To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method.
This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does. Written by
When Yuri first enters the lobby of the hotel in Monrovia there are two men in front of the television and making comments about it. They are watching O.J. Simpson's murder trial, which places the action somewhere in October of 1995. See more »
In order to camouflage his gun-running freighter, M/V "Kristol", Orlov has the name repainted as "Kono". However, this only happens on the stern. A vessel also has its name shown on both the starboard and port side of the bow, so the agents bringing up the vessel would still have identified the ship correctly. Furthermore, the stern of a ship also sports the home port, which also would have had to be changed for the "flag-change" ruse to work, but is nowhere to be seen in the movie. See more »
There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is: How do we arm the other 11?
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La Vie en Rose
Music by Louiguy (as Luis Gugliemi)
Lyrics by Édith Piaf (as Edith Gassion)
English Lyrics by Mack David
Performed by Grace Jones
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
This was a great movie. Cage delivered on the "anti-hero" - a 21st century "Corleone".
The locations were cool and "spectacular". From a visual standpoint this movie really does take you around the world. New York, Russia, Libya, Libera, etc. This movie is shot very, very well.
The pacing of the movie is brisk, the scenes aren't morose. Like Platoon, this movie doesn't glamorize or demonize situations. A guy who sells weapons for a living meets some violent people in some violent places. The visual style is breathtaking . . .
What I like best is, no characters in the movie are "romanticized". There are no "good guys". One could make the case that there are no "bad guys" as well I suppose. There are people who do bad things for reasons you don't understand. There are people who do nothing when they should do something for reasons you don't understand. Its a pretty accurate depiction of real life :)
I think I might have rated the movie 8.5, if there were any other movies at all about this topic that were anywhere in its league. If you make a great "Legally Blond", that's nice. If you make a great movie about arms trading with a sold antihero and supporting characters, I figure you get "extra credit".
I think you're a fool if you miss this movie. Its not about Iraq. Its not particularly political. This movie could have been made under any president in the last 100 years and been just as accurate. Its not particularly anti-gun. Its just about this guy who sells guns.
On the other hand, don't take people to this movie if they can't handle violence or movies that aren't designed to make them "feel good" when they walk out. This is a good movie, its interesting, its intelligent, its important -- but its not Ferris Buellers Day Off or Spinal Tap.
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