | |
| Shaina Holmes | .... | lead compositor | |
| Nicholas Kim | .... | digital compositor | |
| Nicholas Kim | .... | title designer | |
| Lev Kolobov | .... | digital compositor: Intelligent Creatures Inc. | |
| Jason Kolodziejczak | .... | digital compositor: Intelligent Creatures Inc. | |
| Wendy Lanning | .... | visual effects producer: Intelligent Creatures Inc. | |
| Danny Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Laurence Lok | .... | digital compositor: Intelligent Creatures Inc. | |
| Jason Maher | .... | 3D artist: Intelligent Creatures Inc. | |
| Lori C. Miller | .... | digital compositor | |
| Lon Molnar | .... | visual effects creative advisor: Intelligent Creatures Inc. | |
| Lillani E. Moran | .... | visual effects coordinator | |
| L. Elizabeth Powers | .... | digital compositor (as Laurie Powers) | |
| Darcy Reno | .... | systems administrator (as Darcy Bangsund) | |
| Mark Sawicki | .... | blue screen consultant | |
| Leonardo Silva | .... | 3D artist: Intelligent Creatures Inc. | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Matt Birman | .... | stunt performer | |
| Tommy Chang | .... | stunts | |
| Shelley Cook | .... | stunts | |
| Danny Lima | .... | stunts | |
| Steve Lucescu | .... | stunt performer | |
| Darren Marsman | .... | stunt driver | |
| Regan Moore | .... | stunt performer | |
| Regan Moore | .... | stunt rigger | |
| Layton Morrison | .... | stunt performer | |
| Billy Oliver | .... | stunt performer | |
| Chris Palermo | .... | stunts | |
| Edward A. Queffelec | .... | stunt performer | |
| Robert Racki | .... | stunts | |
| Rex Reddick | .... | stunt coordinator | |
| Scotty Richards | .... | precision driving coordinator (as Scott Richards) | |
| John Stead | .... | stunt performer | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Bryan Thomas | .... | stunts | |
| Marcus Young | .... | stunts | |
| Ryan Happy | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Chris Alexander | .... | focus puller: additional photography | |
| Richard Allen | .... | gaffer: second unit | |
| Kevin Barnes | .... | electrician | |
| David Breeze | .... | gaffer | |
| Elizabeth Caruana | .... | assistant camera: dailies | |
| Jeffrey Cassidy | .... | digital video assist operator | |
| Joe Chouchanian | .... | grip: additional photography | |
| Michael Decina | .... | key rigging grip | |
| Andrew Dumas | .... | second assistant camera: additional unit | |
| David M. Dunlap | .... | director of photography: additional principal photography | |
| William Engel | .... | grip | |
| William Engel | .... | rigging grip | |
| Ava Gerlitz | .... | still photographer | |
| Mark Hryma | .... | camera operator: Wescam camera | |
| Alan Jacoby | .... | second assistant camera: additional photography | |
| Patrick King | .... | dolly operator | |
| Clyde Miller | .... | camera operator: Wescam camera | |
| Clyde Miller | .... | first assistant camera: aerial unit | |
| Mark Willis | .... | camera operator: "a" camera | |
Casting Department | |||
| Chris Bustard | .... | extras casting: Los Angeles | |
| Donna Dupere | .... | extras casting | |
| Samantha Finkler | .... | casting assistant | |
| Brad Gerstl | .... | extras casting representative | |
| Sara Kay | .... | casting associate: Toronto | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Aaron Unrau | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Askia Won-Ling Jacob | .... | costumer: Mr. Jackson | |
| Marcia Scott | .... | costumer | |
Editorial Department | |||
| Peter Fandetti | .... | associate editor | |
| Daniel Kupresan | .... | assistant editor | |
| Aaron Marshall | .... | assistant editor | |
| David McGroarty | .... | assistant editor | |
| Sandy Pereira | .... | trainee assistant editor | |
| Nicole Sears | .... | editorial production assistant | |
Music Department | |||
| Brent Arrowood | .... | score assistant engineer | |
| Tyler Barton | .... | additional score engineering | |
| Gustavo Borner | .... | scoring mixer | |
| Stephen Coleman | .... | conductor | |
| Stephen Coleman | .... | orchestrator | |
| Scott Conrad | .... | assistant score mixer | |
| Robin Joseph | .... | music clearances | |
| Tom Kramer | .... | music editor | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| Peymon Maskan | .... | music coordinator | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Dana Sano | .... | music supervisor | |
| Erin Scully | .... | music executive | |
Transportation Department | |||
| Tim Fagan | .... | driver: honeywagon | |
| Dana Howes | .... | transportation coordinator | |
| Glenn Hughes | .... | picture car co-captain | |
| Wayne Ireland | .... | picture car captain | |
| Wayne Williams | .... | transportation coordinator: Los Angeles reshoots | |
Other crew | |||
| Samantha Armstrong | .... | script supervisor | |
| Lorrie Barth | .... | second assistant accountant | |
| Mark Bashian | .... | production assistant | |
| Michael Bederman | .... | production accountant | |
| Dana Belcastro | .... | production executive | |
| John 'Frenchie' Berger | .... | armorer | |
| Stephanie Lee Berger | .... | weapons handler | |
| Matt Brutocao | .... | assistant: Mr. Fried and Mr. Mayfield, Los Angeles | |
| Aloura Melissa Charles | .... | production assistant | |
| Jas Chima | .... | assistant: Mr. Fried and Mr. Mayfield, Toronto | |
| Pauline Chung | .... | set supervisor | |
| Christopher Comrie | .... | payroll accountant | |
| Lee Ann Cotton | .... | assistant coordinator: re-shoots | |
| Tamela D'Amico | .... | production assistant | |
