Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha's world are forever changed by the onslaught of history. Written by
During the fight between Sayuri and Hatsumomo in Sayuri's room a crew member walks through the left side of the shot. See more »
It is too pretty a day to be so unhappy. Did you fall down? Why so shy? Nothing to be ashamed of, we all stumble from time to time. Do you see that enchanting lady in green? Once when she was just a maiko, she fell clean off her wooden shoes.
Geisha in Green:
It's true, I did.
And now look at her, so elegant...
Geisha in Green:
Mr. Chairman, shouldn't we hurry? We will miss the beginning.
We see the spring dances every year, we can spare a moment. What's your name? Don't be afraid to look at me. Do you like ...
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With all of the negative reviews in my mind as I walked into the theatre, I braced myself for the worst. It turns out that my opinion of the film that seemed to raise so much controversy over casting and language fell in line with neither the vehemently negative, nor the positive accolades of the critics who hail it as one of the best films of the year. Instead, I left the theater feeling ambivalent, not quite sure to sing its praises or to decry it completely.
One thing is for sure, the film is gorgeous. There are scenes where the colour seems to bleed off the screen, and some just look like portraits. That being said, the film seems to have forgotten subtlety as a facet of art. Memoirs of a Geisha feels like a distinctly American period film, a fabrication marked by artificiality. Instead of using the actors as a vehicle for conveyance, our eyes are instead drawn to the set design, the framing, the cinematography (at least, for me).
Everyone is probably sick of all the discussions about the casting of Zhang Ziyi, Michelle Yeoh, and Li Gong, but I'm going to raise it again. As a Chinese-American, it was strange for me to see three actors who don't look Japanese play the part of the geisha. Additionally, the fact that the film is in English also proved problematic because although Michelle Yeoh's English is quite polished, Li Gong and Zhang Ziyi's English is definitely not. Much of the time, I was struggling to understand what they were saying (a gripe that I've seen mentioned by many others). The inconsistency of the dialogue (e.g., different accents from different characters, sporadic Japanese words during English conversation between characters)detracted from the film for me, because I had to keep asking myself, "Why is this not in Japanese?" In the end, the film feels like a cup of instant ramen. It's satisfying and tasty when the hunger pangs strike, but an hour later, you're left wondering why you didn't just go for something a little more substantial than freeze-dried noodles in a broth made from water and MSG. Memoirs of a Geisha is an entertaining film, but I don't think I could sit through it again.
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