Hikari is an actress who has contract with the agent Kazama. One day, Kazama forces Hikari to act in an adult video, as the result, Hikari goes mad and finds her mental partner Jey to consult with. Finally, Kazama destroys everything.
Taiwanese School: The Experiment of Sergei Eisenstein's Montage Theory is a film featuring Sergei Eisenstein's montage art and revolutionary spirit, 'unification of society' as its theme. ... See full summary »
Morton H. Halperin was a former member of NSA, State Department and Pentagon under several U.S. regimes since 1960s. And his lecture about the Okinawa reversion was shot at the House of Councillors on September 19, 2014 in Japan.
This film depicts cause and effects of The Trans-Pacific Partnership (TPP) and the first official conference of Association for Stopping TPP Negotiation and Lawsuit for the Violation of the Constitution in 2015.
This is a film about how the protagonist, unemployed worker Tamiya is forced to accept the slavery under the black company. His wife Noriko suggests him to not accept the offer from the black company, but..
A crafty and mysterious gentleman comes to an office where two pretty girls Mayumi and Akiko have their problems on male-and-female relationships and decides to instruct them against their questions to free them.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
Youki Kudoh, the actress who portrays the adult Pumpkin had to work with dialect coaches and re-learn how to speak with a Japanese accent as although in real life having been born in Japan, speaks with an American accent from living in the USA for a good portion of her life. See more »
When Chiyo apologizes to Mameha about the kimono; when she first bows both sleeves of her kimono are behind her arms but in the next scene when Mameha kneels beside her, the right sleeve is on top of her arm instead of behind it. See more »
A story like mine should never be told. For my world is as forbidden as it is fragile. Without its mysteries it cannot survive. I certainly wasn't born to the life of a geisha. Like so much in my strange life, I was carried there by the current.
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I lived in Japan for 3 years and I loved the book, rich with visual imagery. I went to the see the movie with a good deal of trepidation, convinced that they were going to butcher it and sex it up to appeal to American audiences. Instead I sat spellbound in my seat as I watched the images that Arthur Golden has created in my mind with words years before, play themselves out on the screen in front of me. Every shot, ever scene, every tiny detail was just beautiful. I literally did not look away from the screen the entire time. The acting wasn't spectacular. I think they could have found somebody better to play Sayuri. The children were all wonderful. The stand-out actress by far was Gong Li as Hatsumomo. The villain had the best opportunities to show her skills as a thespian. The plot stuck very closely to the book. They eliminated the scenes that they needed to in the interest of time, but they didn't try to take any shortcuts or speed up the plot. I really felt like the story was played out beginning to end without sacrificing any of the meat. You'll read a lot of reviews in the coming weeks praising the gorgeous photography. Every word is true. Words like "lush" and "exquisite" only begin to do it justice. I've never had the experience of being transported to another time by a movie in quite this way.
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