A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop. Written by
The word "fuck" and its derivatives are spoken 127 times. See more »
The camera zooms in on the bus right after the pill drop scene 1 hour and 20 minutes into the movie, the fire has been burning for some time in the bus but there is still snow covering the roof of the bus. The heat from the fire would have melted the entire roof at this point. See more »
Listen to me. What are we talking about, really? Getting high? No. We're talking about a journey, man. A subconscious safari. A mental expedition, OK, a mind trek. This planet has been raped, pillaged and fucked! And the mind is the only uncharted territory
[picks up cocaine]
And this shit is the ship. It's the Nina, the Pinta and the Santa Maria and you... are fuckin' Magellan.
[spills a little bit of cocaine]
Oh fuck... I spilled some.
So what do you say my ...
[...] See more »
Intense, wild, well-acted thriller - just a tad absurd
Jean Richet's remake of the Carpenter thriller Assault on Precinct 13 is surprisingly entertaining. Assault on Precinct 13 (2005) loses the Carpenteresque weirdness and soundtrack, and tells the story of a remote, run-down police precinct under assault using more conventional cinematography and production. This is an achievement, but not because of the difficulty of following in the footsteps of Carpenter - because the film entertains without doing so, and because the narrative - just like all of Carpenter's films- manages to keep going without regard for the improbability of the plot. In other words, the Director kept a straight face and made the film entertaining enough to allow for a certain amount of suspended disbelief.
Strong, fast, characterization - part of the legacy of Carpenter's film
makes a big difference early on. The cast is uniformly excellent and
the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
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