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Beauty Remains (2005)
"Mei ren yi jiu" (original title)

5.2
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Ratings: 5.2/10 from 72 users   Metascore: 49/100
Reviews: 4 user | 6 critic | 7 from Metacritic.com

Set in 1948 against the backdrop of Communism's rise, "Fei" is the story of two sisters--Fei and Ying--bound together by the will of their late father, a legendary business entrepreneur, ... See full summary »

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Title: Beauty Remains (2005)

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Cast

Credited cast:
Xue Ju
...
Woman Gambler
Chang Shen ...
Miss Bai
Zhiwen Wang ...
Mr. Huang
...
Ying Zi
Lixin Yang
...
Fei
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Storyline

Set in 1948 against the backdrop of Communism's rise, "Fei" is the story of two sisters--Fei and Ying--bound together by the will of their late father, a legendary business entrepreneur, and their shared love for a charismatic ex-boxer, Huang. They are two women whose paths have been dictated by the often cruel decrees of the men their lives--two women who must somehow transcend that influence...or lose everything. Written by SK

Plot Summary | Plot Synopsis

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Drama

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Release Date:

14 February 2005 (China)  »

Also Known As:

Beauty Remains  »

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Box Office

Opening Weekend:

$3,248 (USA) (21 September 2007)

Gross:

$3,248 (USA) (21 September 2007)
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User Reviews

 
Where there's a will..
27 March 2006 | by (United States) – See all my reviews

...there's a Fei. And a Ying Zi and good old Mr. Huang.

The pleasure in this movie is in the senses, with great visuals, artistic camera work and period western music.

Ying and Fei are half-sisters thrown together at the will of their father. Literally. Fei was his child by a maid who was subsequently dismissed, although Fei's schooling has been supported. At his death he stipulates a reconciliation (of sorts) before Ying may inherit the estate.

The story gains a stronger emphasis as the inevitable love triangle develops with Mr. Huang, Ying's "fiance". As in so many of these doomed relationships Mr. Huang wishes "I want them both" to which a friend says "then have them both, you're the man".

The plot features yearning for family and for affection, played out without one ever being sure of the authenticity; the characters' motives are sometimes stated but more often only indicated by a glance, a shift in posture or a change in framing, often exquisitely done.

The characters pursue their destinies (always with great visual style) while almost oblivious to the impeding doom of their society collapsing, their fates foreshadowing the great changes soon to take place in Mao's China.


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