Hikari is an actress who has contract with the agent Kazama. One day, Kazama forces Hikari to act in an adult video, as the result, Hikari goes mad and finds her mental partner Jey to consult with. Finally, Kazama destroys everything.
This is a film about how the protagonist, unemployed worker Tamiya is forced to accept the slavery under the black company. His wife Noriko suggests him to not accept the offer from the black company, but..
Morton H. Halperin was a former member of NSA, State Department and Pentagon under several U.S. regimes since 1960s. And his lecture about the Okinawa reversion was shot at the House of Councillors on September 19, 2014 in Japan.
16 thinkers gathered together to discuss the political issues in Japan, such as reuse of nuclear plants, accepting right of collective self defense, TPP, the secrecy law and the revision of constitution by Abe regime.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
It took a lot of negotiating to get Rob Marshall to direct this film. Since he directed the hit film Chicago (2002) for Miramax, he owed his next film to them. This is a DreamWorks film. It was only because Miramax and DreamWorks have a long history of borrowing talent from each other that they were able to work out a deal. See more »
When Mameha cuts Sayuri's leg, during the dialogue Sayuri has a red ribbon and a pink comb in her hair. The pink comb disappears and reappears throughout the shots. See more »
[while forcefully undressing Sayuri]
Sayuri, I'm only having a look. Any man would do the same.
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Can a group of American men and Chinese actresses render the world of a Japanese geisha? The answer is yes, with stunning beauty and regrettable flaws.
Truth be told, this movie was not as bad as its trailer led me to expect it to be. It had a story to tell (although it crumbles in the end),images to show, and material to present. There were ample displays of exquisite beauty -- the trailing tails of silk kimonos, the subtle allure of hand gestures, and the captivating scene of kabuki dance theater ...
On the other hand, the American director was not able to pull the Japanese out of Chinese actresses. (This movie was so crowded by famous Chinese idols that I found myself inadvertently searching for Joan Chen among the cast.) To be fair, all three main actors (Gong Li in particular) show strong performances that made me sympathetic to Rob Marshall's choices. However, they remain utterly Chinese throughout this movie. The look and accent are not the only problems. They lacked the kind of extreme femininity and excessive felicity of the delicately mechanical gesture and movements of traditional Japanese ladies you see in custom dramas of Japanese production. (Michelle Yeoh seems to be the only one trying a little bit of those, but it did not quite work for some reason.)
So, let me re-address the question: Can a group of American men and Chinese actresses render the world of a geisha? The answer, I guess, really depends on what you are looking for. If you would like a little bit of delight from an aesthetically pleasing picture with a dubious authenticity and realism, this movie delivers it. I would not say Rob Marshall failed completely. Memoirs of a Geisha is not the first, nor the last, movie that subjects another culture to the crude lens of American exoticism. It definitely is not the worst one.
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