A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
Tobe is about 16, living with her dad and younger brother in LA's San Fernando Valley. She invites a gas station attendant named Harlan to come to the beach with her and her friends. He's from South Dakota, wears a cowboy hat, talks country, and has been a ranch hand. They have a great time, his simple expressions seem like wisdom, he's attentive and polite, and even though he's more than twice her age, she wants to spend time with him. When her father objects, she rebels. Harlan, meanwhile, thinks she's his soul mate, and he starts making plans to get her away from her father. Worlds are set to collide, but which ones? Written by
The $8 million budget was financed by a wealthy producer-financier, Sam Nazarian of Element Films. See more »
One of the revolvers in Wade's wall collection is actually a non-firing display model of the Colt Peacemaker. This is evidenced by the horizontal slots in the rear of the cylinder, between the cylinder's flutes. Real Peacemakers do not have such slots. See more »
I've tried living down in the valley again, really tried this time. Walked up and down it looking for one open face, but most people I've meet hardly seem like human beings to me anymore.
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For those favoring character-driven films, this is a must-see. The performances are all top-notch: Norton is excellent as always, and Wood's character Tobe is perhaps the best realization of a teen ever committed to film. Also, Rory Culkin is a revelation--his lost moppet is the sympathetic center of the film, and he imbues it with genuine soul.
Much of the film's success is owed to the director, David Jacobson. Judging from this film, he is a more poetic version of a 1970s Scorsese. That may sound like hyperbole, but his take on the human condition and its longing for connection is graceful, daring, and incisive.
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