7.4/10
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Memoirs of a Geisha (2005)

PG-13 | | Drama, Romance | 23 December 2005 (USA)
Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.

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(screenplay), (book)
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Won 3 Oscars. Another 27 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Thomas Ikeda ...
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Hatsumomo (as Gong Li)
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David Okihiro ...
Shamisen Teacher
Miyako Tachibana ...
Dance Teacher
Kotoko Kawamura ...
Granny
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Koichi
...
Korin
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Storyline

In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by Jwelch5742

Plot Summary | Plot Synopsis

Plot Keywords:

geisha | japan | jealousy | woman | 1920s | See All (44) »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature subject matter and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

23 December 2005 (USA)  »

Also Known As:

Memorias de una geisha  »

Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend:

$682,504 (USA) (9 December 2005)

Gross:

$57,010,853 (USA) (10 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was heavily criticized by Asian critics for having Chinese actresses portraying the geishas. In reality, according to producer Lucy Fisher, the producers held an open day for audition for Japanese actresses to audition for those roles. None turned up and they had to turn to other Asian actresses for casting. See more »

Goofs

Sayuri is the Year of the Monkey, not the Rooster. See more »

Quotes

[referring to Chiyo]
Hatsumomo: A pity. She still stinks of fish.
See more »

Connections

Featured in Eye on L.A.: 0916 (2016) See more »

Soundtracks

Shika No Tone (Distant Calls of Deer)
Written by Kinko Kurosawa
Performed by Tajima Tadashi
Courtesy of Network Medien GmbH Frankfurt Germany
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Frequently Asked Questions

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User Reviews

 
Reminds me of Instant Lunch ramen...
14 December 2005 | by (United States) – See all my reviews

With all of the negative reviews in my mind as I walked into the theatre, I braced myself for the worst. It turns out that my opinion of the film that seemed to raise so much controversy over casting and language fell in line with neither the vehemently negative, nor the positive accolades of the critics who hail it as one of the best films of the year. Instead, I left the theater feeling ambivalent, not quite sure to sing its praises or to decry it completely.

One thing is for sure, the film is gorgeous. There are scenes where the colour seems to bleed off the screen, and some just look like portraits. That being said, the film seems to have forgotten subtlety as a facet of art. Memoirs of a Geisha feels like a distinctly American period film, a fabrication marked by artificiality. Instead of using the actors as a vehicle for conveyance, our eyes are instead drawn to the set design, the framing, the cinematography (at least, for me).

Everyone is probably sick of all the discussions about the casting of Zhang Ziyi, Michelle Yeoh, and Li Gong, but I'm going to raise it again. As a Chinese-American, it was strange for me to see three actors who don't look Japanese play the part of the geisha. Additionally, the fact that the film is in English also proved problematic because although Michelle Yeoh's English is quite polished, Li Gong and Zhang Ziyi's English is definitely not. Much of the time, I was struggling to understand what they were saying (a gripe that I've seen mentioned by many others). The inconsistency of the dialogue (e.g., different accents from different characters, sporadic Japanese words during English conversation between characters)detracted from the film for me, because I had to keep asking myself, "Why is this not in Japanese?" In the end, the film feels like a cup of instant ramen. It's satisfying and tasty when the hunger pangs strike, but an hour later, you're left wondering why you didn't just go for something a little more substantial than freeze-dried noodles in a broth made from water and MSG. Memoirs of a Geisha is an entertaining film, but I don't think I could sit through it again.


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