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Directed by | |||
| Peter Segal | |||
Writing credits(WGA) | ||
| Albert S. Ruddy | (story) | |
| Tracy Keenan Wynn | (1974 screenplay) | |
| Sheldon Turner | (screenplay) | |
Original Music by | |||
| Teddy Castellucci | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| Jeff Gourson | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Perry Andelin Blake | |||
Art Direction by | |||
| Alan Au | (senior art director) | ||
| Domenic Silvestri | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Ellen Lutter | |||
Production Management | |||
| Daryl Kass | .... | unit production manager | |
| Noah Valinsky | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Alex Baik | .... | crowd second assistant director | |
| Albert Cho | .... | first assistant director: second unit | |
| Doug Coleman | .... | second unit director | |
| Efrain Cortes | .... | additional second assistant director | |
| Mark Robert Ellis | .... | second unit director | |
| Timothy Grant Engle | .... | second second assistant director | |
| John Hockridge | .... | first assistant director | |
| Joseph J. Kontra | .... | second assistant director | |
| John Nasraway | .... | second second assistant director | |
| Chemen Ochoa | .... | first assistant director: second unit | |
| Shawn Pipkin | .... | additional second assistant director | |
| Matthew D. Smith | .... | additional second assistant director | |
| Rebecca Strickland | .... | second assistant director: second unit | |
| Dan Sweetman | .... | second unit director | |
| Ken Twohy | .... | crowds assistant director | |
Special Effects by | |||
| Fred Apolito | .... | special effects technician | |
| John Cluff | .... | special effects technician | |
| Rick Figalan | .... | special effects | |
| John C. Hartigan | .... | special effects coordinator | |
| Joel Hobbie | .... | special effects technician | |
| G. Peter King | .... | special effects | |
| Geoffrey C. Martin | .... | special effects technician | |
| Gary Petersen | .... | special effects tech | |
| Walter Polan | .... | special effects technician | |
| Michael Rifkin | .... | special effects technician | |
| Ron Rosegard | .... | special effects | |
| Chris Walkowiak | .... | special effects foreman | |
Visual Effects by | |||
| Erik Akutagawa | .... | scan/record manager | |
| Achint Bansal | .... | digital compositor | |
| Tony Barraza | .... | digital compositor: Rhythm & Hues | |
| Nathan Brunskill | .... | Inferno assistant: Rhythm & Hues | |
| Jeffrey Castel De Oro | .... | digital compositor | |
| Das Chinmay | .... | digital compositor | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Jai Dadlani | .... | digital compositor | |
| Victor DiMichina | .... | imaging supervisor | |
| Pauline Duvall | .... | compositor: Rhythm & Hues | |
| Patrick Flanagan | .... | digital compositor | |
| Mike Frevert | .... | digital artist | |
| Vinod Gaitonde | .... | match move technical director | |
| Bill Georgiou | .... | roto artist | |
| Lisa Goldberg | .... | visual effects producer: Rhythm & Hues | |
| Namita Gotephode | .... | digital production coordinator | |
| Anthony Harris | .... | digital color timer | |
| Phil Holland | .... | scan-, record-, color coordinator | |
| Mark Hopper | .... | roto artist | |
| Patrick D. Hurd | .... | visual effects coordinator: Rhythm & Hues Studio | |
| Sean Hyunin Lee | .... | digital compositor: Rhythm & Hues | |
| Jimmy Jewell | .... | digital compositor | |
| Kamalakkannan | .... | digital compositor | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| Karen Klein | .... | rotoscope artist | |
| Richard Kratt | .... | digital compositor | |
| Radha Kulkarni | .... | match move technical director: Rhythm & Hues, India | |
| Mukesh Kumar | .... | digital compositor | |
| Harry Lam | .... | compositing supervisor | |
| Michael Lori | .... | 3D tracking | |
| Alex MacDonald | .... | cablecam operator | |
| Joe Mancewicz | .... | character rigging supervisor | |
