| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Daisy Ang | ... | Frank | |
| Bill Buell | ... | Wally | |
| Dick Cavett | ... | Fred | |
| Rachel Covey | ... | Kate | |
| Mia Dillon | ... | Female Judge | |
| Marty Dunn | ... | Beefy Bartender | |
| Josh Flitter | ... | Jake | |
| Judah Friedlander | ... | Anthony | |
| Jim Fyfe | ... | Linda's Lawyer | |
| Janeane Garofalo | ... | Linda | |
| Jerry Grayson | ... | Carl | |
| Joan Griffith | ... | Mrs. Wakely | |
| Chance Kelly | ... | Tommy | |
| John Krasinski | ... | Bob Flynn | |
| Susan Lynch | ... | Gina | |
| Bernie McInerney | ... | Male Judge | |
| Sayra Player | ... | Kate's Teacher | |
| Ramya Pratt | ... | Mary | |
| Vincent Riviezzo | ... | Aldo | |
| Steve Schirripa | ... | Steve (as Steven R. Schirripa) | |
| David Schwimmer | ... | Duane Hopwood | |
| Irma St. Paule | ... | Mrs. Fillipi | |
| Brian Tarantina | ... | Mr. Alonso | |
| Jeffery V. Thompson | ... | Rahmn | |
| Pauline Tully | ... | Jogger #2 | |
| Lenny Venito | ... | Cop | |
| Isiah Whitlock Jr. | ... | William | |
| Jama Williamson | ... | Jogger #1 | |
| rest of cast listed alphabetically: | |||
| Nicole Sapello | ... | Jogger #3 | |
| Louis Bottino | ... | Gambler (uncredited) | |
| Peggy Friend | ... | Defendant (uncredited) | |
| Joseph J. Greenberg | ... | Garage Extra (uncredited) | |
| Maire Ni Rochain | ... | Pilgrim Waitress (uncredited) | |
Directed by | |||
| Matt Mulhern | |||
Writing credits | ||
| Matt Mulhern | (written by) | |
Produced by | |||
| David T. Friendly | .... | producer (as david Friendly) | |
| Andrew Lang | .... | co-producer | |
| Melissa Marr | .... | producer | |
| Ethan Smith | .... | line producer | |
| Lemore Syvan | .... | producer | |
| Marc Turtletaub | .... | producer | |
| John M. Tyson | .... | associate producer | |
| Ben Waisbren | .... | executive producer (uncredited) | |
Original Music by | |||
| Michael Rohatyn | |||
Cinematography by | |||
| Mauricio Rubinstein | (director of photography) | ||
Film Editing by | |||
| Tom McArdle | |||
Casting by | |||
| Cindy Tolan | |||
Production Design by | |||
| Ben Conable | (as Benjamin Conable) | ||
Set Decoration by | |||
| Mila Khalevich | |||
Costume Design by | |||
| Lynn Falconer | |||
Makeup Department | |||
| Angela Gallagher | .... | additional key makeup artist | |
| Donna Battersby Greene | .... | key hair stylist | |
| Kabuki | .... | key makeup artist | |
Production Management | |||
| Rachel Barrett | .... | post-production supervisor | |
| David Blazina | .... | production supervisor | |
| Lemore Syvan | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jane Ferguson | .... | second assistant director | |
| John M. Tyson | .... | first assistant director | |
| Jason Rody | .... | second second assistant director (uncredited) | |
Art Department | |||
| Thomas Ahlers | .... | art department assistant (as Thomas J. Ahlers) | |
| Janet Clevland | .... | camera scenic artist | |
| Frank DeCurtis Jr. | .... | leadman (as Frank DeCurtis) | |
| Michael Frechette | .... | additional props | |
| Tom Groody | .... | assistant property master | |
| Steve Paul | .... | additional on-set dresser | |
| Chris Potter | .... | art department assistant | |
| Sharon Potts | .... | property master | |
| Albert J. Prudente | .... | art department intern (as Albert J. Prudente III) | |
| Adam Roffman | .... | on-set dresser (as Adam J. Roffman) | |
Sound Department | |||
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley recordist | |
| Stuart Deutsch | .... | additional sound mixer | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Mariusz Glabinski | .... | sound effects editor | |
| Marlena Grzaslewicz | .... | co-supervising sound editor | |
| Jack Hutson | .... | additional boom operator | |
| T.J. O'Mara | .... | sound mixer | |
| Dan Paikin | .... | boom operator | |
| Ira Spiegel | .... | co-supervising sound editor | |
| Shane Stoneback | .... | sound re-recordist | |
| Andrew Turner | .... | sound consultant: Dolby | |
Stunts | |||
| Douglas Crosby | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kevin Baskerville | .... | additional electrician | |
| Axel Baumann | .... | additional camera operator | |
| Axel Baumann | .... | camera operator | |
| Nicola Benizzi | .... | second assistant camera | |
| Shaka Brookes | .... | company grip | |
| Daniel Casey | .... | additional camera assistant (as Dan Casey) | |
| John Clifford | .... | still photographer | |
| Divine Cox | .... | key grip | |
| Christopher DeBlau | .... | additional electrician | |
| Gerald Gloster | .... | best boy grip | |
| James Harker | .... | additional electrician | |
| Douglas C. Hart | .... | additional camera assistant (as Doug Hart) | |
| Mai Iskander | .... | additional camera assistant | |
| Gary Jackiewicz | .... | company grip | |
| Ludovic Littee | .... | camera loader | |
| Sean McCardell | .... | gaffer | |
| Beth O'Brien | .... | electrician | |
| Alfred Padilla | .... | best boy electric (as Al Padilla) | |
| Christopher T. Paul | .... | additional first assistant camera (as Chris Paul) | |
| Anthony Santos | .... | company grip | |
| Sandor Temlock | .... | first assistant camera | |
