Special Agent Derrick Vann is a man out to get the man who killed his partner but a case of mistaken identity leads him to Andy Fidler, a salesman with too many questions and a knack of getting in Vanns way.
Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators ... See full summary »
Samuel L. Jackson,
Cedric the Entertainer plays Jake, a seemingly regular guy who has no idea who he is after being hit over the head by mysterious assailants; when he finds himself entangled in a government ... See full summary »
Cedric the Entertainer,
A federal agent turns up dead and a hardcore undercover agent, known as Derrick Vann heads off to try and recover the stolen arms and find the killers. Andy Fiddler is an ordinary family man and a dentist, and is out heading to a conference, when he gets stuck in the same mess. Criminal Kane believes Fiddler is 'The Man' behind it all and offers him a gun. Vann spots him and drags him across town, with him posing as the actual 'Man'. Written by
At the 1:01 mark, you can see Luke Goss trip over his own feet. See more »
The second time Andy is told to go to a specific place to meet up with the dealer, he gets out of the car and gets back in without telling Vann where to go. Somehow Vann seems to know where to go right when Andy gets back into the car. See more »
Written by Marie Daulne and Chris McHale
Performed by Zap Mama featuring Erykah Badu
Courtesy of Luaka Bop
Erykah Badu performs courtesy of Motown Records
Under license from Universal Music Enterprises See more »
All the production values of a Saturday afternoon action serial.
I can't say the movie was a disappointment because I got what I expected from the trailer. I hoped for Jackson to reprise the Jules character from Pulp Fiction but I knew I wouldn't get him. Instead we get someone almost as angry and a whole lot more impotent: he threw tantrums when it's obvious that his bad-ass character would beat Levy. The chemistry between Jackson and Levy never develops, it's a tired combination of the oblivious and irritating (Levy) teamed up with the dead-serious bad-ass (Jackson). The director doesn't know how to take advantage of the two as his gags are poorly set-up. There's an awful lot of lowest-common-denominator stuff in this movie. Once the movie starts to drone on, out comes the fart jokes. In the end, I amused myself by substituting my own dialogue throughout the movie and looking for references to Toronto. That's another disappointment: the movie is set in Detroit and filmed in Toronto but there was minimal effort to actually make the city FEEL like Detroit. Sure, they digitally removed the CN Tower from the city skyline but the unique Toronto streetcars and streetcar tracks, Petro-Canada gas-stations, Royal York Hotel, bilingual signposts, people walking about and NO garbage or graffiti anywhere prove that it is NOT Detroit. They should have at least avoided the skyline completely since it doesn't match Detroit at all, even with the Skydome and CN Tower removed. There you go: a poor to mediocre effort on all levels.
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