| Photos (see all 19 | slideshow) | Videos |
| Jaime Pressly | ... | Tina Armstrong | |
| Devon Aoki | ... | Kasumi | |
| Holly Valance | ... | Christie Allen | |
| Sarah Carter | ... | Helena Douglas | |
| Natassia Malthe | ... | Ayane | |
| Kane Kosugi | ... | Ryu Hayabusa | |
| Matthew Marsden | ... | Max | |
| Eric Roberts | ... | Donovan | |
| Steve Howey | ... | Weatherby | |
| Brian J. White | ... | Zack (as Brian White) | |
| Kevin Nash | ... | Bass Armstrong | |
| Collin Chou | ... | Hayate | |
| Derek Boyer | ... | Bayman | |
| Silvio Simac | ... | Leon | |
| Fang Liu | ... | Gen Fu | |
| Ying Wang | ... | Lei Fang | |
| Chad McCord | ... | Chief Detective | |
| Martin Crewes | ... | Butler | |
| Theodore Thomas | ... | Gentleman (as Ted Thomas) | |
| Li Shi | ... | Bellboy | |
| Anna Bolt | ... | Nurse Jones | |
| Hung Lin | ... | Hitomi | |
| Song Lin | ... | Brad Wong | |
| Robin Shou | ... | Pirate Leader |
Directed by | |||
| Corey Yuen | |||
Writing credits(WGA) | ||
| J.F. Lawton | (screenplay) and | |
| Adam Gross | (screenplay) & | |
| Seth Gross | (screenplay) | |
| J.F. Lawton | (story) | |
Produced by | |||
| Mark A. Altman | .... | producer | |
| Paul W.S. Anderson | .... | producer | |
| Jeremy Bolt | .... | producer | |
| Steve Chasman | .... | executive producer | |
| Shirley Davis | .... | line producer | |
| Shirley Davis | .... | line producer | |
| Bernd Eichinger | .... | producer | |
| Simon Emanuel | .... | associate producer | |
| Mark Gottwald | .... | co-producer | |
| Andreas Grosch | .... | executive producer | |
| Daniel S. Kletzky | .... | executive producer | |
| Robert Kulzer | .... | producer | |
| David Lai | .... | associate producer | |
| Peggy Lee | .... | co-producer | |
| Andreas Schmid | .... | executive producer | |
Original Music by | |||
| Junkie XL | |||
Cinematography by | |||
| Chi Ying Chan | |||
| Kwok-Man Keung | |||
Film Editing by | |||
| Ka-Fai Cheung | |||
| Eddie Hamilton | |||
| Angie Lam | |||
Casting by | |||
| Robyn Ray | |||
Production Design by | |||
| James Choo | |||
| Sung Pong Choo | |||
Art Direction by | |||
| Wong Ching Ching | |||
Set Decoration by | |||
| Chung Kim Wai | |||
Costume Design by | |||
| Frank Helmer | |||
Makeup Department | |||
| Kevin Alexander | .... | key hair stylist | |
| Rosemary Lawrence | .... | makeup artist | |
| Anita Morgan | .... | key makeup artist | |
| Margaret Stevenson | .... | makeup department head | |
| Zoe Tahir | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Debbie Antoniou | .... | second assistant director (as Deb Antoniou) | |
| Felice Ning Bee Fei | .... | third assistant director (as Felice Fei Ning Bee) | |
| China Yi Wu Fong | .... | second second assistant director (as China Fong Yi Wu) | |
| Richard Hughes | .... | second assistant director: second unit | |
| Julie Siu Wai Lau | .... | first assistant director: second unit (as Julie Siu Wai Lau) | |
| Lemon Liu | .... | second assistant director | |
| Sylvia Liu | .... | first assistant director | |
| Yin Yin Zhao | .... | second assistant director | |
Art Department | |||
| Sherrie Dai | .... | draftsperson | |
Stunts | |||
| Jian Yong Guo | .... | stunt coordinator | |
| Ming Liu | .... | assistant stunt coordinator (as Ming Qiu) | |
| Che Qiang | .... | assistant stunt coordinator | |
| Ying Wang | .... | assistant stunt coordinator | |
Casting Department | |||
| Thomas L. Carter | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jessica Jorde | .... | costumer | |
| Jennifer Seery | .... | costume supervisor | |
| Jack Tung | .... | wardrobe coordinator | |
| Kar Yan Yip | .... | assistant costume designer: hong kong | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| Adrian Hauser | .... | digital colorist: Complete Post | |
| Skip Kimball | .... | digital intermediate colorist | |
| Steve Lemley | .... | color timer | |
| Brad McLaughlin | .... | post-production coordinator | |
| Jason Wasserman | .... | first assistant editor: avid | |
| Nick Wenger | .... | post-production assistant | |
| Bruce Williamson | .... | digital producer: Atlab | |
| Charlie Wong Wing Fung | .... | post-production coordinator | |
| Henry Yekanians | .... | scanning and recording supervisor: Atlab | |
