Hikari is an actress who has contract with the agent Kazama. One day, Kazama forces Hikari to act in an adult video, as the result, Hikari goes mad and finds her mental partner Jey to consult with. Finally, Kazama destroys everything.
Morton H. Halperin was a former member of NSA, State Department and Pentagon under several U.S. regimes since 1960s. And his lecture about the Okinawa reversion was shot at the House of Councillors on September 19, 2014 in Japan.
A crafty and mysterious gentleman comes to an office where two pretty girls Mayumi and Akiko have their problems on male-and-female relationships and decides to instruct them against their questions to free them.
The Blue Sky is the first Asian digit-3D student film featuring individual tragedy between the Chinese pilot Zhengliang, Xu and the young Japanese pilot Ryuta, Watanabe in The Second Sino-Japanese War, 'brutality of war' as its theme.
16 thinkers gathered together to discuss the political issues in Japan, such as reuse of nuclear plants, accepting right of collective self defense, TPP, the secrecy law and the revision of constitution by Abe regime.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
Although never fully elaborated on, the dance on stage that Sayuri performs tells the story of a woman who suspects her husband of infidelity and waits outside in the snow to catch her husband leaving his mistress; unfortunately a blizzard sweeps over the land and she succumbs to the elements. In the novel, it was Mameha who performs this dance. See more »
When Mameha cuts Sayuri's leg, during the dialogue Sayuri has a red ribbon and a pink comb in her hair. The pink comb disappears and reappears throughout the shots. See more »
Geisha needs an elegant wardrobe, just like an artists needs ink. If she is not properly dressed, than she is not a true geisha.
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With all of the negative reviews in my mind as I walked into the theatre, I braced myself for the worst. It turns out that my opinion of the film that seemed to raise so much controversy over casting and language fell in line with neither the vehemently negative, nor the positive accolades of the critics who hail it as one of the best films of the year. Instead, I left the theater feeling ambivalent, not quite sure to sing its praises or to decry it completely.
One thing is for sure, the film is gorgeous. There are scenes where the colour seems to bleed off the screen, and some just look like portraits. That being said, the film seems to have forgotten subtlety as a facet of art. Memoirs of a Geisha feels like a distinctly American period film, a fabrication marked by artificiality. Instead of using the actors as a vehicle for conveyance, our eyes are instead drawn to the set design, the framing, the cinematography (at least, for me).
Everyone is probably sick of all the discussions about the casting of Zhang Ziyi, Michelle Yeoh, and Li Gong, but I'm going to raise it again. As a Chinese-American, it was strange for me to see three actors who don't look Japanese play the part of the geisha. Additionally, the fact that the film is in English also proved problematic because although Michelle Yeoh's English is quite polished, Li Gong and Zhang Ziyi's English is definitely not. Much of the time, I was struggling to understand what they were saying (a gripe that I've seen mentioned by many others). The inconsistency of the dialogue (e.g., different accents from different characters, sporadic Japanese words during English conversation between characters)detracted from the film for me, because I had to keep asking myself, "Why is this not in Japanese?" In the end, the film feels like a cup of instant ramen. It's satisfying and tasty when the hunger pangs strike, but an hour later, you're left wondering why you didn't just go for something a little more substantial than freeze-dried noodles in a broth made from water and MSG. Memoirs of a Geisha is an entertaining film, but I don't think I could sit through it again.
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