| L. Patrick McCormack | .... | visual effects | |
| Nathan McGuinness | .... | senior visual effects supervisor | |
| Sean McPherson | .... | flame artist | |
| Jon Meier | .... | lighting technical director: Rhythm & Hues Studios | |
| Douglas Miller | .... | digital compositor: Rhythm & Hues Studios | |
| Derek Milner | .... | visual effects | |
| Chirag Mistry | .... | matchmove technical director: Rhythm & Hues, India | |
| Shawn Monaghan | .... | rotoscope artist | |
| Brad Moore | .... | digital compositor | |
| Zeke Morales | .... | visual effects editor: Rhythm & Hues | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Paul Naveen | .... | digital compositor | |
| Jeremy Nelligan | .... | digital compositor | |
| Elam Parithi | .... | digital compositor | |
| Reid Paul | .... | senior digital effects supervisor | |
| Reid Paul | .... | visual effects producer | |
| Satish Ratakonda | .... | digital compositor | |
| Marc Rubone | .... | digital compositor | |
| Joe Salazar | .... | compositor | |
| Arnab Sanyal | .... | digital compositor | |
| Arnab Sanyal | .... | paint/roto artist | |
| Casey Schatz | .... | previsualization supervisor | |
| Todd Sellers | .... | matchmove lead: Rhythm & Hues Studios, India | |
| Kalai Selvan | .... | digital compositor | |
| Seshaprasad | .... | digital production coordinator | |
| Amit Sharma | .... | digital compositor | |
| Craig A. Simms | .... | digital compositor | |
| Fred Simon | .... | systems support: Rhythm & Hues | |
| Brad Smith | .... | render I/O administrator | |
| Douglas Smith | .... | visual effects supervisor | |
| Greg Stuhl | .... | CG models: Asylum Visual Effects | |
| David Sweeney | .... | digital compositor: Rhythm & Hues Studios | |
| Marty Taylor | .... | visual effects supervisor | |
| Jateen Thakkar | .... | compositor | |
| Marc Varisco | .... | visual effects supervisor | |
| Pragti Wadhwa | .... | digital compositor | |
| Diana Marie Wells | .... | visual effects (as Diana M. Wells) | |
| Joe White | .... | rotoscope artist | |
| Edson Williams | .... | visual effects supervisor | |
| Loeng Wong-Savun | .... | visual effects artist | |
| Yuichiro Yamashita | .... | CG animator | |
| Bob Froehlig | .... | systems manager: Rhythm & Hues (uncredited) | |
| Harrison Hays | .... | render coordinator: Rhythm & Hues (uncredited) | |
| Claas Henke | .... | compositor: Asylum (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Thomas Nittmann | .... | visual effects producer: Lola (uncredited) | |
| Josh Tomlinson | .... | pipeline TD: Rhythm & Hues (uncredited) | |
Animation Department | |||
| Karin Levinson | .... | computer animation producer: Black Box Digital | |
Casting Department | |||
| Kathryn Brink | .... | extras casting | |
| Ajay Dass | .... | extras casting | |
| Darlene Hansen | .... | extras casting assistant | |
| Kim Ju | .... | extras casting | |
| Meghan McLaughlin | .... | casting assistant | |
| Wendy O'Brien | .... | casting associate | |
| Cash Oshman | .... | crowd casting | |
Costume and Wardrobe Department | |||
| Dorothy Baca | .... | costumer | |
| Corey Bronson | .... | set costumer | |
| Toby Bronson | .... | set costumer | |
| Leslie Brown | .... | costumer: Mr. Sandler | |
| Matt Chase | .... | uniform costumer | |
| Edward T. Hanley | .... | football costumer | |
| Mitzi Haralson | .... | costumer | |
| Lori Harris | .... | costumer: Mr. Rock (as Lori D. Harris) | |
| Demetricus Holloway | .... | set costumer | |
| Brad Holtzman | .... | costumer | |
| Melissa Moody | .... | tailor | |
| Daniela Moore | .... | key costumer: Santa Fe | |
| Chandra Moore-Telfer | .... | costume ager/dyer | |
| Fran Murphy | .... | set costumer | |
| Nora Phillips Pedersen | .... | costume production assistant | |
| Steven Porch | .... | costume ager/dyer | |
| Damien Quinn | .... | costumer | |
| Elaine Ramires | .... | costume supervisor | |
| Roric Ruegsegger | .... | wardrobe technical advisor | |
| Reese Spensley | .... | football costumer | |
| Valerie Zielonka | .... | key costumer | |
