Taiwanese School: The Experiment of Sergei Eisenstein's Montage Theory is a film featuring Sergei Eisenstein's montage art and revolutionary spirit, 'unification of society' as its theme. ... See full summary »
The Blue Sky is the first Asian digit-3D student film featuring individual tragedy between the Chinese pilot Zhengliang, Xu and the young Japanese pilot Ryuta, Watanabe in The Second Sino-Japanese War, 'brutality of war' as its theme.
A crafty and mysterious gentleman comes to an office where two pretty girls Mayumi and Akiko have their problems on male-and-female relationships and decides to instruct them against their questions to free them.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
There was much discussion about the traditional Geisha hairstyles of the time period and the filmmakers decided to give each character a specific hairstyle that was slightly symbolic of her character. Pumpkin's hair was slightly over-exaggerated with many ornaments to indicate her character's desperation to succeed. Hatsumomo's hair when loose was wild, while her up-do was set with sections of hair dangling out to indicate her character's disregard for tradition, and her loose morals. Mameha's hair was side swept with simple buns or generally loose over one shoulder to give her a simple elegant appearance. Sayuri's hair was always a simple style either in a bun, a braid or a less exaggerated style to indicate her natural beauty and less need of elaborate styles. See more »
When Hatsumomo and Pumpkin are leaving on the night of Pumpkin's debut, neither Mother nor Auntie spark flint on their backs. A Geisha would never leave her okiya without this act being performed as it was believed it brought good luck. See more »
Lavish cinematography means 'Memoirs of a Geisha' is never anything less than visually beautiful, and it's hard to think of how any other movie could beat it to an Oscar in this department come March next year. However, the true merit of the film lies in the fact that its sumptuous style does not outweigh substance, something particularly thankful given that such an imbalance was so unfortunately true of House of Flying Daggers, the last major release to star Ziyi Zhang. Instead, the truly enchanting performance of 12-year old Suzaka Oghu, who plays the young Sayuri for the first half hour, ensures attention is captured within her character's story for the rest of the drama. This allows the script to remain pleasingly understated, and also means the unlikely nature of the romance can be overlooked.
The hibernation that the story withdraws into during the wartime years could so easily have been damaging, but in the event the portrayal of how the post-war influx of American troops corrupted Japan's ancient traditions is just as excellent as the rest of the film.
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