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A History of Violence (2005)

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A mild-mannered man becomes a local hero through an act of violence, which sets off repercussions that will shake his family to its very core.

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(graphic novel), (graphic novel) | 1 more credit »
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2,230 ( 593)
Nominated for 2 Oscars. Another 35 wins & 72 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sheriff Sam Carney
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Billy
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Gerry Quigley ...
Mick
Deborah Drakeford ...
Charlotte
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Sarah Stall
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Charlie Roarke
Bill MacDonald ...
Frank Mulligan
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Storyline

This is the story of a mild-mannered man, named Tom Stall, who becomes a local hero through an act of violence, he lives a happy and quiet life with his lawyer wife and their two children in the small town of Millbrook, Indiana. But one night their idyllic existence is shattered when Tom foils a vicious attempted robbery in his diner. Sensing danger, he takes action and saves his customers and friends in the self-defense killings of two-sought-after criminals. Heralded as a hero, Tom's life is changed overnight, attracting a national media circus, which forces him into the spotlight. Uncomfortable with his newfound celebrity, Tom tries to return to the normalcy of his ordinary life only to be confronted by a mysterious and threatening man who arrives in town believing Tom is the man who wronged him in the past. As Tom and his family fight back against this case of mistaken identity and struggle to cope with their changed reality, they are forced to confront their relationships and the... Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Everyone has something to hide. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence, graphic sexuality, nudity, language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

30 September 2005 (USA)  »

Also Known As:

Una historia violenta  »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$515,992 (USA) (23 September 2005)

Gross:

$31,493,782 (USA) (3 February 2006)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scenes in the diner were all shot on a sound stage in Ontario. They constructed a street scene for outside the window and lit it appropriate to day or night time. See more »

Goofs

When Sam (the Sheriff) stops Fogarty's car and talks to him, he looks at the driver's license in his hand. Immediately afterward, Fogarty closes the window, and the car drives away, without Sam returning the license. Yet his hands are empty. See more »

Quotes

[first lines]
William Orser: [Leland and Billy walk out of the motel room] So we keep headin' east?
Leland Jones: Yeah, that's the idea.
William Orser: Stay out of the big cities?
Leland Jones: Uh-huh.
William Orser: I think I'm tired.
Leland Jones: [Leland smiles] Yeah. Me, too.
See more »


Soundtracks

Life of a Fool
Written by Paul Burch
Performed by Paul Burch
Courtesy of Bloodshot Records
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Frequently Asked Questions

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User Reviews

 
excellent, but not for the kiddies
6 October 2005 | by (london uk) – See all my reviews

This is, like all Cronenberg's work, a mythic movie. It occupies the world of "monsters" that Tom Stall's daughter dreams about at the start. It's as if we get to see the little girl's nightmare as the film unfolds. It's because of this poetic, super-real quality that criticisms from the "this isn't real life" brigade have no relevance. The screenplay is exceptionally tight and well-woven - no image is wasted. The subplot of the son's troubles with a school bully parallels the main plot. The very existence of the son is there to show the inheritance - the history - of violence. The sex scenes are there to show the proximity of lust and violence. The end can be nothing other than what it is: as someone else on IMDb has commented, the genie is out of the bottle. This is true for the family in the film, the society we see surrounding the family, and it's true for our families and our society. It's about the inexhaustible rage of humans. It couldn't be more relevant, it couldn't be more timeless. It is well acted and beautifully photographed. I have some minor reservations - did we really need so much of Howard Shore's music? - but on the whole I think this is a superb film. Not for the kiddies, however.


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