Editorial Department | |||
| Patsy Bouge | .... | post-production | |
| Tom Costain | .... | additional editor | |
| Kate Crossley | .... | assistant editor | |
| Terry Hubbard | .... | assistant editor | |
| Tamara McDonough | .... | first assistant editor | |
| Ron Orenstein | .... | dailies colorist | |
| Amy Pawlowski | .... | digital intermediate editor | |
| Mike Stanwick | .... | color timer | |
| Laura Weiss | .... | assistant editor | |
| Ben Estrada | .... | assistant digital intermediate colorist (uncredited) | |
| Michael Hatzer | .... | color timer (uncredited) | |
| Lorene Simpson | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | music contractor | |
| Michael Dilbeck | .... | music supervisor | |
| George Doering | .... | musician | |
| Mark Eshelman | .... | scoring crew | |
| J.J. George | .... | music editor | |
| Mark Graham | .... | music librarian | |
| Stuart Grusin | .... | music editor | |
| Jennifer Hawks | .... | music consultant | |
| Greg Hayes | .... | score recordist | |
| Scott Hosfeld | .... | musician | |
| Greg Loskorn | .... | scoring technician | |
| Tom Mgrdichian | .... | musician | |
| Tom Mgrdichian | .... | orchestrator | |
| Adam Michalak | .... | score recordist | |
| Gary Raymond | .... | music playback operator: ProTools | |
| Peter Rotter | .... | music contractor | |
| Carl Rydlund | .... | orchestrator | |
| Dennis S. Sands | .... | music scoring mixer | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Mark Curry | .... | music recordist (uncredited) | |
Transportation Department | |||
| Chris Basso | .... | production van driver: basecamp | |
| Rob Byer | .... | driver | |
| John Characky | .... | transportation | |
| Daniel Conte Sr. | .... | driver | |
| Matthew DeAmicis | .... | driver | |
| Joel Larson | .... | transportation | |
| Sean J. Moore | .... | transportation | |
| William R. Peck | .... | driver | |
| Tina Peterson | .... | driver | |
| James William Ray | .... | driver | |
| Patrick A. Reynolds Jr. | .... | driver | |
| Richard C. Ryan | .... | driver/generator operator | |
| Lin C. Smith | .... | driver | |
| Chris Walden | .... | driver | |
| Greagrey Waldrop | .... | transportation (as Greag Waldrop) | |
| Christopher Weippert | .... | driver generator operator | |
| Wayne Williams | .... | picture car captain | |
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| The Longest Yard | Let's Go to Prison | The A-Team | The Basketball Diaries | Shaolin Soccer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I'm going to start off by admitting that I had no interest in this movie whatsoever. I only saw it because I was dragged. Was it as bad as I thought? Not at all. It was way better than I expected it to be. We all know those mindless comedies that barely have a plot, cheap dialogue and jokes, and are just filled with stupidities galore. I thought this was one of them. I was wrong. This remake had a pretty good storyline and a few laughable jokes and moments. I usually don't laugh out loud at movies, but I did find myself doing so three or four times here. So that takes care of the Funniness Factor. The story is easy to get involved in--you want to see the prisoners kick the guards' butts in football. It is a well played story and fun to watch. Sandler is not one of my favorite actors, but I have to give him his props because I am starting to see that he usually stars in movies that are at least remotely funny and that have a pretty decent plot. But the main thing is that his characters usually act the same. I would get into the slight lack of character development, but I'm sure you don't care to read about that. You only wish to know if this movie is funny or not and if it's worth watching! Well, yes the movie has its moments and it's good to watch, especially if you like football or are a Sandler fan. This has its good kicks and it is near a touchdown in the comedy category. So if you want to have a good time and relax to some entertainment, you can watch this one =)
6.6/10 Stars