The Blue Sky is the first Asian digit-3D student film featuring individual tragedy between the Chinese pilot Zhengliang, Xu and the young Japanese pilot Ryuta, Watanabe in The Second Sino-Japanese War, 'brutality of war' as its theme.
This documentary shows that how Japanese citizens determined to fight against Abe regime's War and the Law of Jungle policy. Instead more than eight hundreds participants stated that opposition to Abe regime.
This film depicts cause and effects of The Trans-Pacific Partnership (TPP) and the first official conference of Association for Stopping TPP Negotiation and Lawsuit for the Violation of the Constitution in 2015.
In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by
The playwright Doug Wright stayed on set during the shoot to rewrite lines that actors found too difficult to pronounce. He also polished up the shooting script. See more »
The dance performed by Sayuri during her debut is of a dance style that was invented as a reaction to the tragedy of World War II. See more »
There is nothing I want more, Sayuri, than to become your danna.
I already owe you far too much.
I will not be refused.
We are tied to each other. I know you feel it too.
I never meant to mislead you.
Sayuri, I do not like things held up before me that I cannot have...
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Lavish cinematography means 'Memoirs of a Geisha' is never anything less than visually beautiful, and it's hard to think of how any other movie could beat it to an Oscar in this department come March next year. However, the true merit of the film lies in the fact that its sumptuous style does not outweigh substance, something particularly thankful given that such an imbalance was so unfortunately true of House of Flying Daggers, the last major release to star Ziyi Zhang. Instead, the truly enchanting performance of 12-year old Suzaka Oghu, who plays the young Sayuri for the first half hour, ensures attention is captured within her character's story for the rest of the drama. This allows the script to remain pleasingly understated, and also means the unlikely nature of the romance can be overlooked.
The hibernation that the story withdraws into during the wartime years could so easily have been damaging, but in the event the portrayal of how the post-war influx of American troops corrupted Japan's ancient traditions is just as excellent as the rest of the film.
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