Katee Sackhoff talks about what it's like to be a part of "Star Wars: Rebels" and reveals the inspiration for her character on "The Flash." Plus, we get our Jedi on and learn how to wield a lightsaber.
This film depicts cause and effects of The Trans-Pacific Partnership (TPP) and the first official conference of Association for Stopping TPP Negotiation and Lawsuit for the Violation of the Constitution in 2015.
This documentary shows that how Japanese citizens determined to fight against Abe regime's War and the Law of Jungle policy. Instead more than eight hundreds participants stated that opposition to Abe regime.
Morton H. Halperin was a former member of NSA, State Department and Pentagon under several U.S. regimes since 1960s. And his lecture about the Okinawa reversion was shot at the House of Councillors on September 19, 2014 in Japan.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
Michelle Yeoh and Zhang Ziyi previously collaborated on Crouching Tiger, Hidden Dragon (2000). See more »
When Chiyo/Sayuri and Pumpkin are listening on Mrs. Nitta and Mameha's discussion of Chiyo's future, and the camera zooms in on the girls' eyes peering through the crack in the door, Chiyo's eyes move very fast and you can clearly see Chiyo's blue contact, since it does not move with the rest of her eye. See more »
Musume Dojoji (The Maiden at the Dojo Temple)
Written by Kineya Yasaburo
Performed by Ensemble Nipponia
Courtesy of Nonesuch Records
By Arrangement with Warner Music Group Film & TV Licensing See more »
Lavish cinematography means 'Memoirs of a Geisha' is never anything less than visually beautiful, and it's hard to think of how any other movie could beat it to an Oscar in this department come March next year. However, the true merit of the film lies in the fact that its sumptuous style does not outweigh substance, something particularly thankful given that such an imbalance was so unfortunately true of House of Flying Daggers, the last major release to star Ziyi Zhang. Instead, the truly enchanting performance of 12-year old Suzaka Oghu, who plays the young Sayuri for the first half hour, ensures attention is captured within her character's story for the rest of the drama. This allows the script to remain pleasingly understated, and also means the unlikely nature of the romance can be overlooked.
The hibernation that the story withdraws into during the wartime years could so easily have been damaging, but in the event the portrayal of how the post-war influx of American troops corrupted Japan's ancient traditions is just as excellent as the rest of the film.
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