| Yeo-reum Han | ... | Jae-yeong (as Min-jeong Seo) | |
| Ji-min Kwak | ... | Yeo-jin | |
| Eol Lee | ... | Yeong-ki | |
| Kwon Hyun-Min | ... | Salesman | |
| Oh Young | ... | Musician | |
| Gyun-Ho Im | ... | Tidily Guy | |
| Lee Jong-Gil | ... | Happy Guy | |
| Shin Taek-Ki | ... | Suicide | |
| Jung-gi Park | ... | Murder Victim | |
| Gul-seon Kim | ... | Second Salesman | |
| Seung-won Seo | ... | Man in his 30s | |
| Yoo Jae-Ik | ... | Pedestrian | |
| In-gi Jeong | ... | Ki-Su | |
| Jin-bae Jeon | ... | Policeman #1 | |
| Yook Sae-Jin | ... | Policeman #2 |
Directed by | |||
| Ki-duk Kim | |||
Writing credits(in alphabetical order) | ||
| Ki-duk Kim | ||
Produced by | |||
| Jeong-min Bae | .... | producer | |
| Jeong-min Baek | .... | producer | |
| Dong-Joo Kim | .... | executive producer | |
| Ki-duk Kim | .... | executive producer | |
| Yun-ho Kim | .... | co-executive producer | |
Original Music by | |||
| Park Ji | |||
| Ji-woong Park | |||
Cinematography by | |||
| Sun Sang-Jae | |||
| Sang-jae Seon | |||
Film Editing by | |||
| Ki-duk Kim | |||
Set Decoration by | |||
| Ki-duk Kim | |||
Costume Design by | |||
| Lim Seung-Hee | |||
Makeup Department | |||
| Lim Seung-Hee | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Chul-soo Jang | .... | assistant director | |
Sound Department | |||
| Song Je-Yin | .... | sound | |
| Sang-gyun Park | .... | sound mixer | |
Visual Effects by | |||
| Tae-hoon Kim | .... | visual effects supervisor | |
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| Spring, Summer, Fall, Winter... and Spring | Freeway | Salaam Bombay! | Magnolia | Mister Foe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb South Korea section |
Director Kim Ki-Duk gives us insight about teenage prostitution in Korea, but is this really a movie about prostitution? Looking deeper than the visual settings, I found that the movie hits more emotionally about relationships, between friends and family. The movie is basically broken into two parts. Part one is about Jae-Young, an amateur prostitute and her best friend Yeo-Jin, her manager. The second part is about Yeo-Jin and her father. Each part has its tense moments, and the director, pretty much does a good job telling the story and showing the audience: tragedy and closeness. There's not a lot of sex or violence like typical prostitution movies, but then again it is not about prostitution, it only uses it as a medium to get the point across. Happy viewing!