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Gojira: Fainaru uôzu (2004)

Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes plus a new, mysterious monster named Monster X.

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(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
Masahiro Matsuoka ...
Earth Defense Force Soldier Shin'ichi Ôzaki
Rei Kikukawa ...
UN Molecular Biologist Miyuki Otonashi
...
Maki Mizuno ...
Newscaster Anna Otonashi
...
The Controller of Planet X
...
M-Facility Soldier Katsunori Kazama
Kumi Mizuno ...
Earth Defense Force Commander Akiko Namikawa
Akira Takarada ...
UN Secretary General Naotarô Daigo
Kenji Sahara ...
Paleontologist Hachirô Jingûji
Masakatsu Funaki ...
M-Unit Commanding Officer Kumasaka
...
Chihiro Ohtsuka ...
Shobijin (Twin Fairy) (as Chihiro Ôtsuka)
Wataru Shihôdô ...
Major Kita
Kenta Suga ...
Kenta Taguchi
Shigeru Izumiya ...
Samon Taguchi
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Storyline

When the aliens Xilians invade Earth, they release monsters to destroy the big cities. The Earth Defense Force formed by mutants is incapable to defeat the creatures. Commander Douglas Gordon decides to unleash Godzilla that has been trapped for many years to fight against the monsters. Godzilla becomes the last hope on Earth to vanquish the evil aliens and the powerful Gigan. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Gojû-nen no Rekishi ga Owaru. (The 50-Year History Comes to an End.) See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

4 December 2004 (Japan)  »

Also Known As:

Godzilla: Final Wars  »

Box Office

Budget:

$19,500,000 (estimated)

Opening Weekend:

$293,970 (Japan) (10 December 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| | (International Cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Despite being one of Toho's most popular monsters, Mechagodzilla did not appear in the film, having been the focus of the two immediately preceding films: Godzilla Against MechaGodzilla (2002) and Gojira tai Mosura tai Mekagojira: Tôkyô S.O.S. (2003). See more »

Goofs

The English language computer screen display of the analysis of UN Secretary Daigo's blood contains two errors: The "Sick Cell Disease" (SCD) should read "Sickle Cell Disease", and the word "Hemoblobin" should be "Hemoglobin". See more »

Quotes

[first lines]
Narrator: Wars and pollution, relentless fighting and environmental destruction, have all awakened vicious monsters. Humankind therefore joins forces with one another in order to drive off the monsters, instead of killing each other. Thus, the Earth Defense Force is born. Meanwhile, a new race of humans with supernatural abilities, called mutants, was discovered around the globe. The Earth Defense Force gathers them and puts them into a league called the M Organization. Their greatest enemy ...
[...]
See more »

Crazy Credits

After Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end. See more »

Connections

Follows Godzilla Raids Again (1955) See more »

Soundtracks

Godzilla
Performed by Low IQ 01
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Fun film that makes no excuses for being what it is!
6 October 2005 | by (Japan) – See all my reviews

First, before my review, I have address two points of contention about this film. For starters, the hero (Ozaki), besides having short black hair, black clothes and martial arts skills, no more resembles Keanu Reeves, than a brick resembles a prime-mover. His clothes may have similar pigmentation to the Matrix's Neo but in this film Ozaki is actually wearing white plastic body armour, and his military coat is dark green. Both he and Neo might share martial-arts knowledge. At least Ozaki is from the country that invented a large portion of it! Besides, I thought he looked MUCH more like Noah Wyle. If his coat had been white, perhaps people would say the film was ripping off ER.

The second issue is about the 'Matrix style'. Since even the creators of those films admit that their style harvests greatly from manga, anime, and HK action movies, it would be fair to say that Final War's director, Ryuhei Kitamura is more influenced by his own culture than three blockbuster popcorn flicks. Stopping bullets with telepathy, psychic battles, gravity defying fights, and slow motion have been enjoyed in Japan and mainland Asia for a VERY long time. Unfortunately, many aspects of their fiction have been somewhat hijacked by Hollywood.

The director shows many influences in this film, and it would foolish to deny that the Matrix did not play a part in shaping his approach. However, many film goers are simply unaware of the depth of The Matrix's own influences, and shouldn't attribute too much to them. Anyway, on to the review.

Well, if you are seriously wanting to get anything out of this film, you should probably become a fan of Godzilla and Kaiju genre. Anyone else would probably mistake this film's style, steeped in Kaiju tradition, for faults. It is true that the special effects are mostly 'analogue', and that the monsters are NOT CGI (usually). Yes, they are men in suits wrestling in model cities, but is it a flaw? Heck no! This film is great entertainment, and even a little touching!

The story is simple: a new force threatens the earth and sends monsters to destroy cities and crush humanity. What else? Luckily, the defenders of earth, a collection of mutants themselves, strive to combat the threat and restore peace. Godzilla herself may just be the only weapon left to mankind that could save the human race.

And so stylistically this film is very SF. The human forces wear futuristic body armour and sport hightech weapons. There are flying battleships and alien spacecraft. This may be an angle that some fans don't agree with but atleasy the monsters are all here. I forget how many, but quite a few from the Godzilla bestiary return to wreak havoc, and there are some fantastic clashes between them.

However, Final Wars is as much a human story as it is one of mass destruction at the hands of giants. Yes, that was a little difficult to say. But there is quite a lot of focus placed on the human protagonists this time. They are fighting a new and mysterious new foe. Many of the action sequences, and in fact often the longest ones, involve humans in hand-to-hand.

Even if this raises the hackles of a few Kaiju fans, I can understand: bring on the rubber-suited titans and all that. Yet I think that this dual focus adds an engaging dramatic quotient to the film. The action sequences may also draw a few comparisons to a certain fizzled out sci-fi trilogy, and all I can I say to that, is written above. And the words "get", "over" and "it".

The acting skill of the players varies between that of a seasoned performer to that of a pro-wrestler grapling with his lines. Oh wait, I think he is a pro-wrestler. I feel though, that if viewers are looking at acting skill in a film like this, they missing out on the bigger picture. Rest assured however, that this is definitely not like Devilman, where store-front manikins could have acted better.

Reportably, Final Wars is an anniversary film, and it is, though doubtfully, the last in the Godzilla series. For that reason, regardless if it remains that way, I was very happy to see the film stay true to the heritage it is a part of. It provides a fitting farewell. There is something refreshing, watching rubber-suited actors trample miniature sets - actors pretending to be monsters, waving their claws about. Sure the such things are cheesy and yes the rest is overly stylised, but the film makes no excuses for that, and it shouldn't.

Bring it on!


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