| James Thorne | .... | generator operator (as Jim Thorne) | |
| Christopher Vaccaro | .... | additional grip | |
| Daniel Wiener | .... | additional second assistant camera | |
| Daniel Wiener | .... | camera loader | |
| Doug Foote | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Laura Cass | .... | casting assistant | |
| Alissa Dirato | .... | extras casting | |
| Matt Schreiber | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rachel Greene | .... | wardrobe supervisor | |
| Nina Schelich | .... | costume assistant | |
Editorial Department | |||
| Aaron Dorn | .... | digital intermediate producer: EFilm | |
| Lloyd Forcellini | .... | digital intermediate supervisor: Rhino Post Inc. | |
| Craig Gordon | .... | digital intermediate editor: Rhino Post Inc. | |
| Walter Lefler | .... | digital intermediate colorist: Rhino Post Inc. | |
| Mike Nuget | .... | additional digital intermediate editor: Rhino Post Inc. | |
| Christine Park | .... | associate editor | |
| Joaquin Perez | .... | editorial assistant (as Jaoquin Perez) | |
| Loan Phan | .... | digital intermediate producer: EFilm | |
| Stan Sztaba | .... | negative cutter: Match Cut | |
| Joe Violante | .... | dailies supervisor (as Joey Violante) | |
| Rachelle Way | .... | digital intermediate producer: Rhino Post Inc. | |
| Steve Calalang | .... | dailies timer (uncredited) | |
| Perry M. Kimura | .... | digital scanning and recording (uncredited) | |
Music Department | |||
| Doug Bernheim | .... | music supervisor | |
| Lawrence Feldman | .... | musician: clarinet and flute | |
| Mariusz Glabinski | .... | music editor | |
| David Hofstra | .... | musician: bass | |
| Dan Hopler | .... | score engineer | |
| Jamie Lawrence | .... | musician: piano and drums | |
| Mike Levine | .... | musician: dobro and pedal steel | |
| Alex Polonsky | .... | musician: trumpet | |
| Michael Rohatyn | .... | score producer | |
Transportation Department | |||
| Paul Kane | .... | driver | |
| Mike Preston | .... | driver | |
Thanks | |||
| Rowena Arguelles | .... | special thanks | |
| Julie Durk | .... | special thanks | |
| Michael McGahey | .... | special thanks | |
| Mary Mulhern | .... | dedicatee | |
| Peter Saraf | .... | special thanks | |
| Leslie Siebert | .... | special thanks | |
| Art Smith Jr. | .... | special thanks | |
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| Crazy, Stupid, Love. | Personal Velocity: Three Portraits | Boys on the Side | Cape of Good Hope | Together |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Matt Mulhern is an actor turned writer/director in this amazingly fine first feature film. If DUANE HOPWOOD is any indication of the storehouse of creative and gently profound films housed in Mulhern's mind, we have a major artist being birthed.
Duane Hopwood (David Schwimmer) is a loser: despite the fact that he is one of the most loving beings around, he is plagued by the realities of life - working a testy night job as a pit boss in Caesar's Palace in Atlantic City, failing to be present for a wife and two girls he loves but neglects due to his working hours and that has resulted in divorce, alcoholism, and failure to repair - he just can't make his life work. After a DUI arrest in which Duane has inadvertently jeopardized the life of one of his passenger daughters, is ex-wife Linda (Janeane Garofalo) is driven to prevent visitation rights to a man she recognizes is in truth a loving father who simply can't cope. Duane lives alone until his casino friend Anthony (Judah Friedlander), a would be stand up comic, asks to share Duane's home. Duane's bad luck follows him even when he is trying to give despicable people a fair break at the casino and hence loses his job. He attempts to date a kind Irish bartender Gina (Susan Lynch) but fails that role when he confesses that he still loves his wife. The ultimate blow comes when Linda and her new boyfriend Bob (John Krasinski) decide to move to North Carolina, a fact that means Duane will rarely see his beloved daughters. And his life continues to pall-mall despite all the loving hands offered by the good people around him.
The story has no beginning and no end. It is a slice of life about an Everyman racked by bad decisions, good at heart but unable to control his propensities, and the effects of addiction, divorce, and loneliness on a kind but bumbling soul. David Schwimmer gives a deeply moving performance, one that is so sensitively rendered that it holds mirrors to us all, making us love him as much as the people around him who stand by helplessly by as he spirals down the hole of self-destructive behavior. Janeane Garofalo likewise steps out of her usual silly chubby mouthy roles and gives us an injured but wholly understandable bruised woman: her acting is the finest she has ever given us. The entire cast (with some surprise appearances by some fine actors) is top notch, but in the end the kudos go to Matt Mulhern for offering us one of the best examinations of divorce and modern marriage with an eye that clearly sees both sides of trauma. This is an underrated, superb film that deserves a wide audience. Grady Harp