| Ai Kusuhara | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Jason Bentley | .... | music supervisor | |
| Michael Dittrick | .... | music editor | |
| Anthony Enns | .... | music score production assistant | |
| Sam Estes | .... | additional composer: score | |
| Sam Estes | .... | conductor | |
| Sam Estes | .... | orchestrator | |
| Nancy L. McCullough | .... | music clearances | |
| Fredrik Sarhagen | .... | score mixer | |
| Cliff Swanson | .... | orchestra coordinator | |
| Julie Wadley | .... | music clearances | |
| Ben Zales | .... | music assistant | |
Other crew | |||
| Sandi Archer | .... | assistant accountant | |
| Jo Carter | .... | accountant | |
| Mandy Chan Mei Yan | .... | assistant production coordinator | |
| Sarah Crompton | .... | assistant: Mr Anderson ) | |
| Maria Dan | .... | assistant to producers | |
| Judy Goldberg | .... | assistant: Jeremy Bolt | |
| Joel Goldes | .... | additional dialect coach | |
| William Goodman | .... | production liaison | |
| Michael J. Harker | .... | completion bond representative | |
| Florian Harms | .... | legal counsel: VIP | |
| Octavio F. Islas | .... | assistant: Jeremy Bolt | |
| James Taku Leung | .... | adr voice group (as Jim Leung) | |
| Sherrie Liu | .... | script supervisor | |
| Chad McCord | .... | dialogue coach | |
| Dieter Meyer | .... | production executive | |
| Eva Neufahrt | .... | production controller: VIP Medienfonds | |
| Christine Robson | .... | production accountant | |
| Chuck Speed | .... | business affairs: Mindfire | |
| Adele Steward | .... | production coordinator | |
| Davina To | .... | assistant to director | |
| Claire Varney | .... | unit publicist | |
| Berit Wetzel | .... | legal counsel: VIP | |
| Sylvi Woitusch | .... | production assistant: VIP Medienfonds | |
| Charlie Wong Wing Fung | .... | assistant production coordinator | |
| Patrick Zorer | .... | production executive | |
Thanks | |||
| Rosemary Lawrence | .... | special thanks | |
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| Coffy | Mortal Kombat | Elektra | The Bourne Identity | The Living Daylights |
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I love martial arts movies and in particular Cory Yuen films. No Retreat, No Surrender 3: Blood Brothers is a favourite. Having previously done great work with Jason Statham in The Transporter I had pretty high hopes. But I had reservations - this was a starring role for Holly Valance after all.
It wasn't everything I hoped it would be. Compared to the raw energy of Crank, DOA was committee film-making as usual. Colourful and featuring plentiful (reasonable) action DOA is only interesting in the opportunities it presents to draw comparison to others.
Borrowing stylistic and casting ideas from Charlie's Angels and Kill Bill, DOA is essentially Mortal Kombat and Streetfighter combined. Drawing parallels to Enter the Dragon too, there is nothing original or inventive.
Kane Kosugi benefits most from the choreography. He has a sequence on a flight of stairs which is brilliant and brutal - very similar to his scenes in his Japanese breakthrough vehicle Blood Heat. Elsewhere, while the film sexes up the concept of the tournament/video game movie, it's fatal flaw is that it's heroines don't convince. In Charlie's Angels they did.
Cory is notable for doing more than his share of fighting femme movies back in Hong Kong, including the recent So Close, but none are classic. DOA should have featured support from the likes of Cynthia Rothrock and Michelle Yeoh rather than Eric Roberts and Robin Shou. The girls are pure eye candy. Only Pressley comes close to credibility - because she has an impressive physique and attitude. Holly flutters her eyes at Coronation Street's Matthew Marsden while forcing an English accent. Devon Aoki lacks charisma.
The incorporation of the video game elements such as the character intros, K.O. freeze frames etc works really well and the costume design and production design brings the game to life brilliantly. You believe in the exaggerated world and that is key. But ultimately this is little more than a time waster.
A decent popcorn movie but nothing new for action fans.