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Memoirs of a Geisha (2005)

PG-13  |   |  Drama, Romance  |  23 December 2005 (USA)
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Ratings: 7.3/10 from 113,905 users   Metascore: 54/100
Reviews: 542 user | 233 critic | 38 from

Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.



(screenplay), (book)
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Won 3 Oscars. Another 26 wins & 35 nominations. See more awards »



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Cast overview, first billed only:
Thomas Ikeda ...
Hatsumomo (as Gong Li)
David Okihiro ...
Shamisen Teacher
Miyako Tachibana ...
Dance Teacher
Kotoko Kawamura ...


In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha's world are forever changed by the onslaught of history. Written by dumpster_cakes

Plot Summary | Plot Synopsis


Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature subject matter and some sexual content | See all certifications »

Parents Guide:






Release Date:

23 December 2005 (USA)  »

Also Known As:

Memorias de una geisha  »

Box Office


$85,000,000 (estimated)

Opening Weekend:

$682,504 (USA) (9 December 2005)


$213,303 (South Africa) (26 May 2006)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Because none of the Japanese rickshaws were large enough for the two women to be comfortably seated next to each other, the rickshaw used for the scenes in which Mameha and Sayuri travel together in one carriage was manufactured in California, using wheels and axles shipped in from Japan. See more »


When Chiyo's virginity is discussed, you can see Mother smoke cigarettes (in a holder). During the scene the length of the cigarette varies. See more »


Mameha: We do not become Geisha to pursue our own destinies. We become Geisha because we have no other choice.
See more »


Referenced in Aída: Memorias de una fulana (2005) See more »


Matsu No Midori
Written by Rokusaburo Kineya
Performed by David Okihiro
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A worthy big screen experience
17 December 2005 | by (United States) – See all my reviews

Going into the film, I had worries with all the slamming critics have given, even though I didn't read all of them in details. However, I'm happy to say it turns out to be one of more satisfying movie experiences of the year.

First I echo the sentiment that the film is simply technically perfect. The retro-mood it created had me immensed in the world of geisha from beginning to the end. It's very 1930 Shanghai like. The music score isn't as haunting as the one in CTHD, but it is still masterfully composed and fits in the background very well. It's worth seeing for the big screen experience alone. The story also never dragged, as each of the three parts flowed nicely. I normally don't like voice-over, but here it really held the movie together and helped to move the story along.

As for the accents, the problem has definitely been exaggerated. I was expecting a lot of unpleasant broken English to be spoken, but they all sounded fine to good, not just from the most fluent Michelle Yeoh, but Ken Watanabe, Youki Kudoh (who plays Pumpkin) and other supporting casts. Gong Li had a few awkward lines at the beginning, and Ziyi had more and is the one who had to try the hardest, but both pulled off admirably and didn't hurt their performances in the process.

Talking about performances, I think almost all of them did well. It's much more of an ensemble piece, and I was especially impressed by the young Sayuri and Ken Watanabe.

The main problem I have is with character development. It is a Cinderella story at heart, but the good and evil are too clear-cut and lack dimension. I also want to see more ups and downs for the competition between Ziyi and Gong Li. Gong did all she could, but the script didn't allow her to be a worthy opponent. Except for some verbal back-and-forth between the two and a few dirty tricks from Gong, there was no reason to believe why she was the most famous geisha in Japan before Ziyi arrived.

In addition, the Mother character is over-the-top and didn't fit the emotional aspect the film quite well, although she did provide some comical moments. The big dance scene had excellent buildup, but the execution of the dance felt flat. It lasted only about 30 seconds, while doubling that and making it more mesmerizing would have made the whole middle act more effective.

These flaws didn't overshadow the fact that what was put on screen worked for me. Will I be willing to watch it again with friends? In a heartbeat. Will I recommend it to others? Definitely. With that in mind, I give the film an A-.

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quick question on the book and similar films to this? midi_1234
culturally clueless film based off a culturally clueless book. chrisl84notpia
I pitied Hatsumomo. Rowan222
Chinese and Japanese theNakedtruth96
who do you think is more beautiful? black_blizzzzard
Is this movie worth watching at all? cadademon
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