Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Charles is worn down by his home life where he and his wife struggle to cope with the demands of their daughter's illness and his job. When he meets Lucinda on the train to work in Chicago, there is an immediate spark between them. Soon they are doing lunch; dinner and drinks follow. This leads to an adulterous rendezvous in a hotel. However, no sooner have they torn each other's clothes off than their room is invaded by a thief who beats Charles and rapes Lucinda. Because of the illicit nature of their relationship, Charles agrees with Lucinda who is reluctant to go to the police and soon finds he is powerless to resist the demands of the thief. Written by
Metra, which operates the regional train system in Chicago, was paid $30,000 for advice and the use of some trains and stations for the movie. See more »
When Lucinda and Charles are looking for a hotel the first hotel that Charles asks about is The Renaissance Hotel which is on Wacker Drive. Later when Lucinda asks the taxi driver to stop the cab the cab is again in front of The Renaissance going the opposite direction on Wacker. However, when the cab comes to a stop and they get out of the cab they are not standing out on Wacker Drive, nor in front of the Renaissance. See more »
Clive Owen convincingly portrays an everyman who lives a life where every day is the same - until he unexpectedly meets a woman on a train and his life starts going off in new directions.
When that turns bad, his old habits reassert himself: instead of forming a plan with built-in alternatives, or being a brilliant improviser (like so many other thriller heroes), he forms simple plans and is always at a loss when they fail.
Other people feel that there are plot holes in this movie, but I feel that it just shows an everyman who is a slow starter, not the dynamic super-hero so many other protagonists turn into at the first sign of trouble.
97 of 157 people found this review helpful.
Was this review helpful to you?