In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does. Written by
No US studios would back the film. International finances were secured instead. See more »
When Yuri sells Glock handguns to the drug dealer, two of the Glocks are 3rd generation models not sold until 2000. The Glock 3rd generations were not sold in 1980. The other two Glocks are 2nd generation models that fit the era. You can tell the difference between them because the 3rd generation Glocks have accessory rails, finger grooves in the grip and a thumb groove. 2nd generations have flat handles, no thumb groove and a slanted front nose. See more »
There are two types of tragedies in life. One is not getting what you want, the other is getting it.
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A movie about a gunrunner who arms the dictators, tyrants, and genocide-perpetrators of the world should not be this deliciously funny. Lord of War is story-telling perfection. The opening scene depicts the life of a bullet, from its creation in the factory to the moment it blasts through the head of a poor African child. Nicolas Cage is Yuri Orlov, the son of Ukrainian immigrants, who becomes the world's most successful arms dealer. Writer/director Andrew Niccol took every major world conflict of the part 25 years and seamlessly incorporated them into a smart, funny, complex story about violence, corruption, and the essence of warfare. Lord of War has no clear-cut, black-or-white, good-or-evil "moral of the story," but no intelligent observation ever does. It's just a fabulous film. "I never sold to Osama Bin Laden," Yuri tells the audience. "Not on moral grounds, but because his checks were always bouncing back then."
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