| Videos (see all 4) |
| Marie Barrow | ... | Herself | |
| Jimmy Ray Gillman | ... | Himself | |
| Michael Cox | ... | Himself - Author | |
| John Neal Phillips | ... | Himself | |
| Frank Prassel | ... | Himself | |
| Paul A. Hutton | ... | Himself (as Dr. Paul A. Hutton) | |
| Roger McGrath | ... | Himself | |
| John Davis | ... | Himself - Historian | |
| John Dillinger | ... | Himself (archive footage) | |
| W.D. Jones | ... | Himself (archive footage) | |
| rest of cast listed alphabetically: | |||
| Bob Alcorn | ... | Himself (archive footage) | |
| Clyde Barrow | ... | Himself (archive footage) | |
| Ted Hinton | ... | Himself (archive footage) | |
| Jimmy Hounchell | ... | Himself (as FBI Lt. Jimmy Hounchell) | |
| Rick Maddox | ... | Himself | |
| Bonnie Parker | ... | Herself (archive footage) | |
| Episode Crew |
Produced by | |||
| Melanie Blythe | .... | series producer | |
| Michael Cascio | .... | executive producer | |
| Linda Fuller | .... | producer | |
| Craig Haffner | .... | executive producer | |
| Donna E. Lusitana | .... | executive producer | |
| Michael Sackett | .... | segment producer | |
| Greg Weinstein | .... | segment producer | |
Original Music by | |||
| Christopher L. Stone | |||
Film Editing by | |||
| Michael W. Andrews | |||
| Margaret Moore | |||
Production Management | |||
| Diane Ferenczi | .... | post-production supervisor | |
| Steven Lewis | .... | executive in charge of production | |
Camera and Electrical Department | |||
| Joey Spurlock | .... | field camera | |
| Steve Suggs | .... | field camera | |
| Dan Waymack | .... | field camera | |
Animation Department | |||
| Timothy Kitz | .... | animation | |
Editorial Department | |||
| Terence Curren | .... | composite editor | |
| Eric Lindstrom | .... | post-production coordinator | |
| Rob Senkel | .... | post production assistant | |
Other crew | |||
| Marie Barrow | .... | archive source | |
| Troy Bogert | .... | production assistant | |
| Chris Cranford | .... | field engineer | |
| Rick DeCroix | .... | archive footage | |
| Bill Harris | .... | manager: documentary programming | |
| Andrew Hurvitz | .... | production assistant | |
| Heidi McBride | .... | production assistant | |
| John Neal Phillips | .... | archive source | |
| Dave Rody | .... | field engineer | |
| Louis Tarantino | .... | production coordinator | |
Thanks | |||
| Cleo Davis | .... | thanks | |
| John Davis | .... | thanks (as Jonathan Davis) | |
| Brian Downs | .... | thanks | |
| William J. Helmer | .... | thanks | |
| Lorraine Joyner | .... | thanks | |
| Joe Pinkston | .... | thanks | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Agnes Nixon | creator | |
| Main series | Episode guide | Full cast and crew |
| External reviews | IMDb TV section | IMDb Documentary section |
| IMDb USA section |
It's amazing how the entertainment business loves to glamorize gangsters. They love darkness, but I expected a history-centered TV program like this to be a little more objective....yet, more times than not, these two famous outlaws were made to look like sympathetic characters in this episode. They interview Clyde Barrow's sister and read letters from a Parker family member's memoirs of 1968. They interview college professors and - surprise! - they give more of the same slant. This all despite the fact that Bonnie & Clyde were cold-blooded killers and a pair of real low-lifes. Amazing.
If you don't believe me, just read the synopsis here on the IMDb title page. "Romantic" folk hero types? I don't think so, even in the Depression Era. If so, people should be ashamed for rooting for killers.
Whatever the case, this episode provided a lot of background information on this famous pair of lovers on the lam from the early 1930s. In the middle of the Great Depression, gangsters were not always seen in a bad light, thanks to the entertainment business who often glorified the exploits of these "modern-day Robin Hoods," as it was stated here on TV. There was Pretty Boy Floyd, John Dillinger, Ma Barker and her gang, Baby Face Nelson and Machine Gun Kelly......all "glamorous" names.
For much of Bonnie & Clyde's criminal exploits, the blame was put on their poverty-level upbringing, as if that is a legitimate excuse for crime. It's pointed out here the brutality of a jail in Alabama which really hardened Clyde and changed him from a thief to a murdering one.
There are a lot of facts here in this Biography episode, though, that don't have sides, per se, but are simply interesting. People who don't know anything about these two figures outside of what they saw in the famous 1968 film "Bonnie & Clyde" will be quite a bit more informed when this program is over. For instance, Bonnie and Clyde were in love a lot more than what we saw in the film. How they met and formed their relationship, along with a ton of other pre-crime spree history, is all very interesting. A nice bonus, too, is actual footage of the victims at the end, when the two were ambushed and, along with their car, riddled with bullets. The picture shows - from a little distance - Parker slumped over in the seat.
The crowds at the funerals were also shown, and it's remarkable. It's amazing how "celebrities," no matter what their occupation, have always fascinated "normal" people.