With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
An infamous 'psychic' abandons his public persona, outing himself as a fake, to focus on his work as a consultant for the California Bureau of Investigation in order to find "Red John," the madman who killed his wife and daughter.
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
S. Epatha Merkerson,
Jesse L. Martin
After spending a bit of a holiday in Paris, Poirot finds himself on a flight to London with an odd assortment of people, some of whom he had met during his stay. When one of the passengers, Madame Gisele, is murdered during the flight by a poisoned dart, Poirot is asked by Inspector Japp of Scotland Yard to assist with the investigation. Gisele was a well-known moneylender with penchant towards blackmail. When Lady Horbury denies knowing the dead woman - which Poirot knows is false - the police clearly have their prime suspect. Poirot however, sees a far more complex plot to gain access to the victims money. Written by
This episode can be dated to 1935, when Fred Perry of the UK defeated Gottfried von Cramm of Germany in the men's singles championship. Von Cramm defeated Perry in the 1936 championship. See more »
The story is set in the summer of 1935 and much of it takes place on board a Douglas DC-3. But the Douglas DC-3 had its maiden flight shortly before Christmas that year and it was not introduced into service until 1936. See more »
Absorbing and stylish, not Poirot's best, but a rock solid outing from the series
I only have vague memories of the book, so I can't judge properly by how faithful this adaptation is. That said, this is very absorbing and stylish. There are parts when the pace is a tad too sluggish and the final solution feels a bit more strained than it usually is. Even with the failings this is still a rock solid outing from the brilliant Poirot series. This adaptation is sumptuously filmed, with fine locations (Paris looked amazing!) and costumes, and the music is gorgeous. The acting is also very well done; David Suchet is impeccable as always as Poirot, and while Hugh Fraser as Hastings is noticeably absent, Phillip Jackson as Japp gets more screen time, and makes the most of it in a truly delightful performance. Sarah Woodward is very pretty and likable as Jane Grey, and Shaun Scott does a good job as Norman Gale. All in all, very well done. 8/10 Bethany Cox
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