A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop. Written by
After Roenick comes in from the fight he had with the guy in the bus, he has a bloody lip. After this point, it appears and reappears through out the movie, until it eventually is gone altogether. See more »
Listen to me. What are we talking about, really? Getting high? No. We're talking about a journey, man. A subconscious safari. A mental expedition, OK, a mind trek. This planet has been raped, pillaged and fucked! And the mind is the only uncharted territory
[picks up cocaine]
And this shit is the ship. It's the Nina, the Pinta and the Santa Maria and you... are fuckin' Magellan.
[spills a little bit of cocaine]
Oh fuck... I spilled some.
So what do you say my ...
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The story has appeared many times over the decades in increasingly violent and less stylistic forms. John Wayne was in two, the more famous of which was "Rio Bravo" (1959). A seasoned veteran has to command a few loose cannons in order to fend off an invasion. John Carpenter made the stylish and violent "Assault on Precinct 13" (1976) before his landmark horror "Halloween" (1978). Now we've arrived at this 2005 remake.
Directed by Jean-Francois Richet, Ethan Hawke is the pill-popping alcoholic Jake Roenick who must round up his troops on the last day at Precinct 13 on New Year's Eve in Detroit. When a group of prisoners, including Bishop (Laurence Fishburne, in Morpheus mode) make a stop-over at Precinct 13 because of a highway accident, thugs in ski masks lay siege to it trying to get Bishop. Thinking fast, Roenick gathers up everyone, including cops and prisoners, to fend off a vicious attack.
This doesn't quite live up to its predecessors in a lot of ways. It lacks true suspense and often treads the line between cool and cliché way too often. A number of plot-twists are made too, but do little to lend any weight to satisfaction. No Oscar-worthy performers, though John Leguizamo does a nice turn as a hot-headed junkie.
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