A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
Charles is worn down by his home life where he and his wife struggle to cope with the demands of their daughter's illness and his job. When he meets Lucinda on the train to work in Chicago, there is an immediate spark between them. Soon they are doing lunch; dinner and drinks follow. This leads to an adulterous rendezvous in a hotel. However, no sooner have they torn each other's clothes off than their room is invaded by a thief who beats Charles and rapes Lucinda. Because of the illicit nature of their relationship, Charles agrees with Lucinda who is reluctant to go to the police and soon finds he is powerless to resist the demands of the thief. Written by
Metra, which operates the regional train system in Chicago, was paid $30,000 for advice and the use of some trains and stations for the movie. See more »
(Possibly deliberate error by the filmmakers.) At the opening of the film we see a character writing in a blue notebook (the words are voiced by Clive Owen.) When this character lights the cigarette in his mouth we see that he is clean-shaven. At the end of the movie we learn this character is LaRoche, but he has had facial hair throughout the entire movie. See more »
I was a bit hesitant about seeing the film because of the low ratings.
BUT despite false "endings" this is a film worth seeing. The three leads are good, although Clive Owen's character is three dimensional in a way that Vince Cassell's and Jennifer Aniston's aren't.
There is definitely a chemistry between Clive Owen and Jennifer Aniston, which goes a long way to making the premise of the film "work" and also makes the twists so sudden, so plausible, so believable, so odd! It's an atmospheric film aided by good music and interesting "minor" characters.
See this film, willing to suspend disbelief. It's not a great film, often a little implausible. But the genre it creates calls for one to "go for a ride" too.
It is a film that, with twists and turns, will keep you "derailed". It's a good thriller, and ends on a positive note.
Don't be put off seeing it.
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