A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does. Written by
The helicopter that is taken apart by the mechanic just before Agent Valentine arrives is an Mi-24 Hind-A. It is distinguishable from later versions of the Hind due to the "greenhouse" cockpit. Later versions had two rounded canopies. See more »
During Yuri's narration upon entering the hotel in Liberia he says, "In the most AIDS infested region of the globe, where one in four is infected ..." This is untrue for West Africa and particular for Liberia where since the identification of HIV, the prevalence rate has never reached 2%. In fact, in 1995, when Yuri is in Liberia, only 23 people in the entire country had tested positive for the virus. Even if the regional reference was meant to indicate the entire Sub-Saharan Africa region, the "one in four" statistic is still grossly overestimated as these high rates only exist in a few Southern Africa countries. See more »
There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is: How do we arm the other 11?
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Written by Geoff Barrow, Beth Gibbons and Adrian Utley
Performed by Portishead
Courtesy of Go! Discs Ltd./Polydor Ltd. (UK)
Under license from Universal Music Enterprises
Featuring a sample of "Ike's Rap III"
Written and Performed by Isaac Hayes
Courtesy of Stax Records/Concorde Music Group, Inc. See more »
This was a great movie. Cage delivered on the "anti-hero" - a 21st century "Corleone".
The locations were cool and "spectacular". From a visual standpoint this movie really does take you around the world. New York, Russia, Libya, Libera, etc. This movie is shot very, very well.
The pacing of the movie is brisk, the scenes aren't morose. Like Platoon, this movie doesn't glamorize or demonize situations. A guy who sells weapons for a living meets some violent people in some violent places. The visual style is breathtaking . . .
What I like best is, no characters in the movie are "romanticized". There are no "good guys". One could make the case that there are no "bad guys" as well I suppose. There are people who do bad things for reasons you don't understand. There are people who do nothing when they should do something for reasons you don't understand. Its a pretty accurate depiction of real life :)
I think I might have rated the movie 8.5, if there were any other movies at all about this topic that were anywhere in its league. If you make a great "Legally Blond", that's nice. If you make a great movie about arms trading with a sold antihero and supporting characters, I figure you get "extra credit".
I think you're a fool if you miss this movie. Its not about Iraq. Its not particularly political. This movie could have been made under any president in the last 100 years and been just as accurate. Its not particularly anti-gun. Its just about this guy who sells guns.
On the other hand, don't take people to this movie if they can't handle violence or movies that aren't designed to make them "feel good" when they walk out. This is a good movie, its interesting, its intelligent, its important -- but its not Ferris Buellers Day Off or Spinal Tap.
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