| Elan Dassani | .... | computer playback operator | |
| Ray Felipe | .... | script researcher | |
| Lisa Gyorfi | .... | production secretary | |
| Richard Hughes | .... | location manager | |
| Alan Kilmer | .... | production assistant | |
| Lizette Kilmer | .... | production secretary (as Lizette Jaimes) | |
| Ashley Kravitz | .... | script clearance | |
| Darron Leiren-Young | .... | first assistant production coordinator | |
| Rose Lister | .... | first assistant accountant | |
| Scott Allen Logan | .... | location manager | |
| Scott Allen Logan | .... | location manager: additional photography | |
| Jason Lorr | .... | office production assistant: re-shoots | |
| Sarah Nilson | .... | location security (as Sarah Weight) | |
| Scott Parker | .... | post-production accountant | |
| George Ploszczansky | .... | security: Mr. Jackson | |
| Boris Radivojevic | .... | location support | |
| John Rakich | .... | location scout: re-shoots | |
| Mary C. Snyder | .... | title designer | |
| Joe Steele | .... | production resources | |
| Brent Stephenson | .... | production assistant | |
| Sheree Thompkins | .... | production assistant | |
| Dave Tommasini | .... | pilot: Wescam helicopter | |
| Jacob Hair | .... | tattoo designer (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
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What can be expected from a movie called The Man? A comedy from the director of American Outlaws starring Samuel L. Jackson riffing on his Jules character from Pulp Fiction with the dad from American Pie can't be decent, can it? Surprisingly, this new fall comedy is actually humorous if not outright hilarious, and it is certainly better than it looks on paper or in the TV-spots. It is a great example of a "pleasant surprise." That's not to say the premise isn't pretty cookie-cutter: Andy Fidler, an innocent dental tools salesman (cue Eugene Levy) gets caught up in an illegal weapons plot and must deal with Special Agent Derrick Vann (Samuel L. Jackson playing what he plays best) and his crazy world.
Vann and Andy happen to be polar opposites, as well. What a surprise.
If this all sounds strangely like the average buddy comedy about the well-mannered white guy and the tough-as-nails black guy who don't get along at first but learn to appreciate each other and then become best friends, well, it pretty much is. However, unlike many buddy comedies, this one is actually enjoyable.
At a brisk 83 minutes the movie never lags too much, and instead of focusing on its implausible story or cliché subplots The Man keeps it mainly about the chemistry between its two main characters. Also, although much of the script is forgettable seldom is pure boredom reached.
Traps such as unoriginal overused subplots and gaping plot holes can often catch many unsuspecting buddy comedies by surprise and help make them DOA (dead on arrival), but The Man actually seems to revel in its unoriginality, content with not pushing boundaries but with instead just having some fun.
In the acting department, Samuel L. Jackson is especially a surprise. While it seems he would be pretty much bored of playing the same badass character time and time again, he manages to come off convincingly and even have some fun riffing on his theatrical persona. However, the movie never winks too much at the audience and it is able to stand on its own two feet rather than constantly say, "Hey guys don't mess with the Samuel L!" The fact that Eugene Levy is very talented at playing a character who is truly clueless also helps. Both Jackson and Levy have good chemistry and even though it's pretty much a two-man show The Man comes off without a hitch because it knows what its strength is: Levy and Jackson.
The only other actor that even warrants a mention really is Luke Goss as Joey. He helps make a mundane role tolerable and interesting. He doesn't steal the show, but he has fun with being the typical criminal villain surrounded by non-descript henchmen.
In the end, much credit should go to director Les Mayfield for his quick pacing and use of a variety of jokes. Again, with a movie that is basically just a rehash of many other comedies it is smart to never dabble on one topic too much and to let the actors roam free and get into their performances. The Man never becomes showy with fancy special effects or tons of big star cameos. Rather, it makes do with what it has.
Sure, there are a lot of visual gags and the infamous "fart jokes" (those don't seem to ever get old for Hollywood), but it's all in good fun and there's enough semi-clever situation humor to keep the entire thing moving. Sometimes it's even evident what is about to happen, but when it does it happens in a way that is just unexpected enough to be humorous in its absurdity. One gag involving the drop off of "some merchandise" at a crowded street corner is a nice play on the clichés of so many other movies very similar to this.
In the end, lives won't be changed because of The Man and it probably won't be as well received or as popular as something like the Wedding Crashers, but funny is funny and for an evening out at the movies a lot worse things could happen. Just look at The Cave.
Critic's Conclusion: It's not the funniest movie of the year but that doesn't mean it isn't funny at all, and what The Man lacks in originality it more than makes up for in charm mixed up with some lively performances. It's better than the TV-spots might lead you to believe, and although it's not a must see there are a million worse ways to spend a few bucks and a couple of hours.