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Memoirs of a Geisha (2005)

 -  Drama | Romance  -  23 December 2005 (USA)
7.3
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Ratings: 7.3/10 from 100,874 users   Metascore: 54/100
Reviews: 542 user | 227 critic | 38 from Metacritic.com

Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.

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(screenplay), (book)
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Title: Memoirs of a Geisha (2005)

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Won 3 Oscars. Another 23 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Sakamoto
...
Satsu
...
Sakamoto's Wife
Thomas Ikeda ...
Mr. Bekku
...
Hatsumomo (as Gong Li)
...
...
...
David Okihiro ...
Shamisen Teacher
Miyako Tachibana ...
Dance Teacher
Kotoko Kawamura ...
Granny
...
Koichi
...
Korin
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Storyline

In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha's world are forever changed by the onslaught of history. Written by dumpster_cakes

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature subject matter and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

23 December 2005 (USA)  »

Also Known As:

Memoirs of a Geisha  »

Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend:

$85,436 (South Africa) (5 May 2006)

Gross:

$213,303 (South Africa) (26 May 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

There was much discussion about the traditional Geisha hairstyles of the time period and the filmmakers decided to give each character a specific hairstyle that was slightly symbolic of her character. Pumpkin's hair was slightly over-exaggerated with many ornaments to indicate her character's desperation to succeed. Hatsumomo's hair when loose was wild, while her up-do was set with sections of hair dangling out to indicate her character's disregard for tradition, and her loose morals. Mameha's hair was side swept with simple buns or generally loose over one shoulder to give her a simple elegant appearance. Sayuri's hair was always a simple style either in a bun, a braid or a less exaggerated style to indicate her natural beauty and less need of elaborate styles. See more »

Goofs

When Mameha cuts Sayuri's leg, during the dialogue Sayuri has a red ribbon and a pink comb in her hair. The pink comb disappears and reappears throughout the shots. See more »

Quotes

Chairman: You have to savor life while you can.
See more »

Connections

Referenced in 30 Rock: Sun Tea (2009) See more »

Soundtracks

Tsugaru Yosare Bushi
Traditional
Performed by Tateo Takahashi
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Top-Notch Eye Candy
24 November 2005 | by (United States) – See all my reviews

Can a group of American men and Chinese actresses render the world of a Japanese geisha? The answer is yes, with stunning beauty … and regrettable flaws.

Truth be told, this movie was not as bad as its trailer led me to expect it to be. It had a story to tell (although it crumbles in the end),images to show, and material to present. There were ample displays of exquisite beauty -- the trailing tails of silk kimonos, the subtle allure of hand gestures, and the captivating scene of kabuki dance theater ...

On the other hand, the American director was not able to pull the Japanese out of Chinese actresses. (This movie was so crowded by famous Chinese idols that I found myself inadvertently searching for Joan Chen among the cast.) To be fair, all three main actors (Gong Li in particular) show strong performances that made me sympathetic to Rob Marshall's choices. However, they remain utterly Chinese throughout this movie. The look and accent are not the only problems. They lacked the kind of extreme femininity and excessive felicity of the delicately mechanical gesture and movements of traditional Japanese ladies you see in custom dramas of Japanese production. (Michelle Yeoh seems to be the only one trying a little bit of those, but it did not quite work for some reason.)

So, let me re-address the question: Can a group of American men and Chinese actresses render the world of a geisha? The answer, I guess, really depends on what you are looking for. If you would like a little bit of delight from an aesthetically pleasing picture with a dubious authenticity and realism, this movie delivers it. I would not say Rob Marshall failed completely. Memoirs of a Geisha is not the first, nor the last, movie that subjects another culture to the crude lens of American exoticism. It definitely is not the worst one.


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