dead cool is the story of modern family relationships, as seen through the eyes of 15 year-old David. Six years after his dad dies in a car crash, David's mum moves in with the new man in ... See full summary »
When their mother dies; Danny and Jack must fend for themselves. Danny escapes with sex; drugs and music and Jack turns a mannequin into a surrogate parent. Finally; they must come to terms with each other.
After painter Michael 'Mike' Sheldrake's failed suicide attempt, house-mate and life-long best friend Peter Tremaine, an antiques shop owner, reminisces their common past, like Mike does in... See full summary »
Tony Grounds scripted the sublime 'Births, Deaths and Marriages', which concluded with a character attempting to commit suicide by setting himself in concrete but failing due to not choosing a quick setting mix, and the emotionally intense 'Bodily Harm'. 'Family Business', however, is more routine fare, a rather heavy handed and obvious "family" drama. Jamie Foreman plays Marky Brooker, a builder whose absurdly idealised notions of family somehow persist until his son finally has enough and runs away from home. Unable to sort out his own, Marky tries instead to fix the family lives of his customers, a notion that could be funny but which is played straight here. The predictable ending, in which everything turns out alright although none of the characters appears to have undergone much of a personal journey, is dramatically bizarre, and the dialogue is also strange: Grounds may have wanted to avoid the slickness of manicured repartee, but his alternative device, of characters unable to finish their sentences, seems just as stylised and soon grows wearisome. The cast do their best but there's little vitality in the piece. A disappointment.
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