A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to stop prevent them from making it.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
A low-ranking thug is entrusted by his crime boss to dispose of a gun that killed corrupt cops, but things get out of control when the gun ends up in wrong hands.
After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it.
An ex-con sets out to avenge his brother's death after they were double-crossed during a heist years ago. During his campaign, however, he's tracked by a veteran cop and an egocentric hit man.
Director:
George Tillman Jr.
Stars:
Dwayne Johnson,
Mauricio Lopez,
Billy Bob Thornton
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop. Written by
IMDb Editors
At least 7 people get shot in the head. See more »
Goofs
When the SUV flips over after having its tire shot out, a stuntman's elbow pad is visible in the window of the SUV while it is turning over. See more »
Quotes
[first lines]
Jake Roenick:
Listen to me. What are we talking about, really? Getting high? No. We're talking about a journey, man. A subconscious safari. A mental expedition, OK, a mind trek. This planet has been raped, pillaged and fucked! And the mind is the only uncharted territory
[picks up cocaine]
Jake Roenick:
And this shit is the ship. It's the Nina, the Pinta and the Santa Maria and you... are fuckin' Magellan.
[spills a little bit of cocaine]
Jake Roenick:
Oh fuck... I spilled some.
[laughs hysterically]
Jake Roenick:
So what do you say my ...
[...] See more »
Jean Richet's remake of the Carpenter thriller Assault on Precinct 13 is surprisingly entertaining. Assault on Precinct 13 (2005) loses the Carpenteresque weirdness and soundtrack, and tells the story of a remote, run-down police precinct under assault using more conventional cinematography and production. This is an achievement, but not because of the difficulty of following in the footsteps of Carpenter - because the film entertains without doing so, and because the narrative - just like all of Carpenter's films- manages to keep going without regard for the improbability of the plot. In other words, the Director kept a straight face and made the film entertaining enough to allow for a certain amount of suspended disbelief.
Strong, fast, characterization - part of the legacy of Carpenter's film
makes a big difference early on. The cast is uniformly excellent and
the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
11 of 14 people found this review helpful.
Was this review helpful to you?
Jean Richet's remake of the Carpenter thriller Assault on Precinct 13 is surprisingly entertaining. Assault on Precinct 13 (2005) loses the Carpenteresque weirdness and soundtrack, and tells the story of a remote, run-down police precinct under assault using more conventional cinematography and production. This is an achievement, but not because of the difficulty of following in the footsteps of Carpenter - because the film entertains without doing so, and because the narrative - just like all of Carpenter's films- manages to keep going without regard for the improbability of the plot. In other words, the Director kept a straight face and made the film entertaining enough to allow for a certain amount of suspended disbelief.
Strong, fast, characterization - part of the legacy of Carpenter's film
- makes a big difference early on. The cast is uniformly excellent and
the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.