Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha's world are forever changed by the onslaught of history. Written by
The filmmakers decided that the Gion district of modern-day Kyoto (the Geisha district where Arthur Golden's novel is set) looked much too modern to evoke the 1920s and 30s. So, a large set of the Gion district was constructed outside of Los Angeles in Thousand Oaks, California. The detailed set had real cobblestone streets, bridges, a river, period buildings and antique props which evoked the period described in the novel. See more »
Spoiler: When Okaa-san says she wants to adopt Sayuri, which provokes Hatsumomo's anger, Okaa-san's cigarette keeps changing its own size, being at times totally consumed, and sometimes not. See more »
[turns to see the Chairman standing in front of her]
Chairman, where is Nobu-san?
He won't be coming.
Is something wrong?
He knows what happened. It is not in his nature to forgive.
Chairman, what happened on the island...
Please, you don't have to explain.
But I have shamed myself so deeply, past all forgiveness.
No! I'm the one who must be forgiven.
I do not understand.
Perhaps... if you had only known the truth.
[...] See more »
personally, i don't know what everyone was so anxious about before viewing this movie. i had heard a lot of praise about the cinematography and the depth and emotion of the storyline. who cares if the actors were of different race? i know a lot of people will take offense to that, but being an Asian-American myself, it didn't bother me too much, since it wasn't what i thought of while watching the movie. who has time to think of different dialects and someone being Chinese when a beautiful story of the life of a geisha is being told.
i thought maybe the movie would not live up to the book, but i felt the adaptation was done well. although some of the casting could have been done better, i got chills from mother, angry at hatsumomo, and grew respect for the character of mameha, just as i had from the book. the movie did a fine job establishing the highly disciplined world of a geisha, a world where many sacrifices are to be made.
all in all, the movie was fantastic, and if people could just look beyond the issue of worrying about the nationality of a character who is supposed to be Japanese (and to me, its not a huge issue) I'm sure you will enjoy the movie.
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